Intro (licutta)

Who ??? ft 2deemy (Djae1k x corda)

Insane (licutta)

real pack (Reik)

number9ine ft licutta (licutta)

Sinners, written and directed by Ryan Coogler, is a horror musical set in 1930s Mississippi, shot in part on IMAX 70mm film, starring Michael B. Jordan as a pair of identical twins who return to their hometown for a new start, only to encounter vampires. It's as ambitious as that sounds and full of ideas and culturally specific nuance, and José loves it. Mike doesn't.

We discuss how the music draws on several influences, not just from the blues of the era but also from Irish folk and hip-hop; the getting-the-band-back-together feel of the opening, in which the twins bring their influence and riches to bear on the creation of the juke joint; the visual design, simultaneously confident and careless; the crowd-pleasing fantasy of an anti-racist Rambo; and the theme of vampirism - what it means and how it's used.

Recorded on 5th May 2025.

442 - Sinners

TRACKLIST
Faraway Ghost, Sunken Cages - Dombivli Heat
Chrisman feat. Papalas - Christoven
Slikback - ASEIX
Aka Hex - Do The Rite Thing
Khalab, M’berra Ensemble - Moulan Shakur
Lukrø, El Chico Callado - Choqewillka (Sewa Remix)
Pangar - Tuvan
Scarlett - Third Vision
DJ Stingray 313 - Sensor Data
Only Now, Jaijiu - Rebel Cry Pt.1 
Makossiri - Death Of Patriarchy
Net Gala feat. Ran Cap Duoi - Rac Cap Cu 
Wulffluw XCIV - F-3
Wulffluw XCIV - Hellgainer
Aunty Rayzor, Debmaster - Murder
Luca Duran, Atrice - Hoasca
Masaka Masaka - Sacrifice
Bell Curve - Staircase (Toumba Remix)
الكونتيسة - ضفدع

The Crotch Goblin Horror Show [eerie music playing]

(2025)Wake Up!💣 #mobygratis @mobygratis (New improvised work, inspired from Prodigy, Moby, Brian Eno, Trent Reznor, Robert Fripp, Jerome Froese and Tangerine Dream in progress, not finished!)
*🎹 Software instruments: "bas traps inst mix ab oz-150bpm-mobygratis", (The track you have licensed is bas traps audio): https://mobygratis.com/ And Various edited samples. 
*Hardware instrument: "Arturia Keystep 37". 
*Inspired by: Kosmische musik/Cosmic music, Floataway, Synthwave, Prodigy, Moby, EDM, Brian Eno, Daniel Lanois, Roger Eno, Roedelius, Moebius, Vangelis, Bladerunner, Jean-Michel Jarre, Tangerine Dream, Edgar Froese, Jerome Froese, Christopher Franke, Johannes Schmoelling, Peter Baumann, Klaus Schulze, Thorsten Quaeschning, New Age, Kate Bush, Terry Riley, Ralph Lundsten, Ludwig Göransson, Pink Floyd, Enigma, Genesis, Tony Banks, Peter Gabriel, Phil Collins, Gary Numan, David Bowie, Supertramp, Kraftwerk, Hans Zimmer, Robert Fripp and Larry Fast/Synergy.

Wake Up!(2025)💣

Lily (No Humming)

Lily (Hum Me A Melody)

https://www.youtube.com/@twonether

https://www.instagram.com/2nether?igsh=M2RoeHBvNmJxeW1q&utm_source=qr

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
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Every track was recorded between 1980 and 2025.
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Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
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"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
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"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
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"Love is the only thing that transcends all dimensions, including time and space." <3

🖋 Journalist for Weekult, Djolo, Auxsons, Songlines...
🎙 Host of CHIGUIRO&FRIENDS @ RINSE France
🎙 Host of Afrique in the House @ COMALA Radio
🎙 Host of Terres de Groove @ La Radio du Bord de l'Eau

New tracks tagged #HORROR