A spontaneous composition by

Ray Cipolla: Drums
Gerhard Lallinger: Bass
Udo Gerhards: Keys

Eine in Mittäterschaft begangene Übertretung des groben Unfugs

Buy CD or Download

Heiliger Alpdruck

This now near 90 year old 1/4 ton 163 valve behemoth never ceases to amaze me - Over the years I have found that no matter how you record, sample or process material from this beast it always ends up sounding like something from another planet and I'm still left staggered to think this was the brainchild of a small team of talented men in the late 1930s truly motivated to break the norms and see their vision of the future come true.

In this case I had a go grafting together two excerpts of a test recording I made back in 2020 played at half speed and the result is fascinating - you can hear the effect of Novachord's 6 free-running LFOs affecting both pitch and timbre and the remarkable dynamics and frequency range of the instrument happening before your ears in slow motion. Remember, this thing literally has a VCA and envelope generator for every single one of its 72 keys just like the Polymoog and PS-3300... in 1938 technology!

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2020/25.

1938 Novachord #346: The Beast Doth Gently Awaken in Slo-Mo...

It's Funkin' G

Tune For C

Hammond Organ Blues (Tribute to Jimmy Smith)

Written, Performed & Produced by Dave Madden
Feat. Scott Clark on Telecaster

Dave Madden - "The Real Zeal"

We used instruments and amps from the 60s, 70s and 80s to record organs(leslie), guitars and bass

Pato Vengeance(Vintage) - The Trail

Funky instrumental with a couple of keyboard solos

The 26th Of February

Lonely Chair

The George Harrison Beatles classic, jazzfunk edition.
Erik Dekker - drums
Javier García Vicente - bass guitar
Jerome Van Rossum - keys, guitar, vocals

Taxman

Original HardRock artist/Connoisseur/composer/genre master from Slovenia (ex author bands: Wild Crew, HairX), ON STAGE SINCE 2009

wild soul/pioneer subculture/cult background master/DEEP SYMBOLISM OF LYRICS

ex glam/green beret legend of club generation/afterparty animal

I left the school and create a band as a guitar player, songwriter & composer, I get a job in a factory and started living as the original rnr subculture (wild soul/self-taught). i lived a whole decade under and on the stage(hard & heavy/glam/sleaze subculture) and my music talent shape me into a real original rocker. 

BUT IN SLOVENIA THAT MEANS THAT YOU PLAY WITHOUT MANAGER OR RECORD LABELS(genre discrimination)

Wild crew(sleaze) 2010-2015/ EP album "Wild Side"

HairX(melodic hard & heavy/glam) 2015-2020 / studio album "Animals" & single "Sweetheart"

___corona___

Pato Vengeance_Vintage/full song composer/producer
(70s hard rock/prog hard rock/blues hard rock/AOR/sleaze/psy blues)

OVER 60 UNRELEASED SONGS/ALBUMS

Alright, let me tell you about my musical journey, which has taken me through quite a few different styles and instruments.

I started with a formal music education, where I studied French horn and church organ. I really immersed myself in the world of classical music, playing in concert bands and orchestras. Later on, I joined a military band, which gave me the chance to explore a wider range of instruments. I played clarinet, trumpet, trombone, and of course, horn. It was a great experience to be part of such a disciplined and professional musical organization.

Beyond performing, I also developed a keen interest in the mechanics of musical instruments. I became a church organ builder and a restorer of mechanical instruments. This allowed me to combine my love of music with my fascination for how instruments work. I found it incredibly rewarding to bring these complex and beautiful machines back to life.

In more recent years, I've found myself drawn to the raw emotion and soulful expression of the blues. I've taken up the blues harmonica, and I'm really enjoying the journey of learning this instrument and exploring this genre. The blues feels like a natural fit for me, a way to connect with music on a deeper, more personal level.

So, that's a little bit about my musical background. It's been a diverse and winding path, but I'm grateful for all the experiences and opportunities I've had along the way.



𝚃𝚞𝚗𝚎𝚜, 𝚗𝚘𝚒𝚜𝚎𝚜, 𝚋𝚎𝚊𝚝𝚜, 𝚍𝚊𝚏𝚝 𝚜𝚝𝚞𝚏𝚏

Sefton have club. Hit thing with club. 

Somehow music happen when club hit thing.

Beautfiul when you think about it.

Humanitarian of the year nominee 2004. Donations welcome. 




*Day release courtesy of Capri Sonnet Records

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

All my albums as free hi-res downloads: https://phaneronaut.bandcamp.com/music

"By the phaneron I mean the collective total of all that is in any way or in any sense present to the mind, quite regardless of whether it corresponds to any real thing or not." (Charles Sanders Peirce)

Jerome Van Rossum is a Dutch composer, multi-instrumentalist, producer, arranger and band leader. He started his career in New York with a variety of bands, theater companies and record labels, releasing his first solo album "Diplomatic Immunity" in 1998 (Irma Records). His latin-funk Orquesta Mata Buena played clubs and festivals in the US, and later in Europe, when Jerome moved back to Europe. Jerome is now back in the studio, recording new musical projects, some of which will appear here on SoundCloud.

My musical journey began as a late teen when I first heard Dimebag Darrell and soon after set off to become a shredder myself. Eventually as a young aduIt I enrolled in a 3 year performance program majoring in classical guitar (minor piano/voice) after learning many of my idols had been inspired by or even trained in classical form. I followed up with 1 year of University while I slowly discovered my love of jazz, and especially Funk music. I've continued my musical journey for a total of 15 years now and in my spare time outside of work I enjoy teaching a few students as well as trying to master the arts of funk bass, guitar, and composition.

I'm far from being  a professional but every now and then I'll post something I feel like I can be proud of. Who knows, maybe someday I'll be able to connect with a few like minded musicians and take this more seriously. That would be awesome.

New tracks tagged #Hammond