Two rigs simultaneously recording the same dawn within the same landscape, located about half a kilometre apart. The beautiful calls of a Pied Butcherbird can be heard from each location. Its first two sequences of calls are nearer to the first location (Perspective 1), in the background of a flurry of foreground bird activity. Its third sequence of calls are very near to the second location (Perspective 2), within a rather different soundscape mood. But all three sequences are heard from both locations, either as distant or as near.

Recorded respectfully on the land of the Meru and Danggali peoples.

Related playlist: https://soundcloud.com/frgtests/sets/lewitt-double-nos-examples

2023.10.29 Mallee Dawn in Spring with Pied Butcherbird: Perspective 2

Two rigs simultaneously recording the same dawn within the same landscape, located about half a kilometre apart. The beautiful calls of a Pied Butcherbird can be heard from each location. Its first two sequences of calls are nearer to the first location (Perspective 1), in the background of a flurry of foreground bird activity. Its third sequence of calls are very near to the second location (Perspective 2), within a rather different soundscape mood. But all three sequences are heard from both locations, either as distant or as near.

Recorded respectfully on the land of the Meru and Danggali peoples.

2023.10.29 Mallee Dawn in Spring with Pied Butcherbird: Perspective 1

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

New tracks tagged #Gluepot Reserve