Bem-vindo ao Groove Lab Vol.2 — um set explosivo de Tech House e Bass House cheio de groove, energia e vibe de pista!

Este set conecta o melhor da cena underground com linhas de baixo pesadas, percussões marcantes e transições perfeitas pra te manter dançando do início ao fim. Ideal pra ouvir na academia, no carro, em festas ou pra inspirar sua próxima produção.

🔊 Sinta o groove. Viva o som.

🔥🚨 Tracklist 🔥🚨

Seeing Double - Dance MF
Hatiras - Hypnotized
Sonique, Matt Sassari, Hugel - It Feel So Good
Jewel KID - Erotik
Kanye West Praise God (Curlyheads Remix)
Matroda, POLOVICH - The Funk You Want (Benny Edit)
Princess Superstar, Shinichi Osawa, Walker & Royce - Detonator (Redux)
Odd Mob - Left to Right (33 Below Remix)

Groove Lab Vol.2

Dark synthwave energy with a mechanical pulse. Midnight roads. Deep bass. Shadows in motion.

Midnight Engine

Dark electronic track with pulsating synths and deep basslines, elevated by haunting vocal layers for an atmospheric twist. This instrumental piece blends percussion with an energetic and powerful vibe, perfect for an euphoric escape.

Pulsing Depths

This track recently reached number 1 on the Underground Top 40 on RepostExchange, and it marks a new chapter for the DustRoom

Heavy industrial DnB driven by warped rhythms, corrupted textures and broken-circuit energy. Reality bends at the edges, time feels unstable, and the whole track glitches like a future collapsing in on itself. Dark, gritty and cinematic with a proper neuro backbone.

Glitch The Future

Glitch the Future

A fierce, high-energy desert assault driven by fast 76 Hz power, sharp EDM transients, and Arabic-infused melodic aggression.
“Desert Wrath” hits like a sandstorm at full speed — electrifying, intense, and built for maximum impact.

Desert Wrath

Music Sounds Better With You

SAKURA NOIR is a journey through neon Tokyo nights — where koto echoes drift between metal riffs, chromed sakura petals fall like sparks, and every shadow hides a pulse.  
This album blends Japanese scales, cinematic synths, emotional arps, stealthy basslines, samurai-metal energy, and late-night phonk textures.

Each track captures a different side of the city:
the quiet rooftops, the glowing alleys, the steel, the ghosts, the rhythm of a neon katana cutting through the dark.

Made to feel like a whole world — futuristic, poetic, dangerous, beautiful.


Blade of Fate

“Killstreak Master (Untouchable Operator)” is a high-energy, humor-driven rock anthem designed for Call of Duty and Battlefield players who turn every lobby into a highlight reel. Packed with crunchy guitars, hype-rock energy, and hilarious gamer references, this track celebrates the sweaty legends who drop insane killstreaks, spawn-trap entire squads, and make enemies rage-quit mid-match. Perfect for streams, montages, gaming edits, and every operator who dominates the digital battlefield.

Killstreak Master Untouchable Operator

Thrash metal is a subgenre of heavy metal, which originates from classic heavy metal by incorporating characteristics of hardcore punk. It also influenced some styles that came later such as death metal,black metal, punk metal and other more recent styles such as metalcore, groove metal, alternative metal and nu metal.

tremor

slaughterhouse

psychopathy

closed

post mortem

A moody slow-burn about living with strict rules, religious pressure, love, and fear under one roof.

Broken Normal

Eggshell House

Brøther - Sonic Boom

🎵 Title: In the Hall of the Mountain King (Hip-Hop Hybrid Adaptation)

🎼 Original Composer: Edvard Grieg — Public Domain
🎼 Adaptation: Michael Herter

🕒 Duration: 02:29
🎛 Genre: Classical / Hip-Hop / Hybrid / Cinematic
🎧 Mood: Epic • Dark • Tense • Aggressive • Rising • Magical

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📝 Description

What happens when you take one of the most iconic pieces of classical music and strip away the politeness?

Grieg’s original masterpiece is legendary for its ability to build tension. With this adaptation, the goal was to push that tension to its absolute limit—respecting the original score while injecting it with the raw, visceral energy of modern hip-hop and cinematic sound design.

This track bridges two worlds. The iconic orchestral melodies and the dramatic weight of a mixed choir are now driven forward by heavy 808s and punchy, aggressive drums. It is a sonic experiment in accelerating madness—moving from a stealthy creep to a massive, chaotic wall of sound.

It is familiar, yet completely new. Turn it up and feel the pressure rise.

🎼 Musical Details

Key: h-moll
Time Signature: 4/4
Tempo: flexible / accelerating

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► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

In the Hall of the Mountain King

In the Hall of the Mountain King (Hip-Hop Hybrid Adaptation)

[Intro]
Piriri, piriri…
Godinho no comando, bebê…

[Verso 1]
Quando ela chega no baile é problema,
Roubando atenção, quebrando esquema.
Olhou pra mim, já fiquei sem ar,
Desceu no grave só pra me provocar.

[Pré-Refrão]
Ela não para, não cansa, não perde o pique,
Jogando forte, tipo pique-nique.
Se ela senta eu passo mal assim,
Treme o baile inteiro quando ela vem pra mim.

[Refrão]
Piriri, piriri, piriri…
Quando ela joga eu fico assim.
Piriri, piriri, piriri…
Rebola gostoso, vem pra cima de mim.
Piriri, piriri, piriri…
No vai e vem ela só faz assim:
Piriri, piriri, piriri…
Se continuar, eu vou cair!

[Verso 2]
Ela domina, manda e desmanda,
Sarrando gostoso, perder a linha.
No grave bate, a pista treme,
E o coração dispara quando ela desce.

[Pré-Refrão]
Ela não para, não cansa, não perde o pique,
Jogando forte, tipo pique-nique.
Se ela senta eu passo mal assim,
Treme o baile inteiro quando ela vem pra mim.

[Refrão]
Piriri, piriri, piriri…
Quando ela joga eu fico assim.
Piriri, piriri, piriri…
Rebola gostoso, vem pra cima de mim.
Piriri, piriri, piriri…
No vai e vem ela só faz assim:
Piriri, piriri, piriri…
Se continuar, eu vou cair!

[Outro]
Piriri, piriri…
Ela me deixa sem ar.
Piriri, piriri…
E eu só quero continuar…

Piriri, piriri…

Jake Felstead is a tech house producer and DJ known for deep, rolling basslines, infectious grooves, and hypnotic rhythms. Blending the raw energy of underground house with the crisp precision of modern tech,Jake crafts sets and productions that keep dancefloors moving till the early hours.

With a sound influenced by the pulse of the UK and European club scenes, Jake delivers a seamless fusion of driving beats, intricate percussion, and soulful, atmospheric elements. Whether in the studio or behind the decks, their music captures the essence of late-night euphoria—dark, immersive, and impossible to ignore.

Most of what you hear you can DL for free <3
Memory is sacred.
Spirit is not for sale.
What you hear is what was felt in real time.
Tarik Yazici | Born 09-06-1979
The three-minute transitionist.
Tarik began spinning at 16, blending vinyl like a shadow technician. By 19, he was producing—chasing sounds through Reason and Cubase before finding his true home in Ableton Live.
Known for his surgical three-minute transitions, Tarik doesn’t just mix—he sculpts. Each set is a single flow, each hand-off a transformation. His code is simple yet absolute: 99% first take, no edits. What you hear is what was lived.
Inspired by Underworld, The Chemical Brothers, Luke Slater, Jeff Mills, Dave Clarke, Yan Cook, and Røhad, Brøther’s style fuses pulse, grit, and raw emotion—always shifting, always alive.
This isn’t just DJing. It’s a living archive.
A legacy carved in transitions.
A statement in sound.
Let it echo.
Let it grow.
Let it return.

Jericho Records USA – The Story Behind the Sound

Welcome to Jericho Records USA.
This isn’t a traditional label — it’s the archive of a lifetime spent writing, recording, experimenting, breaking rules, and rebuilding myself through music.

The original Jericho Records was an independent label my father started in the 1950s. What you’re hearing here is something new — my continuation of that legacy, shaped by the times, the tools, and the life I’ve lived.

I grew up in a musical home. My father ran the church music ministry, my mother played piano, and I was singing before I could read. Drums at 5. Guitar at 7. Bass. Saxophone. Piano. Songwriting became the way I made sense of the world, and I’ve written close to a thousand songs — with thousands more to come. I later graduated from Full Sail University with a degree in Audio Production, blending old-school recording with modern technology.

You’ll notice the sounds here are diverse. That’s intentional.
I create under different artist names, different styles, different worlds — but the voice behind all of it is mine.

And to be fully transparent:

• Some tracks are traditional studio recordings — real drums, real guitars, real vocals, all performed by me.
• Some tracks blend live instruments, VSTs, and AI-assisted production.
• Some began as my raw guitar or vocal recording and were “covered” or re-interpreted through AI tools.
• Some are fully AI-generated compositions created from my prompts.
• But every song — no matter the method — was written by me and comes from real experiences, real chapters of my life.

AI, to me, is another instrument — another creative partner.
It doesn’t replace my voice or my story; it helps me bring more of it into the world.

Over the years I’ve worked with incredible people, including Dez Dickerson (Prince & The Revolution) and Tim Gaines (Stryper), and I’ve shared stages with bands like Drivin’ N’ Cryin, Corey Taylor, Saving Abel, Hinder, and Avenged Sevenfold. But the journey didn’t end there — it evolved.

Jericho Records USA is where all those chapters live at once:
the human hands, the digital experiments, the scars, the healing, the imagination, and the divine spark that keeps me creating.

If you’re here, I hope you find something that resonates — something that reminds you that music, in any form, is a lifeline.

— Jericho

Sound Tycoons, a dupla formada por Jefferson Ferreira e Junior Barbosa, está conquistando o público com suas batidas energéticas e sets eletrizantes, que combinam o tech house com minimal/deep tech.
Com passagens por eventos como Psychologic, Supernova Warehouse, Goodfather, Sub House, Tech House 4 Friends, Groove Soldiers e Sound Lab e casas como Abstratto club, Armazen 18, Espaço Taal, Sky.na Sushi Bar e Snoop Gord’s. 
Seus sets são marcados por um tech house groovado e cheio de percussão com surpresas que vão do minimal deep tech ao bass house e buscando sempre trazer a brasilidade em vocais e outros elementos dentro deles.

Ukrainian-Canadian composer (SOCAN) producing high-quality cinematic, electronic, and folk soundtracks that blend emotional storytelling with modern sound design. Each 24-bit studio master is crafted for film, trailers, and digital media — combining orchestral depth, electronic energy, and heartfelt atmosphere inspired by real stories and places.

Nicola Porcu 
artistic name: nikproteus

The contact with music begins as a child listening to hours of music on the radio.
At 7 years he studied piano and began to compose his own songs.
At 15 he studies drums and percussion.
He began a musical career that led him to play in various musical groups throughout Italy.
In the meantime he begins to study composition and work with computer programs.
Over the years he dedicated himself to the study of mixing and mastering and began studying bass and ukulele.
Now after years of experience in the music industry, has a vast musical repertoire of different genres and is dedicated mainly to music for film and video of various kinds, working with several musicians, directors and music platforms.

Cinematic spoken-word reflections on war, service, and the human cost of duty—told with raw honesty and reverence.

Bangladeshi producer blending Japanese cyber-aesthetics with dark EDM, mid-tempo, and cinematic world fusion. Creator of the OASIS album and Sakura Noir series.

Hi everyone!

My name is Michael Herter, but many people know me as Sibviolin.
I’m a professional musician, composer, and violinist.

In my portfolio, you'll find a diverse collection of music for your videos, just like in an audio music library. My work spans multiple genres, including classical, jazz, pop, rock, electronic, hip-hop, and more.

All my music is available for high-quality download (WAV, 44.1–48kHz, 16–24bit) directly from SoundCloud.

If you enjoy my music, feel free to share my profile with your friends and colleagues. Your support means the world to me!

And if you'd like to show appreciation, a cup of coffee would be truly appreciated. :)

the DustRoom is an electronic producer and DJ from Sheffield, UK, creating a unique sound that blurs the lines between drum & bass, neurofunk, and cinematic atmospheres. Often weaving in heavy guitar riffs he records himself, his music combines raw energy with immersive sound design to stand apart in the electronic scene.

Beyond music, he collaborates across creative and lifestyle spaces, especially in the motorcycling world, bringing machines, culture, and sound together in distinctive ways.

With a style that is unmistakably his own, the DustRoom continues to release boundary-pushing music that resonates across streaming platforms, radio, and live.

New tracks tagged #HEAVY,