Banana
'One chance comes as standard'
Track ‘2’ from the 'PMP-EP'

Lyrics:
Oo, yeah
Bijara
Bahut batera
What ya eatin' for dinner
Trauma's nutrition for winners

Bas karo!
Bahut hai ga, bott. Get up
Yeah, yeah, yeah
Chup kar, kaam karo
Aith kar kuṛi shābāsh
I won't let you down

Some days you can't get up
Look at you now
Some days life plays too rough
Pour quoi
So we come around

Look, what we've started
Look what we've started
What have we started
We're just getting started

Look what we've started
Look what we've started
What have we started
We're just getting started

Everybody's going bananas
Tic-tac-toe to tango
I've seen a fist turn a bum into a bangle
Still wanna suck on it from every angle
Big diction, spelling and grammar
We'll take a picture just to smash up the camera
'One chance comes as standard'
Cos everybody ends up like 'nana

Bas karo!
Bahut hai ga, bott. Get up
Yeah, yeah, yeah
Chup kar, kaam karo
Aith kar kuṛi shābāsh
I won't let you down

Some days you can't get up
Oooo, look at you now
Yeah, some days life plays too rough
Pour quoi
So we come around

Look, what we've started
Look what we've started
What have we started
We're just getting started

Look what we've started
Look what we've started
What have we started
We're just getting started

It pays to feel
It pays to feel
It pays to feel
Cold
It pays to feel
Cold
It pays to feel cold
It pays to feel cold
It pays to feel cold

Push, push

Hello
Is anyone there
I guess we'll
Unfuck ourselves

Banana

First return after three-year silence. E-bow guitars creating sustained choruses over electronic frameworks at 140bpm. The Postal Service's ghost in the architecture, with hints of Mogwai, but more fragile. 

Recorded near the Forth bridges; Burns' "Ae Fond Kiss" haunting the title without claiming kinship. A farewell that lingers.

Ae Fond Farewell

Haida Gwaii 2025 Guitar Instrumental

EN
Song from the original soundtrack of the film “È quattro giorni che ti amo” by Francesco Lomastro.
An Italian-language piece for voice and acoustic guitar, performed by Alessandra Parisi.

IT
Brano tratto dalla colonna sonora del film “È quattro giorni che ti amo” di Francesco Lomastro.
Canzone per voce e chitarra, con testo in italiano, interpretata da Alessandra Parisi.

Tony Carnevale Website

NON CADRA' - From the Original Motion Picture “È Quattro Giorni Che Ti Amo”

"Ballade pop rock atmosphérique à 90 BPM, portée par une guitare électrique douce, des synthés légers et une mélodie lead expressive. Un morceau introspectif et émotionnel qui raconte le chemin de vie, entre lumière, doute et espoir."

Le chemin d'une vie

Un morceau pop rock atmosphérique qui questionne le monde actuel, entre illusions de pouvoir et recherche de paix. Porté par une énergie douce et mélancolique, le titre invite à lever les yeux, retrouver la beauté de la Terre et rêver d’un avenir sans guerre. Une ballade émotionnelle, à la fois lucide et pleine d’espoir.

Un rêve sans guerre

Ballade pop rock mélancolique, entre amour, doute et départ forcé. Un titre intime qui raconte la peur, l’incertitude et l’humanité face à la guerre, porté par une ambiance émotionnelle

Un dernier mot

Chillout Jazz Guitar Tune

They Tax It

The "Dark Academia" Ritual (Gothic Dream Pop Series)

[Verse 1] Walking through the walls of the gallery A walking, breathing palimpsest of me The dust is settling on the velvet chairs I’m screaming but nobody cares Tracing the cracks in the porcelain face Disappearing without a trace

[Pre-Chorus] 
Susurrus in the hallway Shadows in the doorway

[Chorus] Wrapped in Gossamer and Grave I’m the memory you couldn’t save Floating in the blue hour light Fading out of sight (Gossamer and Grave)

Ohhh-ahhh-ohhh 

[Outro] 
Just a trick of the light.

Gossamer & Grave_ (The Ethereal Ghost)

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

this is done as a hobby for now enjoy 🙂

am skilled in producing a wide range of musical styles, even those in languages from different cultures. Crafting music is not just a pastime for me, but a passion that brings me great pleasure. If you have a specific genre or style

Our arms ache; all three of them. 
www.triggerthumbuk.com

All music composed and played by Roger Bruderlin on guitars dated from the early 18th century, and on modern luthier guitars, midi guitars and all kind of synths from the Roger and Andrea Early-Musical instruments collection.  Earlymusicalinstruments.com

Neb/ Nebula she/ her 🐺🛸🌈🐦‍🔥🦊🦅

Sydionys   est   un   artiste   auteur-compositeur-interprète   évoluant   dans   les   sonorités   Electro-Pop-Rock,   empreintes de la tendance New-Wave. Ses   inspirations   puisent   dans   l’univers   de   groupes   emblématiques   tels   que   Taxi   Girl,   Jacno,   Marc   Seberg,   Depeche Mode, OMD et bien d'autres, fusionnant nostalgie et rébellion au cœur de sa musique

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