«Fragment 2» is the second piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 2

«Fragment 3» is the third piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 3

Σχέδιο στη Σκιά

Il Piano nell’Ombra

O Plano na Sombra

Le Plan dans l’Ombre

Der Plan im Schatten

«Fragment 4» is the fourth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 4

«Fragment 5» is the fifth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 5

«Fragment 6» is the sixth piece composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. Like a controlled earthquake, the objects tremble on the surface and begin to resonate. This sound is captured by 16 piezo microphones and processed through effects.
This working method is an adaptation of the sound installation Glas- und Porzellanabteilung, which was developed in 2021 for the Klang Moor Schopfe festival.

Fragment 6

For «Fragment 7», we started with a bass sound we found in our recordings, which reminded us of Rhythm & Sound tracks from the mid/late ’90s. Then some ghostly voices, captured through glasses, joined the arrangement. But since they were so quiet, we had to amplify them significantly, which brought up all the background noise, creating a beautiful background texture for the whole track. Another reference is an effect used in ’70s dub, where tape speed was manipulated, for example in Extraordinary Version by Impact All Stars.

Fragment 7

Erstellt 2006 als Installation zur Ausstellung Glasplastik & Garten in Munster. Die Installation lief zumeist in den Abendstunden am Ollershof.

Olivgrau-Glasmusik 2006

Produced by pecq and Upcycled Sounds: upcycledsounds.co.uk
Feat. Kate Ireland.
Mixed by Upcycled Sounds.
Mastered by Matt Colton.
Video by Siobhán Cox.

Follow pecq:
pecqband.co.uk
facebook.com/pecqband
instagram.com/pecqband
twitter.com/pecqband
tiktok.com/pecqband
soundcloud.com/upcycledsounds
pecqband.bandcamp.com
pecqband.co.uk/pecq-news

#indieelectronic #indiedance  #electronicmusic #altpop #electropop #dancemusic #ukmusic #ukband

pecq feat. Kate Ireland - no more trouble

Zersplitter dein Glas - PerTeKK

«Fragment 8» is the eighth piece in this series. It's composed of recordings that have emerged over the past few years. These recordings originate from glasses and porcelain objects placed on plates, which are set in motion by synthesizers. This sound is captured by 16 piezo microphones and processed through effects. For this track we worked with short, ever changing repetitions. Loop fragments change constantly and rapidly, appearing both repetitive and chaotic at the same time.

Fragment 8

👋 Known as SportKI on TikTok, Insta, and YouTube.

 Here, I let my creativity run free using AI! I hope you enjoy the style of the music. 🎶 It's about various topics: love, people, society, life, and much more. I try to cover many music styles. I hope there's something for everyone.

Have fun!!! ✨

Impressum
shorturl.at/dWtyw

Social Media
📱 TikTok: https://www.tiktok.com/@sportki 
📸 Instagram: https://www.instagram.com/sportki_bet/ 
🎥 YouTube: https://www.youtube.com/@sportkiandme

_____________________________________________________

👋 Bekannt bin ich unter SportKI bei TikTok, Insta und YouTube.

Hier lasse ich meiner Kreativität unter Benutzung einer KI freien Lauf! Ich hoffe, euch gefällt der Stil der Musik. 🎶 Es geht hier um jegliche Themen: Liebe, Menschen, Gesellschaft, das Leben und vieles mehr. Ich versuche, viele Musikstile abzubilden. Ich hoffe, es ist für jeden etwas dabei.
Viel Spaß!!! ✨

Impressum
shorturl.at/dWtyw

Social Media
📱 TikTok: https://www.tiktok.com/@sportki 
📸 Instagram: https://www.instagram.com/sportki_bet/ 
🎥 YouTube: https://www.youtube.com/@sportkiandme

Award-winning audio production company and record label founded in Paris and now based at Pony Studios, East London. We produce and engineer sound for music, documentary, feature film and theatre.

We’ve worked with the BBC, ITV, Pinewood Studios, RAK Studios and Lucas Studios, with artists including Liz Fraser, Barry Can't Swim, Bernard Butler, Eliza Shaddad, Fémina, Fishbach, Juliette Armanet, Sam Lee, TEN FÉ, Afghan Women’s Orchestra, SEED ensemble, London Contemporary Voices, Jungle By Night, Papooz and Max Reinhardt.

Our productions have been supported by Arts Council England, DPA, Sennheiser, RME and Bubblebee Industries and featured by Apple Music, Audio Media International, Clash Magazine, Classic FM, Dummy Mag, Gramophone Mag, Spotify, BBC Radio 1,3, 2 and BBC Music 6.

LIVE:
- 23.12.25 - Doxa Shroti - Zürich
- 21.12.25 - Wunderkammer, Glattpark-Opfikon
- 29.11.25 - KuZeB, Bremgarten
- 09.09.23 - Unisectes II, YingYang Mini Club, Biel
- 21.01.23 - Open Studio Glattpark, Zürich
- 18.11.22 - Wurm, Basel
- 23.11.22 - Baby Angel, Zürich
- 05.09.21 - Klang Moor Schopfe, Gais
- 10.09.21 - Klang Moor Schopfe, Gais
- 18.08.19 - Literatur & Noise, Kraftwerk, Zürich
- 26.05.19 - Schallsalon, Zürich
- 20.12.18 - Umbo, Zürich
- 18.08.18 - Les Digitales, Parco Panoramico Di Guidino, Paradiso
- 11.07.18 - Wunderkammer Glattpark, Opfikon

SOUND-INSTALLATION:
- 28.08.21-08.09.21 - Klang Moor Schopfe, Gais
- 07.06.18-07.07.18 - La Pensée Sauvage exhibition, o.t. Raum für aktuele Kunst, Lucerne

I'm a hobby musician working with hardware synths. I started in 1990 ... 


New tracks tagged #GLAS