080 — PIano

Aux insoumis qui dansent dans les ruines des règles 


Les mains gauches doivent traîner comme des ombres réticentes, tandis que les droitses percent comme des rayons impatients


081 — Nocturne à l'Aube: Fugue Chaotique du Phénix — Des ténèbres baroques au chaos solaire

Energy, joy, repose – co-hosts Sir Donald Runnicles and General Manager Jeff Counts connect chamber and orchestral works by three great composers, performed by Grand Teton Music Festival Orchestra musicians.

This episode features:

Michelle Cann with the Grand Teton Music Festival Orchestra
and Chamber Music with Festival musicians

Aaron Copland
Appalachian Spring: Suite
Benjamin Manis, conductor
GTMF Chamber Orchestra

Adam Schoenberg
Ahava
Tomoki Iguchi, violin
Thomas Carpenter, cello
Alice Kogan Weinreb, flute
José González Granero, clarinet
Yvonne Chen, piano

George Gershwin
Rhapsody in Blue
Michelle Cann, piano
Sir Donald Runnicles, conductor

Live from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Episodes premiere on Wednesdays at 8 PM MT on Wyoming Public Radio and are available the next day wherever you get your podcasts.

The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer.

S8, Ep 8: Copland, Gershwin... Schoenberg

Summertime Cover
Jazz standard
Song written and composed by Gershwin

Vocals Morgane Oll
@morgane.oll.music 

Piano Player 
Jazz arrangement - piano, double bass, drum brushes
Pier Luigi
@pierluigimusic  


Saxophone Player 
Mix and mastering
Oleksandr Skliarov
@alex.skliarov


Summertime

LYRICS

Listen to my tale of woe
It's terribly sad but true
All dressed up, no place to go
Each evening I'm awfully blue
I must win some winsome miss
Can't go on like this
I could blossom out, I know
With somebody just like you
So—

Oh, sweet and lovely lady, be good
Oh, lady, be good to me
I am so awfully misunderstood
So lady, be good to me
Oh, please have some pity
I'm all alone in this big city
I tell you
I'm just a lonesome babe in the wood
So lady, be good to me

Auburn and brunette and blonde
I love 'em all, tall or small
But somehow they don't grow fond
They stagger, but never fall
Winter's gone, and now it's spring
Love, where is thy sting?
If somebody won't respond
I'm going to end it ll
So lady, be good to me

George Gershwin: Oh lady be good (1924) - for solo piano

Ive Got A Crush On You

They Cant Take That Away From Me

The jazz standard from Gershwin's classic opera and Broadway musical, Porgy and Bess.


A Musical Picnic

I tried an acoustic version of "Summertime". The arrangement I followed is Doc Watson's, also recently done to beautiful effect by Billy Strings and Marcus King. I had a summer head cold, which affected my vocal tone a bit. 


Summertime 6-7-25 v4.2

By George Gershwin. This arrangement copyright 1927, by Harms, Inc NY. Recorded by Steven Fecher at Fantasy Studios, Berkeley CA, April 14 2009. Yamaha Grand Piano Model C9. Engineered by Adam Munoz. Mastered by Ken Lee. Photos by Adam Munoz. Cover design by Ryan Shaffer. For mom and dad.

Steven Fecher Plays Rhapsody In Blue (and not too badly either)

A Foggy Day - Soprano sax

A cover of a cover of a cover. George Gershwin wrote the original song in the 1930s; A bunch of artists covered it (I love the Doc Watson version that was also covered by Billy Strings and Marcus King); and Lana Del Rey did a killer remix of the Sublime variant on the song. 

Doin' Time (WTJB) 7-2-25 v2

Our latest recording is a song that we have only recently started playing together, George Gershwin's wonderful 'Summertime'. We opted for a mellow / stripped back version to go alongside the other 25,000+ recorded versions.

proceed with our quest and the next direction vince turner is gavin millwal

vince turner

🎵 American in Paris – George Gershwin | Arpeggio Allegro 🎵

Discover one of George Gershwin’s most iconic works, “American in Paris”, beautifully performed by Arpeggio Allegro. This timeless piece blends jazz influences with classical sophistication, capturing the vibrant energy of Paris in the 1920s.

This track is offered as royalty-free music, available for free download with no copyright fees, no license costs, and no restrictions. Perfect for content creators, filmmakers, podcasters, and anyone looking for high-quality classical and jazz-inspired music.

📌 Usage Terms:
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✨ Why Choose This Track?

100% royalty-free & copyright-free

Ideal for YouTube videos, short films, advertising, background music, podcasts, and more

Professionally recorded and mastered by Arpeggio Allegro

A masterpiece by George Gershwin, now accessible to everyone

American in Paris

🎵 American in Paris – George Gershwin | Arpeggio Allegro 🎵

They cant take that away

Performed by Dean Marting in the 1964 film "Kiss Me, Stupid". Music by George Gershwin, lyrics by Ira Gershwin and tweaked by Andy Steinfeldt

Sophia

The mission of the Grand Teton Music Festival (GTMF) is to engage, entertain, educate, and inspire our resident and seasonal communities through exhilarating musical experiences. GTMF fulfills its mission through 150 concerts, education activities and community events each year.

The main driver of GTMF’s impact is its annual summer festival held in Jackson Hole each July and August. The Festival Orchestra led by Music Director Sir Donald Runnicles is its heart and soul. This “super group” of more than 220 classical musicians from 75 major orchestras and 55 education institutions around the world performs eight weeks of symphonic and chamber music concerts in GTMF’s acclaimed Walk Festival Hall. 

Festival musicians also support GTMF’s community impact, widening access to music by participating in GTMF’s free education and community engagement programs. The Festival also welcomes some of the most sought-after soloists and visiting artists in classical music today.

During the summer, GTMF augments the Festival Orchestra’s concert and community programming with:

*Chamber Music Series featuring Festival musicians
*Performances by non-classical artists and ensembles
*Free community engagement programs presented by resident Education Curator Meaghan Heinrich

GTMF stays connected with people year-round through concerts in Jackson’s Center for the Arts, presentations of the Met Opera in HD, select digital programming, and free events for Jackson students.

Acoustic guitar; folk; Americana; jam band influences; blues; rock; old time; bluegrass; grungey stuff. Even some electro and EDM vibes occasionally. I play a wide mix of music with a lot of different people.

My recordings of playing piano - Enjoy! 
(I'm self-taught.)

I'm a singer/songwriter I have several songs that I'd like to produce and recorde professionaly. DM me for collabs, if you are interested.

Hi, I’m Alan T from North Yorkshire, UK. I enjoy creating music with ukuleles (four, five, eight and ten string'ers), some keyboard and singing. I make music solo and with Fiona as part of our duo ‘Al~Fi’. She brings her talent on fiddle to our recordings and also mandolin from time to time. I produce music using GarageBand. I also play and sing with the band 'StreetLife' (check out our SoundCloud below). I hope you enjoy these songs and thanks very much for listening!

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



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