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This charming Christmas song captures the magic and wonder of the season while also playfully questioning the myths surrounding Santa Claus. The imagery of the trimmed tree, glowing lights, and hung stockings sets a cozy, festive scene, while the repeated refrain reflects a childlike curiosity about the mysteries of Santa and his elves.

The song’s rhythm and repetition create a sense of anticipation, mirroring the excitement of Christmas Eve. The questions about Santa’s sleigh and the elves’ toy-making add a touch of innocence and wonder, reminding us of the joy of believing in the magic of the season.

It’s a delightful blend of tradition and curiosity, perfect for sparking holiday cheer! 🎄✨

Christmas Time Is Here

The song begins with a tender, reflective tone in the verses, painting a picture of a little boy waiting for Christmas, his wide-eyed hope clashing with the whispers of doubt from grown-ups. The chorus swells with a yearning melody, expressing the deep desire to believe in the magic of Santa and the unseen wonders of the world. The bridge brings a sense of quiet hope, as snow falls and dreams take flight, symbolizing the rekindling of belief. The song ends on an uplifting note, leaving listeners with a sense of warmth and the enduring power of faith in the unseen.

I Want To Believe

The song opens with a lighthearted and descriptive verse, painting a picture of Santa’s iconic appearance—his high pants, long beard, and jolly laugh. It then transitions into a chorus that highlights his year-round dedication to making toys and his magical Christmas Eve journey. The second verse dives deeper into Santa’s role as a gift-giver and global traveler, emphasizing his connection to children and the wonder he brings. The bridge adds a reflective layer, reminding listeners that Santa is more than just a figure—he’s the embodiment of the Christmas spirit, love, and joy. The outro brings the song full circle, ending on a warm and uplifting note that reinforces Santa’s timeless role in our hearts.

I Am Santa Claus

The song opens with a witty and slightly cynical tone, comparing Christmas to inevitable things like taxes and the flu, while also painting a cozy picture of snowy nights and crackling chestnuts. The pre-chorus introduces a playful jab at the holiday’s traditions, like jingling bells and the iconic “fat man in red,” which makes skeptics uneasy. The chorus then poses the central question: What’s so good about Christmas? It humorously lists holiday staples like gingerbread, eggnog, and fruitcake, but ultimately hints that the real joy might come from the people around us.

The second verse deepens the reflection, acknowledging the repetitive nature of the season while admitting its inexplicable pull. The bridge shifts the tone to a more sincere and tender moment, highlighting the quiet, intimate joys of the holiday—love, warmth, and connection. The final chorus brings it all together, declaring that the true essence of Christmas isn’t in the material trappings but in the love and memories shared with others.

What's So Good About Christmas

Lullay, My Liking – Gerda Blok-Wilson
Performed live by Musae, San Francisco Women’s Choir
Tidings of Comfort and Joy, December 2024.

A beautifully expressive setting of a timeless text, Lullay, My Liking weaves long, flowing contrapuntal lines with intuitive voice leading and lush harmonies. This evocative piece is a stunning addition to any Christmas program.

Published by Cypress Choral Publishing: https://cypresschoral.com/composers/gerda-blok-wilson/lullay-my-liking/
Available in SSAA, TTBB, and SATB: Cypress Choral Publishing

Discover more choral works: www.gerdablokwilson.ca


Lullay My Liking

Gerda earned a Bachelor of Music (UBC), Professional Teaching Certificate (UBC), Kodály Teaching certificate (VAM), Master of Education (U of Calgary)-Kodály music. 

She is founding director of the 110 member Vancouver CanSing Choirs (Youth/Adult), conductor for SelfDesign home schooling choir, Artist-in-Residence for St Patrick’s Chamber Choir and provides support for grade 8-12 choir.    

 Recently, Gerda offered choral development for Simon Fraser, Lord Tennyson Choirs, original musical theatre at General Wolfe, and conducting development for the BC Kodály Association-Douglas College.

 Gerda’s career has included performance tours in England, New York, across Canada, commissioned choral pieces by Raminsh, Telfer and Bosma and performance honours at Carnegie Hall (Missa Brevis by Raminsh), Ottawa (Unisong Festival), Musicfest Canada (Calgary/Vancouver/Ottawa), Performing Arts BC and National Festivals.  She has conducted the BC Music Educator’s Honour Elementary Choir and her choirs have been   demonstration choirs at festivals including Musicfest Canada and BC Performing Arts Festival.

Gerda was conductor for the award-winning Bel Canto Choirs (Prince George), PG Jazz, Cantata Singers, PGSSHigh School choir.  She served as Music Resource Teacher for SD#57 and taught summer music education courses at UNBC.  She has 4 mini-musicals published by THEMES AND VARIATIONS and continues to arrange and compose music for choirs. 

Our label specializes in high-quality commercial music designed for a wide range of projects. While our music is not royalty-free, you can easily purchase a sync license through lesfm.net to use our tracks in your videos, advertisements, podcasts, and other media. With a team of over 20 talented musicians, we’re committed to producing impactful music that elevates any project.

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