IRON VEIL / CRYOGENIC

IRON VEIL

Not my Religion

Ontes fun moi malo

dead storage (prod. taymxru)

I feel a bit bad for yesterday's track, "Factory Full of Sparks".  It got posted REALLY late and that may be why it is struggling, compared to most Interbay tracks, for plays.  So, when you're done checking out THIS track...maybe give that one a listen too!  

...because they are a bit related, these two songs.  There's an industrial (as in machinery and factories) element to both tracks.  Yesterdays track is more of an uptempo dance track, "Hydraulic" is more of a midtempo darkwave rock tune (with some synths.)  Also, both have spoken word as the main vocal element (I swear--I am getting VERY close to starting to sing on some of these tracks myself, as I've promised for a long time now...  See also "Towers" ep, another example that I swear is coming soon and has been promised for a long time.  

Would this song do better with a Robert Smith-like vocal?  I think it would...but other than a very "lack of affect" reading of "YEAH!" (which I think you'll hear twice in this track), I think the spoken words work for what I was going for...  

The theme of those words and the name of this track are borrowed from an unfinished song from my Cremation Dance/DangerScience days, called "The Hydraulic Heart".  I don't remember the words of that track off the top of my head--I'm sure they're scribbled down in some notebook somewhere, but I don't remember them as being terribly profound or anything.  "You can't stop the hydraulic heart" feels like it would have been the chorus, so I dropped that in here for an easter egg that maybe two people on the planet might find amusing.  

The whole reason I thought of "hydraulic" for this track was that the drum loop (all other drums are played/written) had a little "cha-cha-cha" that I remember trying to program on a borrowed Oberheim DMX, with all of the toms tuned down.  So, I used "Hydraulic" for the temporary project name...and, without having come up with anything better, I borrowed the general theme from the song I tried to write decades earlier, here.  (I'm guessing it won't miss it at this point.)  

Strangely, this song ends up with a pretty decent structure, musically.  Hadn't given it much thought as I was coming up with some musical ideas for this...but there's a chorus and verses (and, most importantly, I'm not the only one who might know where they are!)  

Yeah, I think this turned out to be a damn good Interbay track, especially for those of you who are less fond of the dance side of Interbay and more fond of black clothes, black eyeliner, and clove cigs.  (You're welcome!  Though, I really only ever got into the black clothes and the music that goes with those outfits.)  

I hope you give this one a listen.  Like it if you do.  Repost it, Share it and Playlist it, if you like it.  Leave a comment or a message--but most of all follow this page for more Interbay.  

(Then, peek into the back catalog--if for nothing else, so you can give "Factory Full of Sparks" a listen that it deserves. :) )  

I will try to get tomorrow's track out sooner.

"Hydraulic" *SoundCloud Exclusive*

soul

Slayer
Music and Lyrics by Jesse Vinyl Jr.

Are you afraid of the dark?
Or can I count on your composure when the ugliness starts?
You wear a grin like a shark
But do you have a mean bite, or only a bark?

I'm in a real bind honey, I need a release 
(I'm in a real bind, I mean, a real bind)
Need you to push me over the edge and bring me back in one piece

The hour is late, things go bump in the night
I can't sleep alone anymore
A friend's a welcome sight when the wolf's at the door

I need a slayer to scare the monsters away
I need a slayer to keep my demons at bay

Tell me what makes you freak
What makes your blood run cold, your heart skip a beat
Show me what makes you tick
Do you do it for a laugh, or is it just that you're sick

I need the real deal baby, don't try to pretend
Need you to drag me to the edge and bring me back again 
(drag me to the edge)
My nightlife's nothing like the horror stories you cut your teeth on
You'll get no relief till it's already too late

The witching hour is nigh, I can't live with myself anymore
But there's no end in sight, and the wolf's at the door

I need a slayer to scare the monsters away
I need a slayer to keep my demons at bay
Say your prayers, this isn't going your way
I need a slayer to stay in this corpse of a house
till the first light of day, till the first light of day

So slayer, scare the monsters away
(Hey slayer, scare the monsters away)
Hey slayer, keep my demons at bay
(Keep my demons at bay)
Say your prayers, this isn't going your way
(Hey slayer, say your prayers)
I need a slayer to stay in this corpse of a house
Till the first light of day

Slayer

Singel

On Top of the World

Starlit Echoes

Steelheart Rises

Cuando tu cuerpo esté en llamas

Soul on the Road (Devil Knows)

venom (prod. shade08)

not even God wants to be my friend (prod. shade08 x maestrowons‬)

loser NEET (prod. shade08)

screaming at the void  (prod. shade08)

thread (prod. shade08)

Lyrics: Edgar Allan Poe
Arrangement: Sven Fauth
Music: Suno 3.5

For Annie (Gothic Rock) (lyrics by Edgar Allan Poe)

deadboy.
vampire society nigga
I love Jesus Christ
27 yrs old
other social:
https://www.youtube.com/channel/UC9uUv84CKjhaqS_R1mr6LzQ
https://www.instagram.com/deadb11y/

fractal artist, photographer, creating music just for fun.
I started creating music in 1990 with an Amiga 500, DSS8 and Octamed.

living in Berlin, Germany for 25 years 

fraktale-kunstwerke.de
svenfauth.de

all fractal images (i.e. cover art) are subject to copyright.

The official soundcloud page for singer/songwriter Jesse Vinyl Jr.

Patrik “tórvald” Adolfsson is a Swedish electronic music artist and producer who has been active since the late 1980s. He is known for his nostalgic and retro-inspired sound, which harkens back to the heyday of synthpop music. Known for his unique blend of retro synth sounds and modern production techniques, Patrik “tórvald” Adolfsson has established himself as a leading figure in the world of electronic music. 

Born and raised in Landskrona, Patrik “tórvald” Adolfsson began his musical career in the late 1980s as a member of the synthpop band Woltage. He later embarked on a solo career and has released a number of successful albums and singles. 

Throughout his career, Patrik “tórvald” Adolfsson has been praised for his ability to create nostalgic, yet contemporary electronic music that appeals to fans of both old and new school synthpop. Patrik “tórvald” Adolfsson's music has been heavily influenced by the iconic synthpop artists of the 80s, such as Depeche Mode and Kraftwerk, as well as more contemporary electronic acts like The Postal Service  and The Radio Dept.

With a passion for creating emotionally charged and danceable tunes, Patrik “tórvald” Adolfsson has established himself as a formidable force in the world of synthpop. His music has received critical acclaim and his live performances are known for their high energy and infectious beats.

Indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience).

New tracks tagged #Goth Rock