(lyrics)
Eyes, are, just, to, go (hello).
You, feel, so tired, when, I go (when, I).
I can't go, as I said.

prod. pxlsdead

eyes

(lyrics)
I want you to feel my skin when it hurts (when).
Why can't you feel how you hurt me, yeah, me. 
When I felt the worst feeling, ever.

prod. trynacommunicate

skin

ihatemyselfgnag
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i hate my true self
i don't even know who my true self is 

imtiredofeverybodyincludingmyself [ft.Pablo] (prod.sando)

(lyrics)
When you breath, I cant feel at all.
And, I fell so hard for you, (you).
When you said, I can't stop looking at you.

prod. Luna'q

breath

alive (prod. myss)

Contact me or buy a beat:
Purchase: https://bsta.rs/fgXr0x
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https://t.me/veron282
https://kwork.ru/user/veron282
https://instagram.com/veron28221
Email: v4590952@gmail.com
https://www.tiktok.com/@veron2823
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Dark Deftones x Grunge x Alternative Rock x Heavy Shoegaze Type Beat

method: experimenting with parallel loops, magix tts was used to read the text of the poem
narration: the poem gestated with covid still around
image: statue seen in dresden zoo many years ago, modified, copyright jo richter - the internet knows that the statue I photographed was created by Otto Pilz: https://de.wikipedia.org/wiki/Otto_Pilz ( I did not see an English version of that article...another perspective on that statue can be seen as the lowest picture on that page, apparently photographed in a different season)


poem ( previously published in the collection  AUSLEGPAPIER under the title virus ) / copyright jo richter:

to become integrated
into the sprawling self – 
nutrient tissue for the  
tentacles that reach

into the real – each
pinpoint manifestation
allowing to devine
huge outside dimensions

sifting in, taking root -
rearranging molecules
the way any hyperspace chemistry
would – sleeper cells
dreaming back to human-
kind in kind

virus IIIb

A cover of Superheaven's song "Outside Of Me" from their album Jar.

Outside Of Me (Superheaven Cover)

I see you close to her, never again 
i see you make your move over and over again 
Why take mine, have your own, i remember when 
Mama said take whats yours 
Why take mine, have your own, i remember when 
Mama said take what's yours 
Mama said take what's yours x3
I see your face, eyes all full of sin 
You see her waist , oh how i hate men
My heads full of ketamine, want what's mine you're dead to me 
Don't take mine, have your own, i remember when
Mama take what's yours x7

Victim Possessiveness (prod.cristalbeach)

see you

Contact me or buy a beat:
Purchase: https://bsta.rs/uEyIar
https://vk.com/veron282
https://t.me/veron282
https://kwork.ru/user/veron282
https://instagram.com/veron28221
Email: v4590952@gmail.com
https://www.tiktok.com/@veron2823
https://www.beatstars.com/v4590952aul
https://soundcloud.com/v4590952

delete me

Contact me or buy a beat:
Purchase: https://bsta.rs/U3MAUE
https://vk.com/veron282
https://t.me/veron282
https://kwork.ru/user/veron282
https://instagram.com/veron28221
Email: v4590952@gmail.com
https://www.tiktok.com/@veron2823
https://www.beatstars.com/v4590952aul
https://soundcloud.com/v4590952

Erase me

Its hard to live

Faded

minor💯
i quit vocals i will prob just be producing and not posting much on my page

Contact me or buy a beat: 
Email: v4590952@gmail.com
https://m.youtube.com/@veron3860
https://vk.com/veron282 https://instagram.com/veron28221 https://t.me/veron282 https://kwork.ru/user/veron282  https://www.tiktok.com/@veron2823?is_...

Alternative rock, Rock, Trap, Hyperpop, Streamer, Blogger

on G folk
this page for my Throw Aways
lost my old acc
insta: perc30swag
X: trapkidmade
disc: vendettaxlove

Previous projects include Go Kid Go, Graham Conrad Hagley, Graham Hagley and the Roaches,  Toxic Legends, Hagley, Hagley Beats, Sixth Story Balcony, The After Effect, I Told You A Million Times, and Savage Rights.

I am overjoyed to be part of something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment--This gesture is so meaningful, both financially and emotionally-- I prefer to let the music be my bio--a huge thank you to those who listen and to those who give."

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #Heavy Shoegaze