This is a track I made using various sounds from different Mega drive games, invidual one shots from those ,and also using Original sound sets from different games. You might recognise some sounds.. 

Thought it would be fun to put these all together to make a brand new track for a game that never existed. Shuriken XX .
ENJOY !

Shuriken XX

This Is a Composition for a upcoming game 
(Epic Dramatic Orchestral) 
 


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Website: zelliuss.wixsite.com/website

Rise of the vampires

A moody sounding song that becomes energetic

Ommusic

Soundtrack contains Bright, wonderful, Uplifting vibe specially created for Game soundtracks

Wonderland symphony

What is the title of your composition?
- Storage room by the ocean
What feeling or mood did you want to convey through it?
- Anticipation
What Virtual Instruments did you use?
- All from Kontakt Player 7
- ProjectSAM The Free Orchestra 1 - Dystopian Drones
- Arp - Creamy Drops
- Seq- FM Melodies
- ProjectSAM The Free Orchestra 1 - Bombastic Basses
- ProjectSAM The Free Orchestra 1 - Wretched Risers
- ProjectSAM The Free Orchestra 1 - Short Strings
- ProjectSAM The Free Orchestra 1 - Heroic Horns
- Kontank Player 7 - 095 - Domination
What VST Effects did you use?
- ReaVerb
- ReaComp
- ReaLimit
Did you use any samples? If so, write here the original name of any samples you used in your composition.
- Storm in Vernazza by GirlWithSoundRecorder -- https://freesound.org/s/515082/ -- License: Creative Commons 0
- steps, keys, open and close door, turn light on and off.wav by rodrigovaz -- https://freesound.org/s/547723/ -- License: Creative Commons 0
- Automatic Garage Roller Door Opening.wav by freesoundjon01 -- https://freesound.org/s/202666/ -- License: Creative Commons 0

MusicProduction_Aapo_Romu

Foodie Adventure

I started my musical journey at the age of five, initially composing music with tablature taught by my father. Beginning with the penny whistle and violin, I played in our family band, busking on the streets of Bath.

Our travels across the country inspired compositions like "Road to Wareham." Music became my sanctuary, especially after being diagnosed with Asperger's syndrome. In college, under mentors such as Dr. Rick Birley, Dr. Richard Hall, and Dr. Julie Trevett, I honed my skills in composition, theory, and piano, transitioning to formal music notation using Sibelius.

Today, I compose for film, video games, and theatre. My music, influenced by my diverse experiences, aims to evoke emotion and tell stories.

Thank you to my followers and listeners for your support. I hope you continue to enjoy and share in my musical journey.

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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New tracks tagged #Game Sound Track