I did this bootleg a little while back at the request of Missy C and now we have both played it a lot you can now enjoy it too.

Hit The Buy it icon to get a Free Download peeps!!

I hope you enjoy my Dnb rework of this sick track By Marc Talein ft Haidara

Much Love

Marc Talein Feat Haidara -  Leave Me (Jaydan Dnb Rework)FREE DOWNLOAD

Gargage 2

Enjoy this short but moving Organ Piece of Maurice Duruflé - composed in 1953 - played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Duruflé M. - Chant donné-Hommage à Jean Gallon [1953] (organ)

For A While (Prod. Homage)

Killing Loneliness

Another blasphemy of tune I love. Beat, synth, banjo. Some percusive loops abused/sampled from Vü+PRVNTK https://vumantra.bandcamp.com/track/stockholm-syndrome. Original song here https://youtu.be/RpJIKdznEVU?si=GBxf-twpn6MYPg5Z

Nedory Satori (Silkskin) - Žiju (Psí Vojáci cover)

Killing Loneliness +1

Killing Loneliness +5

A track with old style flows and references to some of my favourite artists 

Classic

Need some bargain basement Philip Glass? 

Foundation

[Intro:]
What’s the matter with you?
Don’t be sad, it’s going to get better

[First Verse:]
Yeah, pull up to spot, (Woo)
Get a little break dance going no need shake hands homie (Nice to meet ya)
Yeah, just play me what you got, and I’ll tell you if it’s hot
Could you bang that for me? (Uh-huh)
We, got more tracks than the NASCAR races (Vroom)
People already hit us up for that path we’re paving
We don’t even give a fuck we just rap till the day ends
Back with the “K” yeah that’s I’m saying
Ima, (Ima) deep thinker (Deep thinker), sweet dreamer (Sweet dreamer)
Feining everyday got me looking my re-up, (My re-up)
Way before my momma copped a Kia
That was back when little Chris got a little taste of weed, huh?
We we’re pulling out trays still putting in the discs
Would’ve said anything to be and sound like them 
But then (But then) I found myself and then my town got wind, of what I’m doing here
It’s like a brand new premier, (It’s like a brand new premier)
Let’s make this clear don’t romanticize
Yeah, the shit that I’m doing, you just can’t define
Yamaha dials turnin’ up, amplifyin’
Everybody put your mother fucking hands to the sky

[Pre-Chorus:]
It go; front, back, side to side,
Do my little dance if you high on life
I got the homie in the front cause he down to ride
We blowing up on the count of five, so let’s get it now
(1… 2, 3, 4, 5)

[Chorus:]
Have a little fun, (Little fun)
Make some time for yourself ‘fore you give it up, (Give it up)
Yeah I said you better, have a little fun (Aw yeah)
Do some shit in your class to get written up, (Spit or sumn’)
Yeah go out and, have a little fun (Woo)
Hit up the girl that you think about, go pick her up (Give her love)
Please just go and, have a little fun
Cause ain’t nobody really care when you’ve given up (Wake up)

[Second Verse:]
Well, who am I to school you guys? (Woo)
That rule-divine’s how mother fuckers get crucified, (Goddamn)
I’m been tryna get away from these stupid lies ‘fore everybody go and lose their mind, (Lose their mind)
I’m just tryna move the time forward while they on they on the timelines
Chalking on (Chalking on a) a whiteboard, I’m never in my right mind (Right mind)
Till I write rhymes in the night time, call that shit a life line (Life line)
Bitches hit me up I tell em’ “I’m fine”, (I’m fine)
But back then I was such a mess
Groupies always asking me if I could fuck, uh yes (Uh, yes)
But I don’t need to confess, my memories turn to stress
With all my mess ups, and dead ones
Making me who I am, “The next” huh?, (“The next”, huh?)
Yeah, I’m been doing fine just on my own though
I don’t really feel like, ever going home (Nope)
Get an invite ima no show rather not see old hoes
I don’t need to be in their range I shoot for the gold throne, (Pew)
All of them are calling him a bit loco
Why they bringing up that old news that we both know?
I’m rowing boats even if they don’t float 
Ain’t that little kid no more I’m chilling with the grown folk (Grown folk)

[Pre-Chorus:]
Now it’s; front, back, side to side,
Do my little dance if you high on life
I got the homie in the front cause he down to ride
We blowing up on the count of five, so let’s get it now
(1… 2, 3, 4, 5)

[Chorus:]
Have a little fun, (Little fun)
Make some time for yourself ‘fore you give it up, (Give it up)
Yeah I said you better, have a little fun (Aw yeah)
Do some shit in your class to get written up, (Spit or sumn’)
Yeah go out and, have a little fun (Woo)
Hit up the girl that you think about, go pick her up (Give her love)
Please just go and, have a little fun
Cause ain’t nobody really care when you’ve given up (Wake up)

It Gets Better/Have A Little Fun (Chris Kept Remix) (prod. Thundercat) [Remaster]

ILLSTAR - Homage

Double Y Studios release homage to Elden Ring.

Crimson_Core

Musik - Gefühle als Melodie (Entspannende Version)

Found this file at 3am when I couldn't sleep. Nearly fully written, it just needed some composition and quick leveling. Originally titled "bubblebeats" I had no idea what it would sound like when clicking on it. Turns out I had written something I felt had decent potential. The strings sounded like an homage to Code Lyoko's anthemic opening track "Un Monde Sanse Danger" (A World Without Danger). So here we are. Something hopeful for the future.

Bubble (Ode to Lyoko)

You looking for love in the upper left? You’re a fool.

‘09 Civic Music (Aurora) Prod. Homage

Ich schreibe gerne was ich denke, fühle und erlebe. Das Schreiben hilft mir, Erlebnisse einzuordnen und zu verarbeiten. 
Gefühlen eine Melodie zu geben ist etwas wunderbares. So kann ich Erinnerungen verewigen. 
Schreiben bringt Klarheit. Die Melodie dazu transportiert die Botschaft ins Herz.
Es ist ein bisschen Selbsttherapie
In erster Linie tue ich es um einen Ausgleich zu haben, also für mich selbst.
Die Texte sind direkt und frisch aus dem Herzen. Wenn ich aber jemand erreiche, der genauso fühlt wie ich, und damit jemanden berühre, freut es mich umso mehr.

Da ich nicht gut singen kann und sonst auch nicht der musikalischste bin, nutze ich eine KI für die Melodie.

Viel Spaß beim hören 🥰

Gruß Marco Memory

illstar was born in Philadelphia, PA and raised by his Puerto Rican proud grandmother. Growing up he had the passion of music but had no success in getting his sounds and ideas out there without people making fun of his "pipe dream". 
He then met Philadelphia Rapper/Musician Cryllis in the 3rd Grade of Clara Barton Elementary.
Their friendship grew to the point the rappers refer to themselves as blood brothers and hang out anytime they had the chance to.
In 2020, Cryllis expressed his love for rap and convinced illstar to start rapping using the DAW, Bandlab, not knowing their lives would change forever.
through their diverse listening portfolio they experimented with rap styles, cadence, and producers in order to find their perfect sounds and settled with doing it all, why? because they could do it all!
their careers didn't blow up immediately since then but they still try their power to build a positive fan base and spread love through their music worldwide

"I just love what I do and I just wanna have fun, I don't have money on my mind instead I wanna make friends in this industry and look back on it with the most pique fondness."

illstar continues to drop singles and albums and reach out to fans and show the world what's up with his sick twisted mind.

🧃

i play around with sounds on the computer, electric bass, and anything else that comes along. i like to bounce. i like to glide. music is about fun and emotion; anything else is gravy. i also illustrate and write.

💜  skeleton
erasure soon

email or dm for any inquiries regarding beats, mixing, mastering, etc

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

New tracks tagged #Homage