"pulled by the leash" from ep "walks", out 2025.05.27

featuring:
erinn buhyoff on saxophone ( www.instagram.com/br0nzeage/ )
isaac silber on live drums ( www.instagram.com/isilberis/ )

synths, recording and production by silas
mastered by silas at oori studios ( www.instagram.com/oori_studios/ )

cover art by anthony flores ( www.instagram.com/enjoyyour.world/ )

Walks

listen elsewhere

PULLED BY THE LEASH (feat. Erinn Buhyoff & Isaac Silber)

Gear: ASM Hydrasynth Desktop; Make Noise Wogglebug, Mimeophon; Intellijel Audio IO, Quadrax; After Later Pachinko, u_Ornament & Crime; Joranalogue Orbit 3, Route 4; WORNG Vector Space; TASCAM Model 12. 
Scale: Lydian; Key: A.

Mixmastering: Isotope Neutron, Ozone. 

Copyright (C) 2025 Flock of Nazguls. License: Creative Commons CC-BY-NC-SA. All sonix by FoN. No AI.

Modular Transmission 20250527

“Please help me! Is there anyone out there?”

My second track as Inferior Segments called “Survivor”. My goal was to make a dark post-apocalyptic atmosphere and it turned into a dubstep track. 

I’m having a lot of fun making something different than my regular techno / industrial hardcore music (which I make under the name Solemn Warning). I’m learning new things from this and also experimenting with the new Ableton 12 features.

Also contains sounds from the Lyra-8 and Hydrasynth hardware. 

Let me know what you guys think! All feedback is welcome. 

*Artwork is AI generated

*All music is 100% mine, no AI whatsoever and I never will use AI for music

Will be released on streaming platforms as soon as I have a graphicsdesigner to make the artwork.

Survivor

Inferior Segments - Survivor

HSJ92CV5

minimalistic deep house made with mostly analog synths

Duat

Go ahead - no vocals

Meditate on it

Acid 236

Playing around trying to make something with my hardware

HOS-YC

Long Distance

Arpeggiating into the void since 2022.

No AI slop. This is 100% human-generated slop.

All tracks on SoundCloud released for free under the Creative Commons BY-NC-SA license. Dig in!

Faircamp: https://www.flockofnazguls.com
Mastodon: @flockofnazguls@mastodon.social
Email: flockofnazguls@proton.me

Born in rural Scotland, shaped by Germany’s underground.  I discovered techno while serving in the British Army, stationed in Germany.  Drawn to its raw energy, hypnotic flow, and emotional weight. Now back in Scotland, I’m following a lifelong passion, exploring sound, and shaping a style that blends gritty textures, heavy grooves, and evolving atmospheres.

Still learning. Still experimenting. This isn’t just a project, it’s a path.

Music producer from The Netherlands.

Inferior Segments is the new alias of techno/hardcore producer Solemn Warning.

Inferior Segments creates atmospheric sounds, textures and rhythms to dwell in, in the form of ambient, techno and halfbeat patterns.

Music that doesn't fit the Solemn Warning framework will be released as Inferior Segments.

Techno, Ambient, Synthwave. Inspired by early 90s (Acid, (Hard, Progressive) Trance, Electro, Hardcore), Ambient / Space / Chillout, crossed over and combined with bizarre new elements.
The main ingredients are electronic, futuristic, bizarre, synthetic sounding elements. Mostly combined with some more or less hard techno beats in the range of 140 - 150 bpm.
Equipment: Moog Subsequent 37, Sequential Prophet Rev 2, IK-Media UNO Synth Pro, Roland / Studio electronics SE-02, Behringer 2600, Waldorf Microwave 2 XT, Native Instruments Reaktor, Reaper, a self programmed pattern sequencer, a self made drum machine in Reaktor, Eband Anda 88, Behriger Euphoria UMC1820

Contact:
alexander.eslava@web.de

Making iOS Music with Figure and Gadget. Occasional Cover Art by james anzalone; www.flickr.com/jamesanzalone

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

I play with instruments, not necessarily well.

New tracks tagged #Hydrasynth