First View Of The Ganges

A Boat Trip On The Ganges

Consecrated Mud

A Mister Chris production, featuring:
Cassandra Mulcahy, vocals
Sara Minck, spoken word
Spencer DeNisco, guitar
Paul Basel, guitars, mandolin, kalimba
Alex Baxter, bass
The Radiant Core Singers, chorus

Goddess

on va en Inde, a Benares, a la Ville de Lumiere avec Bill Laswell, Lori Carson, Tetsu Inoue, et on glisse sur le Gange, au debut des temps, puis au Mexique, retrouver le monde esoterique, occulte d'Alejandro Jodorowsky, mise en musique par Don Cherry, a Londres, dans l'underground de la musique sud-asiatque electronique infuse de tabla virtuose avec Talvin Singh, et puis a Calcutta, la nuit, on flane dans les rues, une ballade ponctuee au violoncelle, piano de SIG, la contrebasse de Christy Smith, le saxophone de Stalk, et la batterie de Lewis Pragasam pour de la musique improvisee et libre

CHAMP SONORE DIM 29 JUN 2025

A instrumental track that may appear as a full song on my next album.

Brahman’s Whisper in India

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

Daniël Majoor, also the producer behind the Alio Forte project,  has been involved with electronic music since childhood.

Growing up with the music of Jean Michel Jarre, Vangelis, OMD, Ultravox, Depeche Mode, and later the Ambient scene, he tried to emulate his idols with the few instruments he had. Daniël was primarily interested in sounds and learned to create his own sounds on borrowed synthesizers and keyboards.

Daniël is self-taught, doesn't read music, and taught himself to play.

Later in life, he was able to create his own studio and fulfill his dream: being surrounded by synths and technology, as in the photos of Jarre and Vangelis, while creating his own soundscapes and compositions.

Daniël doesn't see himself as a musician, but rather as someone who "paints" with sound. Just as a painter mixes his colours, Daniel continually experiments with new sounds until he has found the right atmosphere.

New tracks tagged #Ganges