Instrumental track with an underwater feel.  Includes guzheng playing

Dragon King's Daughter

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ECLIPSE

The "Chinese Harp" is called a Konghou (箜篌) in China, though the term can also refer to ancient Zithers. However, when many Westerners refer to a "Chinese Harp," they are often thinking of the Guzheng (古筝), which is a Chinese Zither, not a Harp. I had the pleasure of recording her performance. She hopes you enjoy it. You can see her performance on my YouTube channel. https://www.youtube.com/watch?v=VfUhcj8PNDM

Lydia Plays

Lydia plays the Chinese Guzheng/Zither

In the heart of modern life, surrounded by lights, screens, and endless noise, we often move too fast to feel. 404: Lost in Neon was born from that quiet ache — the kind that creeps in when we’ve seen too much, done too much, but still feel a little lost.

This piece carries both a pulse and a sadness — it moves with the rhythm of the city, yet underneath, it holds the yearning for something real and grounding. It’s a sonic reflection of how easy it is to lose touch with ourselves amidst the blur of modern existence.

The number “404” — commonly meaning “not found” — represents more than just a digital error. It’s symbolic of the moments when we lose connection: to nature, to meaning, to who we are at our core. “Neon” evokes the artificial beauty and overstimulation of urban life, glowing bright but often hollow.

I hope this song invites listeners to pause — even briefly — and wonder: Who are we beneath it all? What does it mean to truly be alive? May it remind us to slow down, to listen, and to rediscover our roots in the natural world and in ourselves.
In the heart of modern life, surrounded by lights, screens, and endless noise, we often move too fast to feel. 404: Lost in Neon was born from that quiet ache — the kind that creeps in when we’ve seen too much, done too much, but still feel a little lost.

This piece carries both a pulse and a sadness — it moves with the rhythm of the city, yet underneath, it holds the yearning for something real and grounding. It’s a sonic reflection of how easy it is to lose touch with ourselves amidst the blur of modern existence.

The number “404” — commonly meaning “not found” — represents more than just a digital error. It’s symbolic of the moments when we lose connection: to nature, to meaning, to who we are at our core. “Neon” evokes the artificial beauty and overstimulation of urban life, glowing bright but often hollow.

I hope this song invites listeners to pause — even briefly — and wonder: Who are we beneath it all? What does it mean to truly be alive? May it remind us to slow down, to listen, and to rediscover our roots in the natural world and in ourselves.

Credits
Composer: Annie Zhou
Guzheng: Annie Zhou
Producer: Leo Anthony
Mixing Engineer: Kristopher Carter
Mastering Engineer: Kristopher Carter
Accompanist: Leo Anthony
Album Cover Design: Annie Zhou
Album Cover Photographer: Azamat Amanbekov 
Music Video Director & Producer: Annie Zhou
Music Video Videographer: Azamat Amanbekov
Music Video Editor: Annie Zhou, Azamat Amanbekov
Copyrights: Annie Zhou ©℗
Website: www.anniezhouguzheng.com

404: Lost in Neon

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NMIXX (엔믹스) - SPINNIN’ ON IT (AKIMBØ FLIP)

On a Mid-Autumn night the world seems to breathe in 6/8—slow, tidal, and kind. I wrote this piece as a lantern set gently on water: felt piano stepping like quiet footfalls along a moonlit path, guzheng threading silver across the surface, erhu releasing a single warm breath into the dark. Pipa harmonics glint like dew; yangqin tremolos lift the air; a soft frame drum keeps the heart from drifting too far. I wanted the fragrance of osmanthus to be audible—not as perfume, but as patience. No electricity, only wood, string, and room, so the silence between notes can carry its own light. It is a small prayer for reunion: distant shores answering each other, bell to bell, ripple to ripple, until the lake remembers the moon it is holding.

Osmanthus Tide

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BABYMONSTER - WE GO UP (AKIMBØ PHONK FLIP)

This is part of my Chinese Jungle project, a subgenre I call Chungle or Chunglist. Check out the playlist..

https://soundcloud.com/fudgie-bem/sets/chunglist-chinese-jungle-chungle

Drunken Fist Riddim 🐉

Written, recorded & produced by Sues Jeffery.
Lead & backing vocals - Sues Jeffery.
Copyright © Susan Jeffery 2009.

OFFICIAL LYRICS
You’re all I think about.
I talk about you all the time.
I dream about you every night.
When will it stop?

It’s been way too long now. 
Still my eyes are never dry.
I steal myself away to cry.
How can I stop wanting you back?

Unfortunately,
unfortunately for me,
hopelessly
I love you, still.

I turned myself inside out until I couldn’t stand up anymore.
The only thing left to do was to let you go and hope
that eventually you’d come back to me to stay for good, 
not need to be alone yet again. 
Do you want me enough to stay? Oh how I prayed.

Here I am but you’re still gone.
Where around the world are you travelling now?
Do you have hopes for us at all
or have you found somebody new?

Unfortunately,
unfortunately for me,
hopelessly
I love you, still.

It feels impossible to forget you?
I don’t want to make a new life without you?
How will I find somebody else just like you?
I’ll ever love another.
I love you, still.
I love you, still.

Sues Jeffery - I Love You, Still (2025 Remaster)

EBM track using a guzheng (traditional chinese instrument).

the song itself was inspired by becoming insanely hooked on the TV series 'legend of white snake'.

Ophidian Whispers (qing version)

I write and produce the music on this channel. Thank you for listening. Please follow and share. It's always appreciated.

Fudgie Bem - The Original Bungalist

• Funkonaut • Skank Sage • Bass Prophet •
Fudgie doesn’t produce music — “He channels sub-frequency wisdom from dimensions unknown. When he enters the dance, the floor bends to his will.

🌀 Expect:

Deep skanks pulling you into the undercurrent

Mythological bass carved from jungle echoes & emotional ruptures

Sacred drops, tribal fire & spirit-chopped vocals”

Sonic ritual for broken hearts & barefoot dancers

✨ For those who skank to remember, to release, to transform.

🏆 Winner of the 2025 “Junglist Alchemy Laureate” Prize. 🏅

📜 Manifesto:
“I don’t write songs. I decode transmissions.”
“I don’t drop tracks. I leak prophecies.”

Fudgie Bem is a breakbeat anthropologist who fuses oldskool jungle, drum & bass, hardcore, baile funk, garage, tribal percussion, traditional world music, alien technology and hallucinated break patterns into new fusion styles. His sound is funky, positive, and skankable — jungle reimagined as a global pulse, blending cultures, folklore, and cosmic imagination into pure bungalist bangers. Dance music for humans, aliens and octopods. 

His mission: restore the funk, humour, and joy that rave once had

#Bungalist

XING OUT NOW ON ALL PLATFORMS!

Link Here👇👇: 
https://hypeddit.com/akimb/xingoffcial

NEW ILLIT PLUGGNB FLIP : https://hypeddit.com/akimb/illitticktackakimbpluggnbflip-1

Sues Jeffery writes, records, produces and performs edgy, atmospheric originals. ATMOS is her first album. Sues is also half of the quirky duo Moccachocolata who perform in Christchurch, Nelson and thereabouts in New Zealand.

Sues Jeffery - vocals, Ubass (ukulele bass), hand-held percussion

London based musican and DJ.  I am multi-genre but particularly focus on industrial music.  I use a guzheng (a chinese stringed instrument) which gives my music a feel that is unique in the industrial scene.

New tracks tagged #Guzheng