Please don´t shoot the pianist, if anything shoot the guy in the harmonica 
Art by Canva
BPM 118
PART I: CHORDS 1-16
Am Am Dm Dm x4
PART II: CHORDS 17-32
Am Am Dm Dm x4
PART III; CHORDS 33-40
Am Dm F Em Am Am Am Am
PART IV: CHORDS 41-72
Am G F F x12
PART V: CHORDS 73-106
Am Am Am Am
Dm Dm Am Am
F F F Am
Dm F Em Am
Dm Dm G F
F Am G F 
F F F F
G/Am Am Am Am 
Am Am ..........

Don’t shoot the piano player

Imprévu

imprévu

A Country/Folk & Electronic hybrid with a blend of classic instruments and modern synths

Sunset Showdown

Session: 029

The Sessions are a series of albums I intend to put out there which are mostly demos from my bedroom that otherwise wouldn’t see the light of day. But as I've gone through these recordings and listened, I still enjoy them they are single takes of songs some of which are ad-libbed. These five songs where all completed one afternoon when there was lot of family at my house. So, I tried to sneak away and get some ideas down, because of this the recordings themselves have all the noises of my family in the house at the time. So, it reminds me of all that which is good. 

Again, whoever listens I hope you enjoy. 


Mary On A Stand (Piano)

Session: 045

The Sessions are a series of albums I intend to put out there which are mostly demos from my bedroom that otherwise wouldn’t see the light of day. But as I've gone through these recordings and listened, I still enjoy them they are single takes of songs some of which are ad-libbed. These five songs where all completed one afternoon when there was lot of family at my house. So, I tried to sneak away and get some ideas down, because of this the recordings themselves have all the noises of my family in the house at the time. So, it reminds me of all that which is good. 

Again, whoever listens I hope you enjoy. 


Shes Coming Round

The Mill House

Mary On A Stand (Guitar)

Lets Go Sailing

Drum – angelo alabiso (angus)
Electric Bass – fabio rossi
Acoustic piano  – jepp zisa
electric guitar – olaf fredikrsson
Electric guitar – sepp thaler
harmonica (Armonica a bocca) – john pagano


pollution

Respect for Blues

from the album CWSM - Country Western Space Music
sparkybonehead.bandcamp.com/album/cwsm

A Long Way From Home (from CWSM)

Lạc Giữa Đêm Buồn – Hơi Thở Blues

Harmonica #1

with soft percussion and shimmering synths complementing the vocals, french pop, pop, harmonica, melodic with a breezy rhythm, the harmonica weaves in and out of the melody, adding a wistful touch, the production is light

Elise

[Verse 1]
In shadows deep, where secrets sleep,
I wander alone in silent grief.
A silver doe in midnight’s glow,
Whispers of love lost long ago.

[Instrumental Break]

[Verse 2]
The wind, a ghost, murmurs her name,
Her laughter fades like a dying flame.
By starlit rivers, my dreams adrift,
In every breeze, I feel her shift.

[Chorus]
Memories trace a midnight sky,
Faded roses and whispered sighs.
On cliffs, old vows echo in the night,
While the ocean mourns in pale moonlight.

[Instrumental Break]

[Verse 3]
Barren fields under a sorrowed sky,
Wilted petals of dreams gone by.
Every step is a silent plea,
Haunted forever by her memory.

[Bridge – Verse 2 Refrain]
In twilight’s song, my heart remains unsealed,
Her laughter fades like a dying flame.
By starlit rivers, my dreams adrift,
In every breeze, I feel her shift.

[Chorus – Extended Variation]
Memories trace a midnight sky,
Faded roses and whispered sighs.
On cliffs, old vows echo in the night,
While the ocean mourns, I feel her shift.

[Post-Chorus – Climatic]
In the moonsight,
In the moonlight,
In the moonlight, trace a midnight sky,
Faded roses and whispered sighs.

[Coda – Chorus Tag]
On cliffs, old vows echo in the night,
While the ocean mourns in pale moonlight.

[Outro]
Forever haunt, I'm onto pale moonlight.

———

“Twilight Song (Pale Moonlight)” drifts between shadows and baritone echoes, weaving melancholic harmonica with driving guitars and unyielding drums.

This gothic-tinged post-punk requiem explores vows, loss, and the ocean’s mourning under pale moonlight. A cinematic blend of Alternative Rock, Gothic Rock, and Atmospheric textures.

———

Genre: Alternative Rock (Post-Punk, Gothic)
Key: G Major
BPM: 124
Time Signature: 4/4

———

A tribute to Professor Severus Snape.

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

Twilight Song (Pale Moonlight)

Pursuer Chase Theme Harmonica Part [FORSAKEN] OST

„Neuanfang“ ist ein Lied voller Bilder: Regen, Pfützen, Gullis, Hochhäuser – eine ganze Stadt wird zur Bühne für einen Aufbruch. Der Text erzählt von nassen Straßen, verwischten Spuren und Momenten, die wie Kino wirken. Zwischen grauem Himmel und glänzendem Asphalt entsteht etwas Neues: Hoffnung, ein neuer Blick, ein Neuanfang.

“Neuanfang” (New Beginning) is a song built on images: rain, puddles, drains, skyscrapers – a whole city turning into a stage for renewal. The lyrics tell of wet streets, blurred traces, and moments that feel like cinema. Between grey skies and shining asphalt, something new emerges: hope, a fresh perspective, a new beginning.

Neuanfang

Regen frisst Skyline
Plakatwände zerfließen
Die Straße glänzt wie frisch lackiert
Es hört nicht auf zu gießen

Im Rinnstein schwimmen Zigarettenstummel
Sehen aus wie gestrandete Fische
Pfützen machen aus Gehwegen Ozeane
Ein Kellner räumt hektisch die letzten Tische

Und die Sonne stolpert ins Grau
Grad als ich dir in die Augen schau
Auch da - Wasser, Tränen
Klatschnass, deine blonden Strähnen
Die ganze Stadt riecht nach Neuanfang
Neuanfang

Der Regen verwischt Spuren
Die gestern noch wichtig waren
Jeder Tropfen ein Stich
Seh überall dein Gesicht
Ein Hund bellt den Himmel an

Kein Staub mehr
Nur Glanz auf den Dächern
Alles frisch
Alles sauber
Alles wie neu

Und die Sonne stolpert ins Grau
Grad als ich dir in die Augen schau
Auch da - Wasser, Tränen
Musst dich nicht schämen
Die ganze Stadt riecht nach Neuanfang
Neuanfang

Asphalt dampft Geschichten
Regen hört nicht auf
Pfützen spielen Kino
Gullis schlucken Sterne
Und da hinten, in der Ferne
Kippen Hochhäuser wie müde Riesen ins Nichts

Aber der Sommer mit dir war echt...

Die Sonne fällt ins Grau
Während ich dir in die Augen schau
Auch da - Wasser, Tränen
Kein Grund sich zu schämen
Hier riecht grad alles nach Neuanfang
Neuanfang	

Alles dampft
Alles lebt
Alles beginnt von vorn

Neuanfang


Neuanfang - Unplugged Version

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

You have to feel the music to see the truth…

Independent artist from the far North of Queensland Australia, I focus mostly on acoustic music and try to play whatever instrument will fit in my bedroom. I like to think my songs all have story to tell and that's why I make them. I hope you all enjoy.

Imagining Music since 1989.
House Music For Life.

Born in 1984, I found my way to the 88 keys in 1989.
As a young boy, I instantly fell in love with the lush detuned synths of the 80s, then, as teenager, came the rawness of the 90s. 
These 2 decades form the personal imprint of my music to this day.

"Art is how we decorate space, music is how we decorate time."  Jean-Michel Basquiat

I make some random music that i remix. :D 
[NONE OF THEM ARE MINE!!!]
Anyways thanks for reading my bio. :D
-Liam45

Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

New tracks tagged #Harmonica