pulled from the wreckage
2025-06-01
remix done late

latestage//waves

Mall of Ghosts is a vaporwave journey through abandoned food courts, flickering signage, and the forgotten hum of ‘90s consumer bliss. This track drips with retro synths, lo-fi textures, and haunted ambience—like walking through a memory that never fully fades. The ghosts aren’t scary… they’re stylish.

Whether you’re zoning out or zoning in, press play and let the past echo softly.

#Vaporwave #MallOfGhosts #AestheticMusic #LoFiVibes #RetroDreams #SynthwaveFeels #CorporateAfterlife #AnalogNostalgia #ElevatorToNowhere #HauntedMallCore #EchoPop #ChillwaveAtmosphere #VaporwaveArt #SoundCloudVaporwave #Ghostwave

Mall of Ghosts

Fe!n x Sicko Mode

Fe!n x Sicko Mode [Tekkno & Hardtechno]

My heart is rotten in my chest,  
Whispers of warmth long laid to rest.  
A signal lost, a ghost betrayed—  
No salvation. Just decay.

They fed me promises laced in rust,  
Spoke of gods, spoke of trust.  
Now I carry what they left behind—  
Screams echo in rooms that were once mine.

Hope is for the weak, for those who kneel.  
I walk on ashes, by my own choice numb to feel.  
Hope is for the weak, I never see it rise.  
Life is pain and you close your eyes.

Crumbling stairs beneath my feet,  
Every thought a dead repeat.  
They claimed hope was a shield,  
But all it did was yield.

Burn the maps. Shatter the name.  
Hope was never more than a twisted game.  
Steel in my lungs, dust in my veins,  
No resurrection—labyrinth of pain.

There’s no horizon, no return.  
Only this searing ache I let burn.  
Hope was hunger, soft and fake -  
A wound I bled for nothing’s sake.

Hope is for the weak—let it die.  
No more light behind these tired eyes.  
Hope is for the weak—I see you frown.  
No expectation never lets you down.

Hope is for the weak and saves no one.  
Hope is silent. I am done.  
Hope is for the weak. You carry on and pray.  
Hope is for the weak. I have nothing more to say.

Hope is for the weak

A whisper inside a scream. This is the sound of being invisible to the one who swore they saw you.

Blending dark pop, glitchtrap, and melodic emotional chaos, “Did You Even See Me” is a post-breakup transmission from a faceless voice that still echoes — even when no one’s listening.

🎧 From the debut EP: No Pulse, Still Singing

Written in static. Sung in shadows. Produced by no one you’ll ever see.

DropGhost - Did You Even See Me (Debut EP-No Pulse, Still Singing)

A hauntcore confession in the voice of a poet with no place left to lie.
“meDIAS” unravels satire, memory, and the broadcast blues
TV as altar, mask, and mirror.
Spoken word for the post-truth generation.
For the ones still begging with birdshit hats and burnt tongues.
When to speak? When to stay silent? When the TV answers, it sounds like you.

Lyrics:

Orators of old
May I be bold 
Permit my tongue and foul breath 
I come to offer lies at your behest 

I am just a poet
My words are not worth much 
I have this old cap 
Stained by the bird shit of my trust 
You call it wit

Charm, grace, cultivated cat and chase 
If you would rather hear the squawking I can lead 
I bare before you in my hands 
A hat of little means 
I am a beggar in ways 
In more and more craze 
Some days I plead or seethe 
That I do not know, and fear never more, unless of course 
I have to be

If now is not the right time I pray 
Do say 
Just point which rage, wraith, strain, rains, or say
That I do not know, and fear never more, unless of course 
I have to be 

If now is not the right time I pray 
Do say 
Just point which rage, wraith, strain, rains, or say
That I do not know, and fear never more, unless of course 
I have to be 
Or which lying, blindness, or highness claims 
Time to see  

If you may allow me this one reprieve 
I ask just this one riddle of we
When should I speak
When should I stay quiet 
What if I get charged for instigating a riot 

What if when charged I lower my frame, pivot, and play the game
I speak songs with Alzheimer's 
I stay quiet for so long my gaze is the frame of a self portrait 
One I used to admire 

What if the game forgets the rules 
Acquires tools and land and fellow man 
When then would the breaking point one choose 
Is a dream and dream worth living if it always costs you 

Say what of a dream you can never forget, it forever haunts you 
Like speaking thrice in a mirror and the sound of flesh, it forever taunts you 
Nightmare or sleep
Life or peace 
Always wrong 
Nightly deceased 

TV TV sing to me 
Great wide blue cradle me 
You there on the tube tell me you see 
Just another man pretending to be

meDIAS

_ Ivybr1dge  ･✧♡ [snippet]

_!; . . ,.,.∿__~÷!; ,.,.>∿__!; ...::,∿__~!; ..' ,.,~∿_

::0x₿l33d

RELEASE 01.08.2025

“Sussura Inferorum” blends haunting ambient textures, ghostlike vocals and ritualistic low-end into a cinematic, slow-building horror score. A sonic whisper from the underworld – ominous, immersive, and unnervingly beautiful.

This feels actually much more authentic than releasing any happy summer songs, see description "Deepression" and next songs will also address this, but I will try to still upload some other songs

Maybe some genre voting could also be something to consider in the future...^^

BUY / STREAM

Sussura Inferorum

the sound of wanting someone so bad you lose yourself. the sound of falling to your knees in a hazy fit of love. the sound of collapse.

collapse

Are you sure you want to enter this door?
If you are scared, don't come near.
My mirrors can sense your fear.
Am I too much for you to bear?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Do you dare to take a look?
At what many before you shook.
You call me difficult, too hexed—
Poor you… so limited. - I am complex.
You entered without care.
Am I too much for you to bear?

Am I too much for you to bear?
Show me that you truly care.
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?
Am I too much for you to bear?

If you leave—you won’t be the first.
These mirrors shatter… never burst.
Am I too much for you to bear?

Too much to bear

_ Icy1ake ･✧ [snippet]

instr. credit : eternal rin ♡
#hubworld

_ Icy1ake ･✧♡ [snippet]

"Fade In" is a slow descent into memory — or maybe a resurrection.
It begins like a breath you didn’t know you were holding: minimalist synth pulses, cinematic hush, and Asphyxia Knox at her most delicate. Her voice drifts in from the edge of sleep, delivering verses that feel like unfinished texts or dreams you half-remember.

GØSTMODE’s production builds like mist — soft, deliberate, then loaded with distortion. It’s the sound of something once hidden choosing to emerge, pixel by pixel, frame by frame.

“Fade In” is about not knowing where you start, or where they ended. It’s not a beginning. It’s what comes after the end credits.

Fade in

Leon , besser bekannt unter dem Künstlernamen ZeroXTEKK, ist ein Hardtekk-Produzent aus Delmenhorst in Niedersachsen. Seit 2020 ist er in der elektronischen Musikszene aktiv und hat sich zum Ziel gesetzt, Hardtekk besonders im Westen Deutschlands zu etablieren. Im Jahr 2024 trat er unter anderem bei Events in Bremen auf, wie dem "Friends Of Goa"-Festival und "We Are Tekk" im Groove Club .​

ZeroXTEKK ist Gründer des Labels JustBass.Recordz und Teil der lokalen Szene "Klangwelten Bremen". Seine Musik zeichnet sich durch eine Mischung aus Hardtekk und Drum & Bass aus, die er in seinen Produktionen kombiniert . 


Gründer von JustBass.Recordz
Local bei : Klangwelten Bremen
Lable : BoH Lable


𝙍𝙀𝙁𝙀𝙍𝙀𝙉𝙕𝙀𝙉:
01.06.2024 ->"Friends Of Goa " -  Free Open Air Festival | Klangwelten Bremen 
21.09.2024 -> We Are Tekk | Groove Club Bremen
28.06.2025 -> Code Red | Club Mikroport Krefeld
18.07.2025 -> Minupren Bday | Club Favela Münster 

𝙐𝙥𝙘𝙤𝙢𝙞𝙣𝙜 𝙂𝙞𝙜𝙨: 
16.08.2025 -> Rotzbengel Bday |  Club Mikroport Krefeld
31.10.2025 -> Helloween | Club Mikroport Krefeld
01.11.2025 -> HAG quartier g16 Bremen

𝘿𝙖𝙢𝙞𝙩 𝙢𝙖𝙘𝙝𝙚 𝙞𝙘𝙝 𝙈𝙪𝙠𝙠𝙚:
- Pioneer DJM-700
- Korg Electribe 2 Synth
- Korg Electribe MX 1 
- Korg NanoKontrol 2
- Fl Studio 25
- Akai Fire
- Akai MPK-mini
- Focuswirte Scarlett Solo
- Yamaha HS80M 
- Behringer Xemyx 302 Usb

𝙎𝙩𝙪𝙙𝙞𝙤 𝙐𝙣𝙩𝙚𝙧𝙨𝙩ü𝙯𝙪𝙣𝙜:
27.7 Studios

CREWS: 
J.B.R | Bass Statt Hass !
Loyal Bass Syndicate

𝘽𝗼𝗼𝗸𝗶𝗻𝗴:
zeroxtekk@gmail.com
oder
Insta DM


𝙎𝙐𝙋𝙋𝙊𝙍𝙏𝙀𝘿 𝘽𝙔:
-HRDTKK
-HighTkk Music
-BassStation
-Tekk.Is.Life
-TekkCenter
-Z.T.R Support Your Music
-German Tekkno
-]Pool053][TeKKWorld[ 
-Best Of Hardtekk (youtube)
-Tekkno Freakz
-HARDTEKK UNIVERSE 
-JustBass.Recordz YouTube & co.
-Numondo
-Best Of HardTekk / We Are HardTekk
-BistSchonLow HARDTEKK
-DOSENÖFFNERMUKKE 
-TekkCenter
-Tekknosucht


⚠️ If you are the owner of the copyright 
for any track , please contact me (ZeroXTEKK@gmail.com), if you want that I delete this track, before taking any legal actions. Thank you

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

One-man project established in 2024.

If you like my music, great. 

If not, you’re also welcome.

Feel free to like and comment on my songs, and don’t forget to follow me for more music!

Bardic Hauntcore from the Songwurm.  
Follow to feed the Triptych Lich new rites.  

heirmonty.carrd.co

AUTOEXÉ is a system crash disguised as a sound.

The duo is made up of Asphyxia Knox — a spectral vocalist forged from vinyl static, surveillance glamour, and digital ruin — and GØSTMODE, the architect behind the interface: producer, writer, and silent manipulator of signal.

Together they build sonic worlds where techno meets trauma, minimal synth meets memoir, and elegance is always threaded with control. Their debut project, CTRL+ALT+DELUXE, fuses fashion editorial aesthetics with post-industrial noise, glamor fatigue, and glitch pop melancholy.

AUTOEXÉ doesn’t perform the future. It executes it.

fr4c//t.3d_3chØs::l0st’n.st@tic///sig∿als_frµm≠now#re

music for the composed and chaotic. anyone who's ever had to copy and paste their feelings to make them more paletable. drown in the sound of piano, reverb and poetic lyrics.

✧ grunge ･ cloud ･ dub ･ acid ✧
 ･ paul creswick ~ uncharted uk ･

RELEASE
30.08.2025 AURORA IN THE DESERT

Producer | Composer | Lyricist

DEEP, MELODIC, FUSION, EXPERIMENTAL

No fix genres – creativity has no boundaries.
Electronic, House, Pop, LoFi, HipHop, Afro, Reggaeton...

Born in 1984 in Heidenheim (Germany), music has been a part of me since my early years – shaped by diverse influences and a deep love for sound. I attended a music-focused high school and played piano as a child – but it wasn’t until years later that I truly began creating music myself.

My musical journey started over 15 years ago with mixes and mashups. Later, I began with non-commercial compositions – before taking a long break due to personal and health-related reasons.

After that time of silence and reflection, I’m now back – still creating and transforming experience into sound.

I work across genres and approaches: from fully self-composed tracks to productions using samples or stems and even songs generated with contemporary tools combined with the others – typically with own lyrics to tell personal or meaningful stories, influenced by years of illness and a deep longing for genuine justice.

Thanks for any support! 🫶🖤🫶

I try to answer everything as good as possible...

Contact:
bodobifroest@gmx.net

New tracks tagged #Ghostwave