Politics and Prison Ink in Arizona: A Map for Navigation in a World of Post-structural Violence, by Enrique Alan Olivares-Pelayo was published in the Autumn 2023 edition of Journal of the Southwest. In this episode, the author of the piece discusses his work on embodied carceral geographies, how the punishment of the prison system manifests in and on the bodies it ensnares. And that's a lot of people. One in five prisoners in the world is incarcerated in the United States. Tens of thousands of those people are in Arizona. The state spends over a billion dollar of our general budget on the correctional system; it´s the third highest cost, eight percent. Enrique was confined in that system for almost five years. In his work, he situates prison, the constellation of institutions that create the penal complexes at every level of government, including those which retain people on behalf of national immigration and customs enforcement, as a landscape of structural violence. His piece on the Journal looks at the tattoos that many acquire during their time locked up as visible representations of their experiences.

Music Credits:
Nostalgia – Composed and performed by David Garrido Guil. Used with permission.
Sol de Invierno II – Composed and performed by David Garrido Guil. Used with permission.
Find more of his work at http://www.davidgarridoguil.com

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Enrique Olivares-Pelayo: Carceral Geographies

02-02-25 TEEN GANGS AND GUNS

This song is a gritty, poetic depiction of life in a dangerous urban landscape, where survival is a gamble and the past lingers like shadows under streetlights. It captures the tension of street life, the weight of lost souls, and the cycle of violence etched into the city’s concrete.







Concrete Clash

Get Down On It - 9motion, unc 700, and yungzac

praphitproductions.com

Today, I choose Baltimore over vodka booty women, Liam shows us his panties, and Miley summarizes how we're all living right now.

PLW_4/5/25 - READ A BOOK!

Marco Aquirre from the Madison Arcatao Sister City Project gives his insights into El Salvador history, politics, gang prisons, the Oval Office meeting between Trump and Bukele (an illegitimate president based on the El Salvador constitution), and more.

buzz-4-16-25-Marco-Aguirre

Take Shannon’s phone, please.

0:00 – Mic Test
6:22 – Intro
7:38 – What Can’t You Wrap Your Head Around?
20:52 – DOE to Send Defaulted Student Loans to Collections             
37:20 – Russia Allegedly Had Links & Passwords to the NLRB Through DOGE
45:55 – JD Vance Visits The Pope, The Pope Immediately Drops Dead
50:01 – Gangs & Cartels in CLT?
57:40 – Shannon Sharpe, This Has To Stop
1:16:14 – This Pastor’s Wife Has Lost Her Damn Mind
1:33:55 – Sinners Movie & Ryan Coogler’s Historic Studio Deal
1:51:47 – Outro/Corny Joke

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Too Freaked Out - S9, E10

Let me know If you want a certain song mashed up!

Justin Bieber - Baby Mashup (SheldonOnYoBlock)

It’s about to go down! Mixing hip hop breaks and orchestral brass and strings to create that classic ‘fight night’ sound. Features the vocal hooks, 'Getting ready for showtime' and 'Y’all ready? Let’s go' - Ideal for combat sports, gangster theme tunes and games as well as advertising masculine products. Exciting and powerful. Also available without the vocal parts.

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Wez Devine - Ready For Showtime

First song uncompleted

Ayooo Netflix Book Club number 260 is Training Day!  Join the usual suspects @dennisrooney7 and @_miketoohey as they chop up this classic.  Denzel at his most Denzel and a young ass Ethan Hawke.  Check the instagram to see the upcoming schedule.  Next week we talk Jaws!

260 - Training Day and a side of Happy Gilmore 2

My Biggest is a powerful and high-energy track at 140 BPM that embodies the spirit of street unity and raw strength. Its pounding beats set the perfect backdrop for scenes in a prison yard where muscles are built and fights are prepared, while the streets pulse with gang vibes and intense workout sessions. Featuring dynamic bike and skate races, electrifying parkour moves, and rigorous fight training, the track creates an atmosphere charged with competition, brotherhood, and unyielding determination. Ideal for visuals that depict resilience, struggle for survival, and the power of community on urban streets.

My Biggest

Danger Time is a gritty and commanding track at 80 BPM that channels the raw strength and unity found in urban environments. It sets a tense atmosphere for scenes in prison yards where muscles are built, rival gangs roam, and workouts blend with parkour’s fluid movements. The track intensifies with imagery of high-stakes bike and skate races, street fights, and intense training sessions across sports like hockey and football. Ideal for visuals showcasing preparation for battle, fierce competition, brotherhood, and survival in challenging, adrenaline-fueled settings. Danger Time embodies the momentum of struggle and the relentless drive to overcome.

Danger Time

Every week we watch a movie that's streaming on Netflix, then we talk about it.

Aspiring Producer From The Hood.
Banned at 2 Followers.
Always Down To Lab, Just Ask
#overhaulz

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

Listener-sponsored, volunteer-powered, noncommercial community radio broadcasting to south-central Wisconsin at 89.9 FM and online at wortfm.org via our studios in Madison. 

We provide an outlet for communication, education, free expression, entertainment, training and access for the purpose of sharing music, information, news, and cultural experiences, and strive to give people underrepresented elsewhere in traditional media a voice. 

NOTE: Most of the content posted at this time are news stories or talk shows. 

MUSICIANS:  We NEVER look on our SoundCloud for music submissions, so it's not a very efficient way to contact us. Please go to www.wortfm.org and click on Music --> Music Submissions for our submission info and guidelines. Thanks and we look forward to hearing your music!

Come on a journey with two HBCU alumni, Sharelle and Sierra, for a weekly discussion covering topics from politics to pop culture to current events! Welcome to Headwraps and Lipsticks where the conversations are plentiful, thought-provoking and funny!

Hip Hop Beats | Pop | Rap | Trap | R'n'B Instrumentals.
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The Journal of the Southwest Radio Hour brings the voices of researchers, educators, activists and community members working to better understand the region’s past and envision possible new futures.

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Every Sunday at 6AM.
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New tracks tagged #GANGS