☆ głupie suki (prod. jonythegoat litsizzurp)

“frog in water”

This song means quite a bit to me. There’s been countless versions, countless hours so I’m very excited to sharing this one. I really set out to unpack how I feel about nostalgia.

I feel like we live in an over nostalgic time. It’s always been an issue, but it feels heightened. The internet in someways is a Time Machine; with a quick YouTube search you can find yourself anywhere over the last 100 years. On the artist side, this leads to blatant rips instead of making something new out of whatever haze we can gather from our early childhood. This mixed in with late-stage capitalism’s unrelenting demand for profits, kills the risk tasking and artist development that lead us to where we are.

Additionally art does not live in a vaccuum. When we recycle, we sanitize. This often strip art/fashion/music of its political leanings removing the hardships of those before us. A context which is vital for creating a better future. I feel strongly that gen z & younger cannot repeat this cycle as the climate crisis looms. “Frog in Water” is a spin on the old adage about boiling frogs. Those of us in the colder climates have gotten a taste, but by the time we are truly effected we’ll be cooked.

Bam rant over ~ I wrote, composed, performed, recorded, mixed this song. The only layer that ain’t me is the bridge guitar which is adam simms
credits

Frog In Water

ratz - monolit

🎧 Bobbi Fisha – “Mombi” 🪡🩷

“Mombi” stitches beauty and terror together  a spellbinding trip through feminine rage and surreal glam. Bobbi Fisha channels the witch-queen archetype with venom and velvet, rapping like she’s summoning herself from another dimension. The beat feels haunted yet royal  808s under moonlight, synths like whispers through silk.
A lullaby for the powerful and possessed.

“She built herself out of nightmares and rhinestones.”

Mombi (freestyle)

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

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