The interlocking, repeating patterns of Indonesian Gamelan music can help your brain lock into a trance-like state, ideal for detailed or repetitive work.

Hypnotic Gamelan Ensemble

Kunang-Kunang Gamelan Degung Music of West Java

PALWA (feat. Burhan Sukarma)

CUPUMANIK (feat. Burhan Sukarma)

KUNANG-KUNANG (feat. Burhan Sukarma)

KARANG ULUN (feat. Burhan Sukarma)

SANGKURATU (feat. Burhan Sukarma)

GENDRE (feat. Burhan Sukarma)

BALE NGAMBANG (feat. Burhan Sukarma)

LAMBANG PARAHIANGAN (feat. Burhan Sukarma)

#gamelan #gamelanmistis #mystical #horror #gamelanmodern #mysticaljourney 

Javanese gamelan music with mystical overtones (instrumental mystical gamelan). Suitable for meditation, ritual, mystery, or a calm, spiritual atmosphere.

title : SIREP
composed by Robin Wild Green
copyright © Robin Wild Green


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 ● BUY AUDIO LICENSE ( commercial use )

This music is copyrighted. If you wish to use it for a commercial project (video, advertisement, film, game, or other digital content), you can purchase a license through :

 Pond5: https://www.pond5.com/royalty-free-music/item/316412945-sirep-gamelan-mystical-instrumental
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📌 Important Note

All commercial use requires an official license.

Use this music legally to avoid copyright claims on YouTube.

Personal and non-commercial content may be used with proper credit. ( optional )

If you want to support
  you can go through this link

 https://saweria.co/rwgreen

 Or

 https://paypal.me/robinwildgreen

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tag :

mystical gamelan
gamelan modern
gamelan java
gending java
gamelan horror
gamelan
gamelan sakral
gamelan music
gamelan instrumental
gamelan modern

Gamelan music - SIREP ( Gamelan mystical instrumental )

On the cliffs of Uluwatu, when the ocean devours the sun, the seven masks awaken.
Eyes swell red, jaws stretch wide, and teeth gleam like knives.
The stone trembles under their laughter,
and the night opens with a mouth full of drums.

Before gods, before men,
storms carved the first dance:
thunder cracking skulls of clouds,
waves tearing cliffs like flesh from bone,
winds shrieking as if torn from hollow throats.
The masks are fragments of this first hunger,
faces of a rhythm that devours silence.

When dancers put them on, the masks feed.
Flesh becomes rhythm,
breath becomes fire,
and the world shakes with a frenzy of jaws.

The Ritual of Polyrhythm is not a song — it is a feast.
Teeth bite into stone, flames lick the wind,
and every step drives deeper into the marrow of the night.
The cliffs themselves bleed sound until the horizon splits open.


The Seven Masks and Their Dances

1. Mask of Stone Breath

The earth exhales through basalt teeth.
Its rhythm grinds slow and merciless, a jaw of rock crushing time.

2. Mask of Ember Laughter

Flames split into a grin of sparks.
Its rhythm leaps jagged and sharp, fire biting the night in radiant joy.

3. Mask of Ocean Eyes

The tide opens as a mouth that swallows endlessly.
Its rhythm drags all steps into the black water, drowning them in memory.

4. Mask of Hollow Flame

Ash swirls in its throat, a furnace without warmth.
Its rhythm is a hollow blaze, breath echoing in chambers of fire
where sound stretches like teeth across the void.

5. Mask of Thunder Echo

The skull of the sky splits wide.
Its rhythm is a roar of jaws above the earth,
a storm chewing silence into splinters.

6. Mask of Shifting Steps

The ground cracks beneath its feet.
Its rhythm twists and breaks, pulling dancers into chasms that never end.

7. Mask of Air and Dream

The final mouth opens into dawn.
Its rhythm devours form into shadow, shadow into smoke,
until only breath drifts across the horizon, carrying the hunger of night into day.


Closing

At sunrise the masks return to stone,
but their teeth remain restless.
They gnash in thunder, grind in the tide,
and bite within the dreams of all who have seen them.

Mask of Stone Breath

Mask of Thunder Echo

Mask of Hollow Flame

Mask of Ember Laughter

The concept of Gaia starts with the formation of earth, where everything is peaceful and serene, reflected in monophonic and homophonic textures. As nature emerges and greenery flourishes, melodies blossom like flowers, bringing a sense of growth to the music. The next section marks the arrival of humanity, whose presence gradually alters the landscape. As humans conquer and reshape the land, the music reflects this transformation, portraying the Earth’s gradual destruction through shifting textures and tones.
Rooted in a tonal and grounded framework, the piece draws inspiration from traditional music, incorporating elements such as chant-like motifs and rhythms of taiko-inspired percussion.


Gaia

Les Invocations aux Anges et aux Oiseaux
Although direct connections between angels and birds may seem uncertain or questionable, here they are united on both an acoustic and philosophical level. Beyond shared sonic qualities, both works stem from a sustained interest in the phenomenon of communication in the broadest sense—continuing Vlad Dobrovolskyi’s previous explorations of diverse relationships between music, language, and environmental sounds. As these pieces demonstrate, this includes a wide range of human and non- human sonic expressions, selected both for their intrinsic uniqueness and for their physiological impact on the listener. 
Clearly, these compositions engage specific opposites and dichotomies— such as microcosm-macrocosm, natural-supernatural—yet more importantly, they focus on human attempts to comprehend our place within a universe that does not belong to us, and on the desire to reach out to the alien—even when this "otherness" speaks to us from realms entirely beyond our imagination and comprehension. 

Vlad Dobrovolskyi is a media artist, mentor and sound researcher.
Manifests the world through a collection of man-made sound assemblages.
Recently, Vlad Dobrovolski has focused on the ideas of illusory and elusive reality. He explores the illusory nature of the material and the unconscious, as well as other controversial aspects of human existence. Vlad is fascinated by the subtle textures and intricacies of sounds, especially very quiet phenomena.
The artist develops author's methods of field recordings in order to record the phenomena of the surrounding sound from different places of the planet.
One of the main directions of Dobrovolski's work is the study of sound illusions. He is interested in how sound can evoke certain states and perceptions, even if they are not inherent in this reality. Vlad is looking for ways to use sound to create new emotional experiences for listeners.


With @kotaerecords and @vladislav-dobrovolski


Les Invocations aux Anges et aux Oiseaux by Vlad Dobrovolski w/ Gleb Glonti (21.05.2025)

[Intro]
yuh.
yuh c1
vc sabe
slaxxer gang
slaxxer gang G.D.M.

[Verso 1 Yung Oslo]
yuh.
yuh.
yuh.
e os manos de verdade.
os manos de verdade.
e os manos de verdade.
n andamos com palhaço nunca (nunca).
policia pode vir atrás estamos desviando
as balas de verdade e estamos te acertando
tamos te acertano', estamos te capotando

roubando dinheiro sempre e meus manos ficando ricos:)

assombração aparece no seu quarto
agora os espiritos (agora os espiritos)
lobisoman no atelhado. só tem medo

só tem apavoro! (UM ASSALTO)

yaah, ak-47. pulsos cortados te torturamos na internet
procuramos na internet e te encontramos
c não bota medo mano me sinto tipo Tanos
devastando manos, sempre drogas raras
obtenho Haxixe e vcs falido'
vc tá frustrado pq tem medo de drogas!
vc tá frustrado pq ñ fica chapado
me sinto tipo Tcho-Tcho, RIP Tcho-Tcho (DESCANSE EM PAZ TCHOTCHO)
yah yah yah
e vcs são tolos. Yung. Oslo Chegando e Chegando
eh. yah, yah, yah.
os manos de verdades nunca brincam em serviço
os manos de verdade smp mantem importado'
os manos de verdade smp são delegados'
matamos delegados' CONTRA A LEI
FAÇO ISSO E MATO VCS
yuh yuh
o mais raro da cena
ngm compreende
Avant-Garde
Avant-Garde
You're Bartard
You're Retard

[Léo Ferré]
Camarade, maudit, camarade misère...
Misère, c'était le nom de ma chienne qui n'avait que trois pattes.
L'autre, le destin la lui avait mise de côté pour les olympiades de la bouffe et des culs semestriels qu'elle accrochait dans les buissons pour y aller de sa progéniture.
Elle est partie, Misère, dans des cahots, quelque part dans la nuit des chiens.

[Yung Oslo]
Saat kita menanti maut yang 'kan menjumpa,
Mencoba menghindarinya adalah sebuah cela!
Cahaya yang menerangi kita,
Adalah cahaya yang kita hirup, yang kita lihat,
Dan yang membutakan kita.
Air yang mengalir di sungai melembabkan,
Sama seperti mencari petualangan yang berani,
Yang ada di masa muda eksplorasi.
Yang membutuhkan setiap tindakan dan emosi!

Bancos Furtados #PoesiaDoCrime

Evil Will VS Good Wit

The Creeper VS Wizard Of Wit

The Creeper VS Wizard of Wit

Ř§ŮÞ¥¿â€š�????© ▀Â£© ñâmå•ðsžšåÞя—Â£© ½	ã???? 舐½	—舐½	▀舐╟
½ ã???? ¶â€š�舐æØ¢ÃÂ£ã????

xannymoneygang/G.D.M 666/GangreneGang/Yung Oslo/Lumen Cosmo/SlaxxerGang..etc

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.

zakat padi : Zakat pertanian nisab beras bersih 653 kg ....jika menggunakan tadah hujan tanpa biaya alias gratis dikeluarkan zakatnya 10% ..jika menggunakan irigasi mengeluarkan biaya dikeluarkan zakatnya 5%

zakat jagung : Zakat pertanian nisab jagung bersih 653 kg ....jika mengeluarkan tanpa biaya zakatnya 10% ..jika menggunaka biaya dikeluarkan 5%

New tracks tagged #GAMELAN