RAMBO AMADEUS - SIO MI GA DJURO (Razar Ancient Mashup)

«Fragment 1» is the first piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 1

@https://soundcloud.com/kevinabstract
@https://soundcloud.com/softglas

Kevin Abstract - Echo (Soft Glas Arrangement) (Reupload)

Feierabendbier

«Fragment 2» is the second piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 2

«Fragment 3» is the third piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 3

N1 podkast s Suzano Lovec: Njegov glas je ikoničen. In njegovi Izštekani so institucija. Njegov glas poznamo vsi. Jure Longyka nam pripoveduje o tem, kako govorimo in zakaj je pomembna izštekanost. Kako je postal mojster govora in kdo je sintetiziral njegov glas.


N1 podkast s Suzano Lovec: Kako je dobil glas, ki ga vsi poznate

Σχέδιο στη Σκιά

Il Piano nell’Ombra

O Plano na Sombra

Le Plan dans l’Ombre

Der Plan im Schatten

«Fragment 4» is the fourth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 4

«Fragment 5» is the fifth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 5

«Fragment 6» is the sixth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 6

For «Fragment 7», we started with a bass sound we found in our recordings, which reminded us of Rhythm & Sound tracks from the mid/late ’90s. Then some ghostly voices, captured through glasses, joined the arrangement. But since they were so quiet, we had to amplify them significantly, which brought up all the background noise, creating a beautiful background texture for the whole track. Another reference is an effect used in ’70s dub, where tape speed was manipulated, for example in Extraordinary Version by Impact All Stars.

Fragment 7

Erstellt 2006 als Installation zur Ausstellung Glasplastik & Garten in Munster. Die Installation lief zumeist in den Abendstunden am Ollershof.

Olivgrau-Glasmusik 2006

Najnovejše in natančne neodvisne novice iz Slovenije in sveta. Ekskluzivni partner CNN.

👋 Known as SportKI on TikTok, Insta, and YouTube.

 Here, I let my creativity run free using AI! I hope you enjoy the style of the music. 🎶 It's about various topics: love, people, society, life, and much more. I try to cover many music styles. I hope there's something for everyone.

Have fun!!! ✨

Impressum
shorturl.at/dWtyw

Social Media
📱 TikTok: https://www.tiktok.com/@sportki 
📸 Instagram: https://www.instagram.com/sportki_bet/ 
🎥 YouTube: https://www.youtube.com/@sportkiandme

_____________________________________________________

👋 Bekannt bin ich unter SportKI bei TikTok, Insta und YouTube.

Hier lasse ich meiner Kreativität unter Benutzung einer KI freien Lauf! Ich hoffe, euch gefällt der Stil der Musik. 🎶 Es geht hier um jegliche Themen: Liebe, Menschen, Gesellschaft, das Leben und vieles mehr. Ich versuche, viele Musikstile abzubilden. Ich hoffe, es ist für jeden etwas dabei.
Viel Spaß!!! ✨

Impressum
shorturl.at/dWtyw

Social Media
📱 TikTok: https://www.tiktok.com/@sportki 
📸 Instagram: https://www.instagram.com/sportki_bet/ 
🎥 YouTube: https://www.youtube.com/@sportkiandme

Ear Minion  

Part 5 

(Also reviving music no longer available that I enjoyed)


4th account: https://soundcloud.com/khayxi
3rd account: https://soundcloud.com/khay10 
2nd account: https://soundcloud.com/khay9 
1st account: https://soundcloud.com/noo-badie

I want to show the World, that AI generated Songs can be good!
Ich will der Welt zeigen, dass KI generierte Lieder gut sein können!

Ajde dodji kod mene i uvij 2-3 sarme 🍃
dok traje duel izmedju Intera i Parme 💀

LIVE:
- 09.09.23 - Unisectes II, YingYang Mini Club, Biel
- 21.01.23 - Open Studio Glattpark, Zürich
- 18.11.22 - Wurm, Basel
- 23.11.22 - Baby Angel, Zürich
- 05.09.21 - Klang Moor Schopfe, Gais
- 10.09.21 - Klang Moor Schopfe, Gais
- 18.08.19 - Literatur & Noise, Kraftwerk, Zürich
- 26.05.19 - Schallsalon, Zürich
- 20.12.18 - Umbo, Zürich
- 18.08.18 - Les Digitales, Parco Panoramico Di Guidino, Paradiso
- 11.07.18 - Wunderkammer Glattpark, Opfikon

SOUND-INSTALLATION:
- 28.08.21-08.09.21 - Klang Moor Schopfe, Gais
- 07.06.18-07.07.18 - La Pensée Sauvage exhibition, o.t. Raum für aktuele Kunst, Lucerne

I'm a hobby musician working with hardware synths. I started in 1990 ... 


New tracks tagged #GLAS