« Sous le vieux toit » explore la maison d’enfance comme refuge de souvenirs mêlés, entre rires, colères et regrets. Luna Mylune y célèbre le lien entre passé et présent, quête de liberté et attachement, sur un fond pop gypsy, avec délicatesse et intensité.

Respirer ton sourire

Sous le vieux toit

🎧 DREW – „NU MĂ ATINGI (CLUB EDIT)” 
🔥 Balkan Trap / Romanian-Albanian Trap Sound  

🎵 Ascultă piesa completă pe:
Spotify → https://open.spotify.com/artist/2XkDw...

📲 Urmărește DREW:
Instagram →   / officialbalkandrew  
TikTok →   / balkandrew  
Linktree → https://linktr.ee/BalkanDrew

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🖋️ *Versuri:*

[REFREN]  
Nu mă atingi — frate, sunt flame,  
Beat-ul e foc, nu joc în game.  
Tot blocu’-n ring, se clatină frame,  
Drew pe scenă — schimbă tot name.  

[VERS 1]  
Vin din jos, dar urc ca jet,  
Foc în vers, dar zic discret.  
Albanez blood, respect pe set,  
Flow curat, dar sună threat.  

[HOOK]  
Nu mă atingi — frate, sunt flame,  
808 lovește, se simte shame.  
Fetele strigă, dar eu stau straight,  
Trap de Balcani — real, nu fake.  

[BRIDGE]  
Skrrt în boxe — bass mă rupe,  
Ochii roșii, fum și trupe.  
Toți pe vibe, nimeni nu doarme,  
Beat-ul arde — suntem arme.  

[REFREN]  
Nu mă atingi — frate, sunt flame,  
Beat-ul e foc, nu joc în game.  
Tot blocu’-n ring, se clatină frame,  
Drew pe scenă — schimbă tot name.  

Produced & distributed by DistroKid  
Visual concept & lyrics © 2025 DREW

⚠️ Atenție: Conținut original!  
Reproducerea sau refolosirea fără acord scris este interzisă.  
Această piesă conține elemente generate cu ajutorul inteligenței artificiale, integrate artistic într-o creație originală.

NU MA ATINGI

recording from my LIVE set on Twitch! 21/10/25
#nativeinstruments #S4MK3 #traktordj #djmix #tribe #acid #homestudio #maschine 

MY SETUP
2x Technics SL1240m, NI Traktor S4mk3, NI Kontrol F1, Maschine MK3, Denon X1850 + TraktorPro 4

SOCIALS
  / dj_lee_cz  
  / djleecz  
 @DjLeeCZ  
https://www.mixcloud.com/lee_cz/

CirKusTeK Oct 2025 (Jungle, Tekno, Gypsy)

here they come now
here they come
wearing masks
not even they will know 
what they have done

here they come now
here they come
wear the mask
not even you will see
what you have done to me

the finches
can anyone tell
when they screech woefully?

the righteous
keep scrubbing that blood off
their hands

have patience
he said as he took 
my children away

I'm faceless
and all of my story
is written on sand

yeah, written on sand
sand

there they go now
there they go
it's all your fault
that's what happens 
when you break the law

something you should have known
god must've told you so
we're not the animal
we're not the animal!

you might just
never have to see blood
on your hands
and there's more than one mask
you can wear

but the cages
they still have to be manned
and there will be 
damnation to spare

sand
it's been written on sand
it's been written on sand

here I come now
here I come
wear a mask
not even I will know 
what I have done

here I come now
here I come
wear the mask
not even I will see
what I have done

here we go again
here we go again
not sorry
your story
will be written on sand

Written on Sand

Versions of You takes a single track and fractures it into fourteen alternate Quantum me worlds — each one revealing a different shape the story could take if the moment, the mood, or the narrator were just a degree to the left.

From glitch-folk confessions to neon-lit electro-soul, from whispered ASMR heartbreak to full-throttle trap, each version is its own universe: new chord colours, new emotional physics, new versions of the same truth. Some tracks feel intimate enough to touch; others feel like they’re broadcast from a future where your memories have been remixed without permission.

What stays the same is the centre of gravity, the ache and loss at the centre of the song about the love wearing out.

Whether you start at Version 1 or jump into the deep end at Version 14, each track refracts the same lyric through a different lens — digital, human, nostalgic, brutal, ecstatic, quiet, cinematic. Over the full album, the song becomes a prism: turn it once, you hear longing; turn it again, you hear defiance; turn it again, you hear relief.

This is not a remix album.
It’s a mirror maze.
And every reflection is a version of you.

Versions of you v6.1

If you dig deep into the history of my family tree, there is reason to believe you will find nomadic central European Gypsy minstrels amongst my ancestors. I don't know if the Romani (as the Gypsies are known to themselves) were truly in my blood, but it seems fitting. Queen of ther Land is a love song that portrays the passion and abandonment of the Gypsy spirit.

Lyrics:
Ya-ya-ya-ya,  Ya-ya-ya-ya,  Ya-ya-ya-ya-ya-ya	x 2
I carried water for the queen of the land
While she rode a magic horse in the sky
I would wait, I would cry, and the rivers
I carried water for the queen. 
Ya-ya-ya-ya,  Ya-ya-ya-ya,  Ya-ya-ya-ya-ya-ya	x 2
I made my music for the queen of the land
But she never once danced with the king
As I played every note that I knew
I sang everything.
I made my music for the queen of the land
Ya-ya-ya-ya,  Ya-ya-ya-ya,  Ya-ya-ya-ya-ya-ya	x 2
I gave my love to the queen of the land
My eternal soul is at her command
But I can’t hear her voice, I can’t see her hands.
I gave my love to the queen.
Ya-ya-ya-ya,  Ya-ya-ya-ya,  Ya-ya-ya-ya-ya-ya	x 4
I gave my love to the queen.

Queen of the land is the first track of my CD, Give Away, recorded in the mid '90s. The extraordinarily talented, and sadly late Linda Waterfall was my producer, vocal arranger and artistic contributor. 

01 Queen Of The Land

“Wicked Wave” lives in the hush before the grin—the moment when shoes meet timber and the night decides it’s not done with you. It’s coastal air and city lights, a tease that turns into a tug, the spark you feel when someone keeps time the same way you do. Terra Australis doesn’t sweet-talk; she invites. The beat does the rest—bold, playful, irresistible. It’s the kind of song that finds your feet first and steals a kiss after.

Wicked Wave

Throw back to last summer when we once again brought the Mangoes to Glastonbury.

We scoured the globe for the filthiest global DnB, and dragged it kicking and screaming to a field in Somerset.

It's got Latin, Balkan, Samba, Cuban ... and some cheeky Dubstep thrown in because we ain't no genre snobs.

BOOKINGS: MangoDjangoMusic@gmail.com

#dnb #drumandbass #drumnbass #bassmusic #junglemusic 
#worldmusic #globalbass #fusionmusic #tribalbeats 
#glastonbury2025 #glastonburyfestival #livemix #festivalmix 
#dnbmix #dnbfamily



Glastonbury 25 - DnB x Global Vibes - Live from Lizard Stage

gypsy lagune

Griboullis

We can go vibesy, we can go hard
Our mangoes bring all the boys to the yard

jazz,blues,funk,brasil,latin,africa....improvisation.
second soundcloud:
https://soundcloud.com/stephanesarlin

Peter Glass is a singer/songwriter. His writing is rather eclectic, but alt-Folk probably best describes his genre.

Luna Mylune est l’incarnation d’une nouvelle génération d’artistes virtuelles, créée par Gregleens avec une vision résolument novatrice et engagée.

Dans l’univers de Luna Mylune, l’innovation technologique rencontre la sensibilité humaine. Chacune de ses chansons naît d’une collaboration singulière : l’idée originale des titres émane de Gregleens, puis les paroles et la musique sont imaginées avec l'aide de l’intelligence artificielle, repoussant ainsi les frontières de la création artistique contemporaine.

DREW e mai mult decât un artist , e o energie creată între două lumi: 
Balcanii tradiționali și bass-ul digital.
Născut din fum, lumină și ritm, DREW aduce trapul balcanic direct în cluburi și mințile oamenilor.
Trap româno-albanez.
🔥 „808 și clarinet — DREW pe set!”
👇 Ascultă noul val

Ever feel like you've been playing quantum leap in your own life?

Listen!, I have alot to say!

I have been transposing music in Black Desert Online for years now, I am taking a break and trying something new!

AI-ASSISTED, multi-genre producer from Australia. I co-write concepts with chatGPT (I use AI mostly sanity check, style guides etc. the motives and core lyrics are my own), guide a Suno pass, then rebuild: swap/overdub parts, arrange, add, remove, mix & master, sound effects etc. 

References run from Level 42 and Mike Oldfield to KLF-era rave, drill, garage to the demoscene, I am not much of a fan of country and that hard core stuff, but everything else I <3

Music as a mirror: stories, satire, ideas, thoughts and feelings, From wit to absurdity, from glitch to groove, every track is an experiment in bending AI into something tangible.

If it makes you happy, then thats all that matters!

Unapologetic musical calamity from around the world. The only way to support: https://gomjabbar.bandcamp.com

New tracks tagged #Gypsy