Evosonic Update ___ Mix Des Tages 04.08.23

VIDEO: https://youtu.be/CvhWvJ89xsY
https://linktr.ee/wallmusic

Drawing on themes from my PhD research, "Netscape: Cities and Global Corporate Networks" https://repub.eur.nl/pub/16013/ , the song "Network Inequality" emerges as a powerful sonic exploration of the disparities within global economic systems. The track uses an AI voice as a detached narrator, delivering terms like "asymmetric system," "network of a network," and "inequality of the economic network," among others. These terms are interspersed with graph theory measures such as "indegree," "outdegree," and "centrality," effectively mapping the intricate flows of capital and power as if in real time.

The song's progression mirrors the ebb and flow of financial markets, with the music intensifying to represent the volatile dynamics of economic systems. A poignant moment arrives during the bridge when a deep male voice cuts through the mix, intoning "Babylon lovers are Babylon lovers"—a direct invocation of the Rastafarian concept of Babylon. This oppressive system symbolizes economic exploitation and inequality, contrasting starkly with the cold, mechanical voice of the AI. This human element, raw and soulful, underscores the human cost hidden beneath economic abstractions.

Female voices whisper chants that grow increasingly louder and impassioned, intertwining with the AI’s stark recitations. The culmination is a crescendo where detached technological articulations and defiant human responses clash, plunging the listener into the chaotic soundscape that represents the network itself.

Beyond its lyrical depth, "Network Inequality" is a testament to the innovation in contemporary electronic music, blending psytrance, experimental electronic, retrosynth, and nudisco. The track channels the energetic, modernized psytrance reminiscent of Vini Vici, enriched by the melodic layers akin to Astrix, and pulsates with a rhythmic base that propels it forward. Cosmic synths and expansive soundscapes, influenced by Electric Universe, give the track a celestial quality.

Retrosynth elements recall the nostalgic vibes of Klopfgeister, merging a retro aesthetic with modern sensibilities. The inclusion of nudisco adds a groovy, danceable dimension that mirrors the lighter, playful elements found in Neelix’s genre-blending productions. "Network Inequality" is not just a musical piece but a narrative collage, paying homage to avant-garde influences like Shpongle and Ritmo, who push the boundaries of their genres.

This track is not merely a collection of influences but a cohesive narrative that challenges listeners to question the underpinnings of our global economy. It is a compelling encounter for both psytrance aficionados and those new to the genre, drawn by its eclectic and innovative appeal. The repeating mantra, "Babylon lovers, are Babylon lovers," inspired by The Slits’ "Love Und Romance," serves as a resonant reminder of the ongoing struggle against systemic economic inequalities.

Network Inequality

Starting little soft to end with some hammerprogressive..

just picking shit from an old old case i found. no thought no prepare, just a Budda vibe after work. Got some inspiration when i found the TamTam intro I made when me and my brother played at TamTam years ago.

B1&B2(Chipmonx) sticking togheter

Goal is to spread the good old progressive music, to keep it alive without being so serious.


Computer love(Sun Project and Motion(Haldolium) is the leadword in this mix.

trying and playing with some new mixingstyles. no one is perfect,  but as long as the music is killa.

BuddaBPM- Just a bloody saint(just for fun)

Last Dance

https://www.mixcloud.com/jaypauli/

https://on.soundcloud.com/zjmjdJCx4S0MelbZqu

https://youtu.be/fuexQTShOmY?si=LISpRVURuYfrkz55

https://open.spotify.com/artist/1fq2d5jGjAYU4VrdLMcWjh

LINKTREE https://linktr.ee/wallmusic

WALL is a musician and urbanist who started making music in 2023. Blending genres such as Synthwave, Electronica, Techno, House, Trance, Dub, Disco, Acid, and IDM, WALL’s sound explores themes of urban life and social change. Combining academic insights with diverse electronic styles, WALL creates a distinctive and thought-provoking musical experience.



With a high and wide interest of music since youth,burning cd´s for homepartie,writing lyrics to beats and so on, he first came in contact with djíng thru a relative that used VTT-Virtual Turntable on his pc with an old Numark around 1996. Then he got his first gig on a youth venue and that was it. Went to his first open air around 2002,and started playing around 2003. Bought his first cdj´s Denon DN-2000F and the ride was on.
Hosted clubs and started organising he´s own parties and played between 2003-2014

With bookings like Shiva Chandra, Meller,Tryptamoon,Querox,
Connex,
Etnoscope,Pusherstreet,Mantra Flow and Synthax,AliceDJoanna and so on he have built a foundation of heaviness, happiness and joyfulness like Nokia, connecting people. 

Now(2025) when he is fully activated in music once again after doing "life stuff" like children and so on. 
He just want to keep spreading the vibe and trying to catch every second of every moment to make the path a good one, with music as a foundation and inspiration. 
Music matters

It is what it is.
And it's ok
Never let the music be forgotten
/Budda
"That is all"

The projects of an fully activated brain

BuddaBPM- Mostly heavy old progressive, with a mission to keep it alive, and unforgotten. Always trying to catch the vibe among the tribe.

Forest Bum- Budda lost in forest, heavy and playful, and vibyness. Want to take the heavy minimal progressive vibe to a little bit faster and darker tribe.

BioTekk- Could go from heavy driven tekkno, to a little bit housy, a wide range from slow minimalistic to mainstreamly beats, but when it all comes together, its kick ass music

Upcoming gig´s
16/8
BioTeKK-Private party [Ug3] [Skåne]
6/7 
BioTeKK- NGBD [Ug3] Malmoe

Past gigs
26/7
BuddaBPM-Mystical Forest 6[Ug3] Malmoeko

New tracks tagged #Haldolium