I did not write this song. It was 100% created by AI.

For testing purposes, I asked my AI assistant to generate lyrics and structure a track in the style of Nine Inch Nails’ “Closer.” The goal was to identify how lyrics affect the outcome of a Suno-generated song without using a traditional style prompt. I also specified that the song should maintain a clear industrial vibe and consistent tempo—so that any structural shifts would be easier to detect.

The AI assistant wrote these lyrics based on its understanding of my request. “(3xplIc!t)” is part of an ongoing experiment to uncover how positive and negative prompts, song titles, and lyric phrasing influence Suno's sonic output.

Could I push Suno to generate a fully cohesive industrial track using only layered direction, structural tags, and sonic constraints?
Turns out, yes.

Why does this matter?
If a song contains flagged or emotionally charged words, it may activate specific regions of Suno’s latent space—pushing the model toward certain outcomes. Understanding that allows for intentional composition on a deeper level.

The next frontier is figuring out: how many flags are too many? And what weight does each flagged word have on the final track? That’s the phase I’m testing now.

One major outcome I’ve uncovered involves something I call: personas.

Personas are not protected entities—they behave like grooves on an ice skating rink. The more a specific vocal personality or phrasing structure is used, the more the model wears down that area. You start hearing degradation: pronunciation gets lazy, tonality shifts, and sometimes lyrics become garbled or overly simplified.
It’s not random. It’s fatigue within a specific region of the model’s latent field.

This is important:
If someone else unknowingly overlaps with the same persona—lyrically or vocally—they may unintentionally inherit degraded output.
That means no one’s creative sandbox is entirely their own—we’re all working from the same space. And yes, this raises big questions about model-wide fatigue.

So now I’m asking:
Is there a Zamboni for this system?
Is that why a style that worked perfectly one day suddenly feels lifeless the next?

I'm still testing. But “(3xplIc!t)” is one piece of that answer.

[Intro]  
[SoundFX-Mechanical-Click] [SoundFX-Synth-Hum] [Distorted-Bass-Line]

[Verse] [Vocal Style:Whispered-Edge] [Vocal Quality:Gritty]  
Bite the chain and pull me back  
Scratch my name into your track  
You make me bleed, I wanna stay  
In this skin you stripped away  

[Verse]  
I crawl, I twitch, I shut it down  
I kiss the wire, you wear the crown  
Say the word, and I’ll dissolve  
A need that nothing else can solve  

[Bridge] [Vocal Style:Tension-Build]  
Control me hollow  
Drain me slow  
You own the parts  
I never show  

[Chorus]  
You get me closer to rot  
Closer to sick  
Closer to god  
When you break me, I tick  

[Verse]  
Bruised in mirrors, fucked on glass  
I forget my name too fast  
No prayers—just filth and steel  
No cure for what I want to feel  

[Bridge] [Vocal Quality:Raspy]  
Erase me gently  
Spit my code  
I am your echo  
I explode  

[Outro]  
[SoundFX-Static-Burst] [Distorted-Kick-Fade]  
Closer  
Closer  
Just a little closer  
...Control

[End]  
[Key:C-Minor] [Tempo:Aggressive]

🔐 Copyright
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

(3xplIc!t) ALT Name-  Control Me Hollow  (Explicit)

Written & produced by aloe (al riordan)
Mixed by Jason Petrin
Mastered by Alexander Wright

pulling teeth

Happy Little Clouds returns with their second single on The Sound Cove, the grit-fueled “Clear And Present Danger”. A powerful message for strange times, this bold new track reflects the urgency confronting us all in today’s world. “Clear and Present Danger” is a melodic, post-grunge earworm that takes aim at narcissistic power structures, pairing sharp songwriting with emotional depth. Showcasing Jac Mestel’s heartfelt vocals and lyrical storytelling, Derek Bergstrom’s ethereal bass soundscape, and a powerhouse drum performance from Jess Townsend, this new single comes hot on the heels of their recent Radio Indie Alliance #1 hit, “Higher”.
lyrics
An angel chose a thousand souls
To wrap around her finger
The wounded flesh wound up so tight
A deathly scent was near her

This is how I sniffed her out
The all-too-perfect stranger
A perfume sweeter than self doubt
A clear and present danger

She thinks my fate is in her hand
I slip right through like grains of sand

Line up your life from end to end
Now add the parts that might have been
A single thread, you’ll weave it in
A cosmos and a simple piece of lint

Some drops of blood came trickling down
But what was it about her?
The people cried, despite their tears
They couldn’t live without her

One by one they all laid down
The angel took their power
I saw her hand was made of glass,
Which I could surely shatter

They think their fates are in her hand
I smash it up across the land

Pour out your guts from tail to tip
Subtract the heart, you never even used it
Turn into dirt, let time decay it
Layers of earth and a simple piece of shhhhhh

An angel chose a thousand souls
To wrap around her finger
Her finger
Her finger
Around her finger
Her finger

Credits
Released May 2, 2025
Jac Mestel: Vocals, Guitar
Derek Bergstrom: Bass
Jess Townsend: Drums

Written by Happy Little Clouds
Lyrics by Jac Mestel
Recorded and mixed by Ethan Dussault at New Alliance Audio, Somerville, MA
Mastered by Pete Weiss at Jade Cow Music, Somerville, MA
Artwork by Jac Mestel
Track courtesy of The Sound Cove
© 2025 Happy Little Clouds
all rights reserved

Clear and Present Danger

🎧 Track: Hungarian Britpop on the Rise
🎸 Genre: Indie Rock × Jangle Pop × Post-Punk
🕰️ ~92 BPM · 🎹 Key: E Major
🎭 Mood: Melancholic • Grey • Nationally Poetic • Ironically Catchy

What do you get when you mix overcast skies, secondhand shoes, and a bitter nostalgia for Friday that never came? You getHungarian Britpop on the Rise — a melancholic midtempo anthem for anyone who's ever waited for a tram that didn’t stop, or a future that forgot your name.

Starting with cold coffee and Keleti train station blues, this bilingual daydream spins through Budapest’s crumbling poetry and post-socialist sarcasm — in Hungarian verses that stare into puddles and English choruses that jangle like Morrissey after two Unicum shots.

The guitars? Sparkling and passive-aggressive.
The bassline? Moody with a hint of paprika.
The vocals? Baritone and bar-tab overdue.

💬 “We sing in shoes we can’t afford / With hearts that beat like minor chords.”
Yes. Yes we do.

Perfect for:
– Walking the Nagykörút with no destination
– Crying in a discount grocery store
– Feeling emotionally ambushed by British guitar on Hungarian radio

So grab your raincoat (preferably yellow), whisper a political complaint into the fog, and press play.
Because some anthems don’t rise — they trudge proudly through puddles.

⚠️ Side effects may include: unplanned nostalgia, ironic foot-tapping, and brief, beautiful flashes of national poetic dignity.

Lyrics:

A Keleti peron hideg volt ma
Egy kávé, két perc, és a csend szól haza
Az emberek néznek, de senki sem lát
Minden arc egy másik hibás világ

A zsebem mély, de nincsen pénz
Csak egy régi sláger, ami bennem ég
A bolt előtt kutyák nyújtóznak
És a remény már csak árnyékban lak

A rádióban brit gitár
De az eső nem kér, csak megvár
A múlt dalol, a jövő vak
És én csak állok, mint egy parkban hagyott plakát

Grey skies… Naughty flies…
And Hungarian Britpop on the rise
We sing in shoes we can’t afford
With hearts that beat like minor chords
Oh Budapest, you almost shine —
With just enough hope to blur the line

A Nagykörút fáradt délután
Két láb, három hiba, semmi tánc
Egy lány elmegy, kabátja sárga
És a villamos szíve már nem várja

A házak suttognak, de túl halk
A múlt nem szép — csak megszokott
És minden nap egy régi lemez
Ami ugyanúgy karcol, de már kevesebb

A dohányboltban nincs vigasz
Csak SMS-hiteles nyomor-laz
A gitár sír egy brit refrént
És én álmodom egy másik péntekért

Grey skies… Naughty flies…
And Hungarian Britpop on the rise
We dream in queues, we laugh too late
And love like trams that never wait
Oh Pest-side rain, you blur the eyes —
But still we jangle through your lies

Nem kell refrén, csak egy zaj
Ami tudja, mit felejt a zaj
Egy üres kocsma, egy hamis dal
És valaki, aki még hinni akar

Grey skies… Naughty flies…
And Hungarian Britpop on the rise
We toast to nights that feel like blur
And sing too loud for who we were
Grey skies… and factory sighs…
Hungarian Britpop never dies

Hungarian Britpop on the Rise

snake eyes - “No Cars” 
Technopolice - “Regretter après”
Will Paquin - “I Need to Know”
Yalla Miku - “Alemuye”
Whitney K - “Sunshine2”
The Cords - “When you Say Goodbye” 
Sunflowers - “I Got Friends”
Interview with Fat Dog
Fat Dog - “Pray to That”
Max Romeo - “Norman”
Bloom Effect - “Surreal” 
Klaus  - ”Smarties”
Don Drummond - “Man in the Street”
Be-Bop Deluxe - “Orphans of Babylon”

The Pressure Drop Show 15th September 2025

"How to Make the Best of Things" is a Slacker Rock anthem for the doomscrolling generation. Blending the angular guitars of Art Punk with the infectious rhythm of Dance-Punk and the grit of Lo-Fi Indie, this track turns a boiling pot of anxiety into a danceable groove.

Style: Slacker Rock / Dance-Punk / Art Punk

Conduit - How to Make the Best of Things

Happy Little Clouds is a genre-blurring indie rock band from Boston crafting emotionally charged, melody-forward music with a raw edge and radiant heart. Their self-described sound “grit-pop” weaves the brightness of power pop with the nerve of post-grunge and the introspection of 90s and 2000s alt-rock. Think the intensity of Wolf Alice with the melodic shimmer of Metric and the lyrical bite of PJ Harvey.   Jac Mestel's unfiltered, heart-on-sleeve lyrics entwine with catchy-AF melodies and emerge as vocals that have been known to turn heads. Derek Bergstrom's creamy bass counter-melodies mix with Mestel's driving guitar. Jess Townsend's (World/Inferno, Ketman) unique, expressive drumming is the underlying pulse that brings the band to life. Built on a foundation of vulnerability, loud guitars, fresh drum beats, and fearless storytelling, Happy Little Clouds has emerged as a compelling voice in the New England indie scene.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

Hi there — welcome to my corner of the web.

I’m here for one simple reason: to share my music with you.
Take a listen, explore, and I hope something here resonates with you. Enjoy the vibe!

Conduit

Formed in 1989 as various other names until we settled on Conduit in the early 1990's. Started jamming in a chicken coop, recorded music on a 4-track reel-to-reel, evolved to digital technology, Cakewalk, Acid Loops, etc... in the 1990-2000's.

Follow The Pressure Drop radio show on SoundCloud for a new episode every week! Send tunes - pressuredropshow@gmail.com. 

Tune in live every Monday, 5pm ET http://www.cjlo.com/shows/pressure-drop

New tracks tagged #GritPop