Traveler

It’s Alright (Nothing Going On)

creepy ass flow

prod carvey

i hope ya'll enjoy 🔥😈

Carvey Harm - Rap About Your Death

Carvey Harm - 1. Creepy Smile

the second song for the carvey harm forest dweller album. more to come!! 😈🔥🔥

Carvey Harm - 2. High As Fuck

Made this in three days. Produced by Carvey. Enjoy!! ▶️🔪😈

Third song for Forest Dweller mixtape

Carvey Harm - 3. Living Dead Boy

Track 4 for Forest Dweller Album is finally out!!! Hope you guys love this one!! 😈🔪🖤

Carvey Harm - 4. Bloody Bible

Track Number 5 For the Forest Dweller Mixtape

Lyrics

when i die, imma take you with me to the other side
into the mind of a psycho, smokin hydro, imma get red in the eyes
standin up under the moonlight, bet with the devil i'm playing my cards right
crossing my soul from the earth in a white light
between the two of us there is a fine line
you stay living just to see tomorrow
i stay dyin to keep me alive
under no condition to thrive
somehow i manage to stand and survive
in a world that wants to see you fall and be the worst version of you
waitin to see me snap and do some shit im usually worried to do

always livin the high life, lay me lifeless under the twilight
i am finite, one day all of the colors will leave my eyesight
let my life shine
same story different day
watchin my body turn into decay
all my mistakes replay in my mental state
its back to the ashtray
withdrawaling, relapsing, im cutting my throat and collapsing
all my problems keep stacking and under the pressure all my bones are cracking
my life is flashing as the voice in my head is laughing in me
my head is blasted you gon need a mop to clean the bedroom ceiling 

Carvey Harm - 5. Goin' To Hell And You're Comin' With Me

finally back!! 😈🔥

I hope ya'll fw this one!!!

Carvey Harm - 7. Help Me

Mara Ahmed joins Heart of The East End Gianna Volpe on WLIW-FM ahead of the November 14th world premiere of her film, “The Injured Body: A Film About Racism in America” at Huntington’s Cinema Arts Centre, including a post-film discussion with Ahmed, the film's director, artist and curator Brianna L. Hernández of Ma’s House and BIPOC Art Studio, as well as renowned writer Uzma Aslam Khan.

https://www.wliw.org/radio/captivate-podcast/october-29th-2025-mara-ahmed/

The Injured Body: Interview with Gianna Volpe

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https://www.instagram.com/heavenfirst625
https://heavenfirst.bandcamp.com/track/harm

HARM

TRUE FEW & BLOOD PALACE 𖤐

I'm Carvey Harm 😈

If you don’t like the effort i put into my songs kiss my ass 💀

After years of playing, writing, recording, rewriting, and re-recording, this legendary Amsterdam band is finally presenting their long-awaited third album: Traveler. But it’s worth the wait because, according to them, this record comes the closest to who they truly are.

Since their meeting in an obscure basement bar in Hamburg in 2013, they’ve played as much as possible to convince audiences of their contemporary take on "rootsy garage rock 'n roll." Their first full-length album, titled Twang Wolf Sessions (2013, Undertow Recordings), came out of this, named after the famed studio of their musical friend and producer Hans Hannemann, where the record was recorded.

Their second album, Sweet One (2015, Suburban Records), followed and became a smarter, more mature, and more diverse record, with a sound that at times feels psychedelic, while at other moments takes a turn towards garage or surf.
Since then, they've achieved a lot: a successful tour in England, their music featured in commercials for Ajax and Grolsch, performances in iconic venues like Paradiso and Melkweg, opening for greats like Beth Hart (HMH), a coveted minute on De Wereld Draait Door, and countless shows. From bars and gritty basements to big stages and festivals, they rocked every venue.

Creating a new album became a quest, but ultimately, there was only one place where they wanted to record this new album—at Hans Hannemann's studio Twang Wolf. Together with their new drummer (Klaas Harm Dijkstra), they set out to create an album that musically captures the essence of the band. Once again inspired by American artists like Velvet Underground and Iggy Pop, they also drew more from the music of their own youth in the ’90s. The influences of bands like dEUS, Soulwax, and The Pixies are clearly audible.Since their meeting in an obscure basement bar in Hamburg in 2013, they’ve played as much as possible to convince audiences of their contemporary take on "rootsy garage rock 'n roll." Their first full-length album, titled Twang Wolf Sessions (2013, Undertow Recordings), came out of this, named after the famed studio of their musical friend and producer Hans Hannemann, where the record was recorded.
Their second album, Sweet One (2015, Suburban Records), followed and became a smarter, more mature, and more diverse record, with a sound that at times feels psychedelic, while at other moments takes a turn towards garage or surf.
Since then, they've achieved a lot: a successful tour in England, their music featured in commercials for Ajax and Grolsch, performances in iconic venues like Paradiso and Melkweg, opening for greats like Beth Hart (HMH), a coveted minute on De Wereld Draait Door, and countless shows. From bars and gritty basements to big stages and festivals, they rocked every venue.
Creating a new album became a quest, but ultimately, there was only one place where they wanted to record this new album—at Hans Hannemann's studio Twang Wolf. Together with their new drummer (Klaas Harm Dijkstra), they set out to create an album that musically captures the essence of the band. Once again inspired by American artists like Velvet Underground and Iggy Pop, they also drew more from the music of their own youth in the ’90s. The influences of bands like dEUS, Soulwax, and The Pixies are clearly audible.

Independent filmmaker based in Rochester, NY.

New tracks tagged #HARM