Fjörð On Floyd Set

Instrumental cover tribute to Donna Summer's legendary song "I Feel Love", originally composed by Giorgio Moroder 

I Feel Love (Instrumental Tribute Cover)

Tracklist:

Ace Warrior - Baby, I’m On Fire (Extended Mix)
Domino - Tomodachi Big Friend (Extended Mix)
Max Coveri - Supercar (Extended Mix)
Norma Sheffield - Suddenly You (Extended Mix)
Atrium - Message In A Bottle (Extended Mix)
Vicky Vale - What Is Love (Extended Mix)
J.Storm - Eye Of The Tiger (Extended Mix)
Delta Queens - Music Has The Power (Extended Mix)
Niko - Speedway (Extended Mix)
Dave Rodgers - The Final Coundown (Extended Mix)

DJ Mix: TOMMY
DJ Controller: Traktor Kontrol S3
BPM: 160
Recorded: France

Eurobeat Mix #007

RARE Retro grOOvy Disco Vibes ......  
Poussez - I'll Always Be Your Friend (1980/Vanguard), Sonny Craver - Love Exchange (1978/Celestial), Alfie Davison - Who Is Gonna Love Me (1977/RCA Victor), Elijah John Group - Keep A Little Love For Yourself (1979/Keylock), Don Ray - Got To Have Loving (1978/Polydor), Sandy Barber - I Think I'll Do Some Stepping On My Own (Can you guess when this gem was made?), Ralph Carter - Extra Extra Read All About It  (1975/Mercury), Scarbrough - Make Love to You (1978/EJ Scarbrough), Jessica Williams - Queen Of Fools (1979/Polydor), Santa Esmeralda - You're My Everything (1977/Philips), Jesse Green - Nice And Slow (1976/Red Bus), Bionic Boogie - Chains (1978/Polydor), Santa Esmeralda - Another Cha Cha (1979/Philips), Silver Convention - Ooh What A Night (1976/Amiga), Claudja Barry - Dancin' Fever (1977/Lollipop), Eastbound Expressway - Never Let Go (1978/AVI), Evelyn Thomas - I Wanna Make It On My Own (1978/Casablanca), Rod - Shake It Up Do The Boogaloo (1990/Prelude).
DISCOVER thousands more luxurious Retro Vinyl Records >>> www.discomusic.au | www.soundcloud.com/discodjaus | www.hearthis.at/lee-a-porter/ | www.discointernet.com  
DISCOVER everything about Disco Music >>> www.discosavvy.com

Disco Lovely

Autektone Records bridges trance emotion and techno power with the stellar new collaboration between T78 and Italian trance queen Alessandra Roncone. Their joint effort, “Orbital,” is a euphoric yet driving journey through the cosmos—an atmospheric mainfloor anthem with a remix by Tess that flips it into a HI-NRG missile.

The original version is a trance-fueled main floor  weapon that fuses Roncone’s soaring melodic touch with T78’s heavy techno pulse. Floating pads and celestial arpeggios open the track, building cinematic tension before the kick drum slams in—tight, thunderous, and unmistakably T78.

Tess takes the track into overdrive with “Orbital Plane,” a HI-NRG, retro-futuristic remix packed with 80s sinthwave spirit  and a splash of Italo flair. The BPM rises, the synths get sharper, and the energy goes full throttle.

"Orbital" is more than just a track—it’s a statement: trance is alive, evolving, and ready to own the peak hours. T78 and Alessandra Roncone craft a track that’s equal parts emotive and explosive, while Tess injects a fearless dose of energy and nostalgia into the remix.

Artist: T78, Alessandra Roncone
Title: Orbital Plane
Version: HI-NRG Rmx by Tess

For infos & Licensing contact:
info@autektone.com

Follow The Label:

https://linktr.ee/autektone
http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
https://www.facebook.com/Autektone
https://www.instagram.com/autektone/
https://twitter.com/autektone
https://soundcloud.com/autektone

Follow T78:

https://www.facebook.com/T78autektone/
https://soundcloud.com/t78onlybombs
https://www.instagram.com/t78official/

Follow Alessandra Roncone:

https://soundcloud.com/alessandraronconeofficial
https://www.instagram.com/alessandraronconeOfficial
https://www.facebook.com/AlessandraRonconeOfficial/

Orbital

Orbital Plane (HI-NRG Rmx By Tess)

Pre-Order / Stream

ATK190 - T78, Alessandra Roncone "Orbital Plane" (HI-NRG Rmx by Tess)(Prev)(Autektone)(Out 23/05/25)

Disco & Funky (some rare) grOOves ..... 
Zinc - This Is Where The Love Is (1982/Jive), Gibson Bros - Cuba (1979/CNR), The Givens Family - Holding On (1986/PJ Records), Tina Charles - Dance Little Lady Dance (1976/CBS), Today's Mystery Tune, Direct Current - Everybody Here Must Party (1979/Sidewalk), Game - Gotta Take Your Love (1982/Maximus), Silver Convention - Save Me (1975/Jupiter), Tyrone Davis - Wanna Make It Good (1980/Columbia), Romance - Dance My Way To Your Heart (1978/Barclay), Dolette McDonald - Xtra Special (1982/BC Records), Celi Bee - Fly Me To The Wings Of Love (1978/T.K. Disco), Heaven And Earth - You're A Blessing (1981/Unidisc), Ralph Carter - When You're Young And In Love (1975+/Mercury), Madagascar - Baby Not Tonight (1981/Arista), NU DISCO >>>  Shiva - Freedom (1995/FFRR), Carleen Anderson - Mama Said (1994/Circa).
DISCOVER thousands more luxurious Retro Vinyl Records >>> www.discomusic.au | www.soundcloud.com/discodjaus | www.hearthis.at/lee-a-porter/ | www.discointernet.com  
DISCOVER everything about Disco Music >>> www.discosavvy.com

Disco Funky

It's been quite a while since I put out an album.  There have been a few times my personal struggles have pulled me away from what I hold so dear-my music, but always I return to it and am grateful I possess an important skill in the entertainment of people and the nuturance of my soul.

Perdición Promo 5-1-25 Sessions

TAKE YOU THERE

Love Parade -JVCK(Joey V & Captain Kirk)

Compilation from the 80s and some new generation.

80s disco style generation

Electronic music DJ 🎧
Based in France 🇫🇷
Contact: tommyoffcl@hotmail.com 📧

Insta: @ hornkongurinn

90s eurodance, and other eclectic stuff

Aspiring electronic one man project based in Montréal, Canada. Prepare to be SHOCKED! (get it? i'll see myself out now)

Music go brr brr

Autektone Records is an Italian label with an authentic and specific techno imprint.
Founded and managed by T78 in 2016.

Please send your demo to: https://www.labelradar.com/labels/autektone/portal

Your Burpengary Queensland Australia Disco DJ.   
www.discomusic.au | www.discointernet.com.
Lee's Disco Radio Internet presence is now 29 years old and filled with HOTT weekly Shows  >>> www.hearthis.at/lee-a-porter/ 
 & www.soundcloud.com/discodjaus
Enjoy the Vibe !

~An Interview with djPerdición~

Intense and replete with musical craft and guile, the one of a kind djPerdición, nicknamed "The Villain", is a 'DJ's DJ' who hits the bullseye every time, utilizing music as concept.  Perdición continues to gain momentum, knocking off the competition, wielding tech beats like knives to cut through nonsense and stimulate your senses with a massive musical toolbox.  Along with the DJ's nightly gambits and other plotting, you'll have the time of your life and be moved by the hands of a true master. 

Perdición later commented, "Look–at the end of the day we DJ's are performing a service and collecting a paycheck not doing brain surgery.  We are both technician and artist so don't get tangled up in your tinsel," he smirked.

It was hard to maneuver my way through the Rites Ball 2024 NYC pre party mayhem.  I cornered a cute, curvy blond who had the following to say, "This DJ takes you on an awesome sonic ride and fucks with your head...and it feels so good.  And it's like pure adrenaline, scary and beautiful.  I like a guy with a point of view."

Then she ran off.

Afterward in the ensuing crowd, I made my way to an empty lounge.  I saw small billows of smoke leading me to the DJ.

"Sorry, I couldn't find you," I said out of breath.

"Never say you're sorry unless you do something wrong", he admonished. "Get to know me, then you'll really be sorry," he chuckled and then said as he stubbed his cigarette: "I'm really very gentle–with gentle people, that is." 

"What's your secret?" I asked Perdición.

"First, I spend a lot of time proofreading beatgrids.  Can't get your mix to match?  Check your beatgrids.  I use phase-shifting flange mixing techniques I learned on quartz modified turntables.  I'm judicious with sync, it can cause train wrecks and fuck up the sound.  Although some say it's primitive, I use Serato because of its analog behavior, glitches and all.  Most importantly, I always "program" music while performing.  Occasionally I'm spontaneous but never random.  A DJ must program, not be apathetic to the myriad of factors constantly unfolding and presenting.  There must be flow, fluidity, and sensibility.  Think of driving.  You must be skilled at recognizing the routes, detours, terrain and taking the appropriate action at the right time. You can be taught the skill of observation but not the instinct and knowingness to program good music."

With his classically trained pianist's ear, Perdición's musical sensibility has the power to demolish the competition.  "Listen to the words," admonishes the DJ.  "They're there for a reason."

"Tell me about your name and how it came about?"

"I've suffered and lost a lot."

"What about your nickname, 'The Villain'?"

"I think it's because I make other DJ's look bad," he said flatly.

"What does that mean?" I asked.

"I'm very good at what I do.  Few really are."

"A columnist in DJ magazine once wrote, and I quote, 'Friends, there's no easy way to put it- djPerdición is a trouble-maker, a nuisance of the highest sort, relentless and clever.'  

"What is your response?"

"I like the guy already," he smiled.
 
"Let's talk about your philosophy of "'concept'", I queried.

"Music is always conceptual regardless of the kind.  Music tells a story, whether by words, lyrics or libretto.  Let the music tell the story in all its aspects and let the DJ be the purveyor of it, not the author."

Perdición's ability to people watch and deliver musically is unmatched.  He follows his instincts with skill befitting a reputation for luring his audiences into an altered state and uncertain fate.  His counterintuitive style has emerged as one of the foremost in tech music with intelligent conceptual execution and a keen attention to people.  Says Perdición, "The crowd also takes the DJ on a journey." 

"The DJ's job consists largely of people watching, not jumping up and down, twiddling with knobs or dancing, waving your hands in the air like a fool.  Have good posture at all times with eyes on the audience while working", admonishes Perdición.

His first residency was at the notoriously named Club 9-11 in Chelsea, MA, followed by a 3 year residency at the late leather man's dance club- The Yukon Trading Company in Providence, RI.  It was there that the young Perdición found his footing and began to rise.  In Providence, he wowed crowds in this sleepy college town with Boston Record Pool promos, little known Nu NRG imports and DJ only remixes.  Perdición created a new dance floor for forward thinking elders and snatched curious young men from the grip of local clubland mediocrity.

"Tell me about the Yukon", I asked.

"It closed years ago, probably the last of the leather clubs with a dance floor. It was my first dance floor and longest residency to date but I don't have a shred of evidence I ever worked there because they never billed me.  They didn't want to advertise the DJ which led to problems ahead.  Everybody said my bosses were assholes but funny, I was the one with the gig.  In retrospect, although my superiors weren't perfect–and none are–they liked my music enough to keep me around for almost three years and I'm grateful."

Perdición was invited to New York City by then longtime friends Steven Hanson and NYC Eagle's former manager, Richard Smith, partner of the late lighting legend Richard Sabala.  In NYC venues include: The Eagle (old and new), Splash, 10th Ave Lounge, Hangar, LGBTQ Center, Recovery NYC, and Harry Winston.  However, these define a past in need of movement forward.

After years of hard work in the big apple. Perdición caught the attention of world renowned DJ-producer-record label owner Georgios Pallikaris (G.Pal) of Utopia Music Concept, Best Radio, (Greece) and Swift records.  Perdición studied music production with Pallikaris.

"What is your advice to aspiring DJ's?"

"At first your audience may balk at the unfamiliar but stick to your guns because they will come to love you for showing them the way to greater heights and the new.  However, spoon feed your crowd and give them what you think they want and they'll end up hating you for doubting them.  Don't forget to check your beat grids and remember to give a listen to those other genres.  You'll be surprised what you may find."



~Venues~

Iris Records, Jersey City NJ

The Eagle NYC (New)

Harry Winston Jewelers NYC

19th Street Gym, Chelsea NYC

LGBTQ Center Dances NYC

Recovery/Sobriety Dance Parties NYC

The Hangar Bar NYC

Splash Bar NYC

Void, Soho NYC

American Fitness, Chelsea NYC

New Year’s Eve Events, 1999 NYC

The Eagle NYC (Former)

Tenth Avenue Lounge, Hell’s Kitchen NYC (Residency)

Mikes Bar, Hell’s Kitchen NYC

The Club, Ogunquit, ME

Commitment Ceremonies, Boston

The Brigg, New Bedford, MA

The Yukon Trading Company, Providence, RI (Residency)

The 119 Merrimac, Boston (Residency)

Marriott International, Cambridge, Boston

The Club Nine-Eleven, Boston (Residency)


[Seeking PR/Social Media management and bookings at club/lounge/private events in New York City and internationally]
Email: djdavidmarshall@gmail.com
Cell: (929) 401-6685]

New tracks tagged #HiNRG