Go On

A single mother has to pull through with short resources and trying to cover all the needs of her little child.

The Wild Blue Yonder

It's Always Darkest Before The Dawn

The Wild Blue Yonder - It's Always Darkest Before The Dawn

Elliot - Go On ( Ft Dhery )

"Go On" by J.K. remixed with "Fi's Theme" by Hajime Wakai, Shiho Fujii, Mahito Yokota, and Takeshi Hama (from the Legend of Zelda: Skyward Sword soundtrack).

Go On, Fi

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MasterBangg & Somero feat. Robin Vane - Go On

115 BPM in F#m

(english below)

Dieser Song fängt die Essenz von Verlust und Erinnerung in einer minimalistischen, aber eindringlichen Klanglandschaft ein. Klavierakkorde bilden das emotionale Fundament, während dezente Drums und Gitarren subtile, rhythmische Akzente setzen. Ein Shaker verleiht dem Song eine organische Textur, die an den Herzschlag der Zeit erinnert.

Der Text malt ein Bild von Einsamkeit und Sehnsucht: "The Silence screams, so loud and clear" – die Leere wird fast greifbar. Der Song erkundet die tiefen Emotionen, die mit dem Verlust eines geliebten Menschen einhergehen, und betont die Macht der Erinnerung: "So deep in my breath, so deep in my heart."

Die Melodie ist melancholisch und zurückhaltend, was den Hörer einlädt, sich den Gedanken und Gefühlen hinzugeben. Der Song erzählt von einer Welt, die einst gemeinsam aufgebaut wurde, doch die Zeit hat ihre Türen verschlossen – ein Thema, das zugleich verletzlich und universell ist.

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This song captures the essence of loss and remembrance within a minimalist yet haunting soundscape. Piano chords lay the emotional foundation, while subtle drums and guitars add rhythmic nuances. A shaker introduces an organic texture, echoing the heartbeat of time.

The lyrics paint a vivid picture of loneliness and longing: "The Silence screams, so loud and clear" – the emptiness becomes almost tangible. The song delves into the deep emotions tied to the absence of a loved one, emphasizing the power of memory: "So deep in my breath, so deep in my heart."

The melody is melancholic and understated, inviting the listener to immerse themselves in the thoughts and feelings conveyed. It tells the story of a world once built together, now locked away by the passage of time – a theme both vulnerable and universally relatable.

Goodbye

Take Your Mess

Wowee, look at that rolling ghost glide!

They/Them (don't get it twisted)
Free Palestine!! (Anti-zionist Jew from the cradle to the grave)
Disability justice is the future!! (Spina bifida from the NICU to the nickel urn)
I like my beats crispy and my revolution permanent!! 🎶✊🏼

Roll on that bell or bubble! 🧑🏽‍🦼‍➡️🔔⚪

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Better late than never. I didn't start producing music until I was 45 and first had to learn what major and minor are. At first I wanted to make purely instrumental music, like the song “Popcorn” or “Children”. But then I switched to pop music. Now I produce techno, EDM, pop and instrumental music. I teach myself mixing and mastering, although I have to say that mixing is more complex than the actual production, lol. Have a listen and write a comment.

Translated with DeepL.com (free version)

BLESSED-DHERY (DHERY)
Popularmente conhecido como Blessed Dhery ou simplesmente Dhery (Maputo, Moçambique) , Engenheiro de Construção Civil, Editor de Vídeos,  Rapper e Compositor fundador e CEO da “DEUS NO RAP MOVEMENT”
 É um rapper Moçambicano nascido a 28 de Marco, na capital do pais Maputo.
Seu estilo característico é Trap, contudo enquadra-se muito bem em outras variedades de rap como: club banguer, bum bap entre outros.

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