The Howl with Joey

Federico Gerhardt's song "CBG and Harmonica" is a poignant blues ballad that showcases the raw and emotive power of simplicity in music. Performed with just a Cigar Box Guitar (CBG) and a harmonica, both played by Gerhardt himself, the track stands out for its intimate and unadorned presentation.

Gerhardt's mastery of the CBG is evident from the first strum, as he navigates through soulful melodies and gritty riffs, each note resonating with the blues' characteristic longing and introspection. The addition of the harmonica brings a layer of depth and emotion, its wails and bends echoing the trials and tribulations that the blues genre so often embodies.

What makes "CBG and Harmonica" particularly captivating is Gerhardt's ability to convey a wealth of stories and emotions without uttering a single word. The interplay between the CBG's earthy tones and the harmonica's piercing cries creates a dialogue that feels both deeply personal and universally relatable.

This track is a testament to the power of minimalism in music, proving that sometimes, less is indeed more. Gerhardt's "CBG and Harmonica" is a must-listen for anyone who appreciates the essence of the blues and the artistry involved in bringing such simplicity to life with profound emotional impact.

CBG y Armónica

"Been a Poor Ol' Boy and a Long Ways from Home" is a deeply moving blues track brought to life by the multi-talented Federico Gerhardt. With his soulful voice, the resonant twangs of the cigar box guitar, and the mournful wails of the harmonica, Gerhardt weaves a rich tapestry of sound that encapsulates the essence of the blues. The song tells a poignant story of hardship and longing, a narrative that Gerhardt masterfully conveys through his emotive performance. Each strum of the cigar box guitar and each note from the harmonica add layers of depth and texture, transporting the listener on a journey through the heart of the blues. Gerhardt's vocal delivery, raw and authentic, perfectly complements the instrumental arrangement, making "Been a Poor Ol' Boy and a Long Ways from Home" a testament to his versatility as a musician and his profound connection to the blues tradition.

Blues & POP

Been a poor ol' boy and a long ways from home

In the vast ocean of blues covers, Federico Gerhardt's rendition of Memphis La Blusera's poignant "La última Lágrima" stands out as a testament to the enduring power of raw emotion and musical simplicity. Gerhardt, known for his soulful voice and masterful harmonica playing, breathes new life into this classic track, imbuing it with a fresh sense of vulnerability and introspection.

The original song, a staple in the repertoire of Memphis La Blusera, is renowned for its heartfelt lyrics and bluesy rhythms. It tells the story of awakening from a deep slumber, the last tear rolling down, and the painful acceptance that what was never meant to be will remain so. Yet, it carries a message of hope, urging the listener to open their eyes to a new dawn and their heart to incoming love, promising that another opportunity is always on the horizon.

Gerhardt's cover is a masterclass in minimalism, allowing the song's emotional depth to take center stage. His voice, tinged with the perfect blend of melancholy and optimism, captures the essence of the blues: the catharsis of releasing pain and the quiet anticipation of something better. The harmonica solos are not just an accompaniment but a voice in their own right, echoing the song's themes of loss and redemption.

What sets this cover apart is not just Gerhardt's technical skill, but his ability to connect with the song's spirit, making "La última Lágrima" resonate with anyone who has experienced loss and the hope for renewal. It's a reminder that in the blues, as in life, there is beauty in sorrow and always a chance for a new beginning.

In an era where music often gravitates towards complexity and production, Gerhardt's "La última Lágrima" is a powerful ode to the beauty of simplicity and the universal language of the blues. This cover is not just a tribute to Memphis La Blusera but a standalone masterpiece that speaks to the resilience of the human spirit.

La última lágrima

Federico Gerhardt's instrumental track "The Train" captures the quintessential spirit of the blues with a minimalist yet profoundly evocative approach. Employing a Didley Bow, a one-string Cigar Box Guitar, alongside a harmonica, Gerhardt crafts a sonic journey that mirrors the departure and arrival of a train.

The piece begins with the solitary twang of the Didley Bow, its raw and singular note mimicking the initial chug of a train leaving the station. The simplicity of the instrument, often associated with the roots of Delta blues, sets a rustic and nostalgic tone, creating an auditory landscape that feels both expansive and intimate.

As "The Train" gathers momentum, the harmonica joins in. Its wails and cries lend a soulful depth to the track, evoking the lonesome yet hopeful essence of travel. The harmonica's melody intertwines with the Didley Bow’s rhythmic pulse, echoing the increasing speed of the train as it races through sweeping landscapes.

The interplay between the Didley Bow and the harmonica not only serves to convey motion but also reflects the emotional undertones of the journey. The blues elements are palpable, with each bend of the harmonica and each pluck of the string resonating with a sense of longing and anticipation.

Approaching its conclusion, "The Train" slows, mirroring the train's arrival at its destination. The tempo decelerates, the harmonica's notes become more reflective, and the Didley Bow's vibrations taper off, settling into a quiet halt. The track leaves listeners with a sense of fulfillment, akin to the completion of a long journey.

Overall, Gerhardt's "The Train" is a masterful example of storytelling through music. By using just a Didley Bow and a harmonica, he encapsulates the essence of blues and the metaphorical journey of a train, creating an emotionally rich and sonically layered piece that stands out in the instrumental blues genre.

The train

"Con el Blues a mi lado" is a heartfelt 6/8 blues track that takes the listener on a journey through the ups and downs of life, with the blues as a constant companion. The song begins with the lines, "El blues me acompaña, en cada amanecer, Con sus notas tristes, mi historia va a entender." These lyrics set the tone for the entire song, emphasizing the blues as an ever-present witness to life's struggles and triumphs.

The instrumental arrangement is simple yet profound, featuring a slow, deliberate guitar that mirrors the reflective nature of the lyrics. Each chord is played with a sense of purpose, resonating with the listener's emotions. The gentle strumming and subtle picking of the guitar are complemented by a soulful harmonica that weaves in and out, adding depth to the melancholic atmosphere.

In the chorus, "Oh, el blues, mi compañero, Testigo de mis días, de mi andar sincero," the repetitive nature of the melody reinforces the blues as a steadfast partner. The use of minor chords adds a layer of poignancy, making the listener feel the weight of each word.

The second verse, "En noches solitarias, su lamento es mi voz, Canta mis derrotas, mis victorias sin dos," highlights the blues as a means of expression during solitary moments. The bridge, with its vivid imagery of the sun setting and the moon shining, provides a moment of introspection, reminding the listener of the blues' comforting presence even in the darkest times.

The song concludes with the third verse and another chorus, encapsulating the essence of the blues as a lifelong companion. The final lines, "El blues es testigo, de todo lo que seré," leave the listener with a sense of hope and continuity.

Overall, "Con el Blues a mi lado" is a beautifully crafted song that uses the power of blues music to convey a deeply personal and universal message. The interplay between the guitar and harmonica, along with the emotive lyrics, makes this track a touching and memorable listening experience.

Con el Blues a mi lado

"El tren del Blues" has been a cornerstone of my repertoire, originally conceived as an instrumental that highlighted the mournful cry of the harmonica intertwined with the raw, expressive slides of the Didley Bow. With its roots firmly planted in the Delta Blues tradition, this piece captured the essence of a lone train journey across the vast, soulful landscapes.

However, it's the recent addition of lyrics that has breathed a new life into the composition, transforming "El tren del Blues" from a mere instrumental into a vivid narrative. The song now tells the story of a train's journey, marking not just the passage through physical spaces but an emotional and spiritual voyage toward a final destination.

The use of the Didley Bow with its slide brings a haunting resonance that pairs beautifully with the harmonica. Each slide on the Bow mimics the long, drawn-out wails of the train in motion, while the harmonica punctuates the melody with its sharp, soul-stirring bursts, mimicking the train's whistle and the rhythmic clack of tracks.

As I perform "El tren del Blues," the lyrics guide the audience through scenes of passing landscapes, starlit nights, and fleeting encounters at various stops along the route. Each verse is crafted to evoke the feeling of movement and transition, creating a deep sense of journey that resonates with anyone who has ever yearned for new horizons.

The chorus, catchy yet profound, serves as a reminder of the continuous pull of the horizon, inviting listeners to travel along, not just as spectators but as fellow voyagers. The echoes of "ah, ah" and "sí, sí" in the background vocals not only enhance the musicality but also instill a communal spirit, as if the audience is part of a chorus of travelers.

Performing "El tren del Blues" is not just about playing music; it's about telling a story that moves with the rhythm of the train itself, carrying the listeners' spirits along the tracks laid down by the soulful tunes of the Delta Blues. This song has become more than music; it's a journey that continues to evolve with each rendition.

El tren del Blues

From the first note of the harmonica, "Adiós amigo" plunges me into a stream of deep emotions. The slow, dragging rhythm of the guitars, coupled with the nostalgic sound of the harmonica, transports me directly to a lonely, melancholic place, evoking the image of a train station at dusk where farewells feel eternal.

The lyrics of the song, which do not explicitly mention departure due to drugs but use metaphors like "un azúcar impalpable", make me reflect on how people's paths can veer off to irrecoverable destinations. Each verse, laden with sadness and resignation, reminds me of that friend who left too soon, taking pieces of our shared history with him.

The chorus, repetitive and catchy, "¡Adiós, amigo, qué lejos vas!", resonates as a lament that refuses to fade, marking the rhythm of a goodbye that never fully comes. The backups in the song, with their exclamations of "¡No, no te vayas!" and "¡Ah, cómo duele!", add a layer of desperation and make the experience even more intense.

This song, with its blend of traditional Delta Blues acoustic elements and a lyric loaded with symbolism, is not only a tribute to a lost friend but also a mirror in which I see myself, facing my own ghosts and the melancholy of what could have been and was not. "Adiós amigo" is, without a doubt, a piece that will remain in my playlist, not only for its musical quality but for the emotional resonance it invokes every time I listen to it.

Adios amigo

I've just released a new song titled "Nello y Patrach," inspired by the poignant story of Nello and his dog Patrasche from classic Flemish literature. The song is a Delta Blues piece that resonates with the raw, emotive essence of the genre, utilizing harmonica and a cigar box guitar (CBG) to deepen the atmosphere of the narrative.

The lyrics of the song capture Nello's struggle and his deep longing to find beauty and expression through art, despite the hardships and social indifference he faces. The verses convey a sense of intertwined hope and despair, while the chorus, "Under the cathedral skies," becomes a resonant call for a more just and compassionate world.

Including the harmonica and CBG is not just a stylistic choice; it echoes the souls of Nello and Patrasche, representing their journey together and their shared struggle. Each note of the harmonica carries the weight of their sorrow, while the vibrations of the CBG speak to their unbreakable resilience.

This song is more than a musical work; it's a tribute to those who face life bravely, despite the burdens they carry. With "Nello y Patrach," I hope not only to entertain but also to inspire listeners to look beyond surfaces and recognize the hidden battles that many brave souls face every day.

Nello y Patrash

Nello y Patrach

:[MORE BLUES MIXES]:

The Old, the New and the Blues: 
https://soundcloud.com/djdedwards/the-old-the-new-and-the-blues

Rock my Blues Mix: 
https://soundcloud.com/djdedwards/rockmybillyblues

Blues Rock: https://soundcloud.com/djdedwards/blues-music-remixed

Gospel House Dance: https://soundcloud.com/djdedwards/sunday-service-gospel-house?in=djdedwards/sets/electro-swing 

Electro Swing Playlist: https://soundcloud.com/djdedwards/sets/electro-swing


Swamp Backyard BBQ [Gospel Blues]

"En el muelle sin fin" is a composition that I created to explore the deep feelings of hopelessness and longing that often accompany loneliness and displacement. The song is structured in verses, choruses, and a bridge, each adding an additional layer of emotion and reflection.

The first verse introduces the listener to the life of a young man lost in an unknown city, desperately searching for some comfort in the darkest corners of his existence. The acoustic guitar gently accompanies the melody, while the harmonica intensifies the sense of loneliness and despair.

The chorus, repeated several times throughout the song, contrasts the desire to return home with the reality of a path full of obstacles and pain. This chorus not only reinforces the theme of desire versus reality, but also serves as a heartfelt cry that resonates universally.

In the second verse, the dock becomes a symbol of transition and waiting. It is a place where the protagonist reflects on his lost dreams and his tired heart. The voice becomes more emotional, and the guitar and harmonica intertwine to create an atmosphere of introspection and resignation.

The bridge of the song is particularly moving. It feels like a desperate cry for comfort and understanding, while the music reaches a climax, reflecting the intensity of the young man's internal struggle.

The guitar and harmonica solo allows for a moment of pure musical reflection, giving the listener space to digest the emotions poured into the lyrics.

Finally, the song concludes with a chorus that encapsulates the protagonist's persistent hope of finding his way home, despite the disappointments and disillusionments he has faced.

"En el muelle sin fin" is more than just a song; it is a tale of resilience and hope in the face of adversity. With each note and word, I seek to connect with those who have felt lost at some point, offering them a reflection of their own experiences and emotions.

En el muelle sin fin

"I Livet På Fuld Tid" er en livsbekræftende sang om at tage del i livets rejse med både glæder og sorger. Sangen beskriver, hvordan vi alle, unge som gamle, bærer vores byrder, men samtidig drømmer om en verden fyldt med venlighed, kærlighed og håb. Teksten kredser om at være "ansat i livet på fuld tid", hvor vi navigerer mellem drømme, tvivl og tab, men hvor kærlighed og fællesskab altid er det lys, der guider os videre. Sangen inviterer til refleksion over livets kompleksitet og opfordrer til at bære både glæde og sorg med åbent hjerte. :-)


I Livet På Fuld Tid

"Extraña moneda" was born from that deeply human feeling of having something precious in your hands and losing it without fully understanding how. It’s an intimate and nostalgic song, where every word carries the weight of someone who once was a refuge and a treasure — and is now simply absence.

Musically, the emotional depth of the song comes through in the layered textures. The acoustic guitars draw the outline of the story — warm but slightly broken — while the electric guitars drift in subtly, almost like ghosts from the past, adding a melancholic hue to each verse. The handclaps, dry and minimal, set a heartbeat-like rhythm, echoing the lonely walk of someone searching for what’s already gone.

But what moves me most in this track are the harmonica solos. They’re not there to show off — they speak when the voice can’t. The harmonica weeps where the lyrics break down, accompanying each stanza like a sorrowful whisper.

"Extraña moneda" isn’t a song of blame. It’s a farewell, full of love — an attempt to give shape to emptiness. Because sometimes, what we lose still weighs on us... even when it’s no longer there.

Extraña moneda

HowellDevine -LIVE- Alameda Blues Brews & BBQ 9-21-25 / A-Town Agency audio: Allen and Heath SQ5 USB capture, zero mastering - enjoy!

HowellDevine -LIVE- Alameda Blues Brews & BBQ 9-21-25

Sometimes the blues isn’t about what you’ve lost — it’s about what still beats inside.
Anders J Holm returns with “Blues in My Heart”, a raw and soulful confession wrapped in slide guitars, harmonica cries, and that whiskey-warm voice that only comes from living the songs you sing.

Blues in My Heart

Federico Gerhardt is a versatile Argentine musician who moves effortlessly between blues, pop, and funk.

As a singer, harmonica player, and guitarist, he has made the cigar box guitar one of his trademarks, blending tradition with experimentation in every performance.

His music ranges from the raw authenticity of blues to the freshness of contemporary sounds, always carried by honest lyrics and deep emotional presence.

Beyond being a songwriter, Federico is also a luthier, crafting and playing his own instruments, which gives his work a unique and handcrafted identity.

Hey there! 
I’m passionate about music and love writing songs that capture life's ups and downs, especially the beauty and heartbreak of love.

My songwriting philosophy? A song should be a landscape you wander through, full of light, shadows, hope, and raw vulnerability. Every line moves the story forward. I write to spark emotion and journey, not just stand still. This fuels me, and every track I create.

It might sound straightforward, but crafting a song can take days or even weeks. That time and care is what makes them so rewarding to listen to.

I’ve been experimenting with cool tech too, like training an AI music program in Danish to bring my old and new songs to life. It’s thrilling to play with tomorrow’s tools! I tweak them with plugins in my software, mixing-console, polishing the lyrics so there’s always something meaningful for you to connect with.

I know my music won’t click with everyone (music, taste is personal!), and that’s totally okay. If something doesn’t resonate, or even if it’s me, no hard feelings.

Love to hear your thoughts! 
Share constructive feedback on the songs (or anything else), and I’d genuinely appreciate it. 

Haw a nice music journey!
Hope these tracks touch you, enjoy the ride! 🎶

TSIM DJ'I❤️
Sandor

- Ymer Records -
Independent Swedish label for the next wave of artists.
Real stories. Fresh sounds. Pure passion – from underground beginnings to global stages.

Delivering a wide range of Multi-genres & sound for years across live  sets-productions-mixes-shows & podcasts. 

Mixing at festivals, in the clubs&pubs world round. Broadcasting, radioshows, guest mixes or jamin in the space. Built and branded with the spin of blending all sorts of genres into the sound. That striving deep passion for music, hopes to take you on a journey through music, from all of its sounds from all of its styles. 

House-World-Ambient-Latin-Electro Swing - 
Dark Techno-Tech House- Latin House-
CumbiaHouse-HardTechno-Funky House-
Downtempo-Trance-Electro-Progressive-
Drum & Bass-Experimental-Tyro-DJ-
LoopMachine-TechPad-Modulator-
Instrumentation-

For all the music lovers, let the music speak for itself and take a trip through some electronic & world music with a unique spin on DJ'ing as a whole.. or so I'd say. 


SOUNDS OF OMINATION/CAN/
:DM for booking inquiries:

Mr. Tanoa L. Stewart
A-Town Booking Agency & Events - Since 1999 Live Sound/Lighting/Stage/AV/Pipe&Drape/Talent Buyer

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New tracks tagged #HarmonicaBlues