1st try with some kind of hip hop session style in the studio, we had lot of fun with! Enjoy!

Lilli Fee (with her nice Adidas)

music for coding. ep #2

The Sun Is A Wondrous Body, Like a Magnificent Father. If Only I Could Be So Grossly Incandescent.  One patch with a lot of modulations, recorded in one session. ASM Hydrasynth.

The Sun Is A Wondrous Body, Like a Magnificent Father. If Only I Could Be So Grossly Incandescent.

A Beautiful Day

Synth Funk Jam - June 2022

Acid 217

I played this track on my Hydrasynth 49 and Korg SP 250.

It Chose Dawn

Dieser Track ist mein erster mit hybridem Setup (Ableton Live + Hardware) produzierter Track. Zum Einsatz kamen ein Soma Pulsa 23, Elektron Digitakt, Moog Matriarch sowie ASM Hydrasynth. Processing, Mixing, Mastering in Ableton Live 12.

esca - Rollbrett

I sat on all the different parts of this track for a while. It changed so many times. I finally got something cohesive out of my sound design session with my hydrasynth, so it was quite satisfying putting it all together. I really hope y'all like this one, it was the most fun i've had in a while creating something. 

Sunshine through the dark

Digital STVC

"STRUT" from the EP "WALKS" by Silas, out May 27

written, recorded, produced silas
self-mastered at oori studios ( www.instagram.com/oori_studios/ )
album art by anthony flores (www.instagram.com/enjoyyour.world/)

( copyright silas 2025 @silasdotcom )

STRUT

"pulled by the leash" from ep "walks", out 2025.05.27

featuring:
erinn buhyoff on saxophone ( www.instagram.com/br0nzeage/ )
isaac silber on live drums ( www.instagram.com/isilberis/ )

synths, recording and production by silas
mastered by silas at oori studios ( www.instagram.com/oori_studios/ )

cover art by anthony flores ( www.instagram.com/enjoyyour.world/ )

Walks

listen elsewhere

PULLED BY THE LEASH (feat. Erinn Buhyoff)

Gear: ASM Hydrasynth Desktop; Make Noise Wogglebug, Mimeophon; Intellijel Audio IO, Quadrax; After Later Pachinko, u_Ornament & Crime; Joranalogue Orbit 3, Route 4; WORNG Vector Space; TASCAM Model 12. 
Scale: Lydian; Key: A.

Mixmastering: Isotope Neutron, Ozone. 

Copyright (C) 2025 Flock of Nazguls. License: Creative Commons CC-BY-NC-SA. All sonix by FoN. No AI.

Modular Transmission 20250527

“Please help me! Is there anyone out there?”

My second track as Inferior Segments called “Survivor”. My goal was to make a dark post-apocalyptic atmosphere and it turned into a dubstep track. 

I’m having a lot of fun making something different than my regular techno / industrial hardcore music (which I make under the name Solemn Warning). I’m learning new things from this and also experimenting with the new Ableton 12 features.

Also contains sounds from the Lyra-8 and Hydrasynth hardware. 

Let me know what you guys think! All feedback is welcome. 

*Artwork is AI generated

*All music is 100% mine, no AI whatsoever and I never will use AI for music

Will be released on streaming platforms as soon as I have a graphicsdesigner to make the artwork.

Survivor

Inferior Segments - Survivor

HSJ92CV5

minimalistic deep house made with mostly analog synths

Duat

Go ahead - no vocals

Weird music for weird times.

All sonics are 100% human-generated by FoN. No AI.

All tracks on SoundCloud released for free under the Creative Commons license.

Faircamp: https://www.flockofnazguls.com
Mastodon: @flockofnazguls@mastodon.social
ModularGrid:
https://www.modulargrid.net/e/racks/command_center/219339
Email: flockofnazguls@proton.me

Music producer from The Netherlands.

Inferior Segments is the new alias of techno/hardcore producer Solemn Warning.

Inferior Segments creates atmospheric sounds, textures and rhythms to dwell in, in the form of ambient, techno and halfbeat patterns.

Music that doesn't fit the Solemn Warning framework will be released as Inferior Segments.

Stay for a while as nothing else is more then a vibe.


Lifelies is a studio-based project from Prague, the Czech Republic. It's focused on the music that is designed for people who are interested in sound and its complexity, not just melody. It's using both electronics and acoustic elements.

Now, analog time mostly with a pure acoustic recording. Open to co-operation, providing also mastering service, film and game scoring, custom music for venues and parties. Just ask for any of it.

Techno, Ambient, Synthwave. Inspired by early 90s (Acid, (Hard, Progressive) Trance, Electro, Hardcore), Ambient / Space / Chillout, crossed over and combined with bizarre new elements.
The main ingredients are electronic, futuristic, bizarre, synthetic sounding elements. Mostly combined with some more or less hard techno beats in the range of 140 - 150 bpm.
Equipment: Moog Subsequent 37, Sequential Prophet Rev 2, IK-Media UNO Synth Pro, Roland / Studio electronics SE-02, Behringer 2600, Waldorf Microwave 2 XT, Native Instruments Reaktor, Reaper, a self programmed pattern sequencer, a self made drum machine in Reaktor, Eband Anda 88, Behriger Euphoria UMC1820

Contact:
alexander.eslava@web.de

With parents who really loved the music in the 70’s / 80’s it wasn’t really complicated for Joel to fall in love with the music genres of these periods. As a kid for him it was a bunch of years to search and discover through the gigantic records collection some of the most fantastic and rare masterpiece of these decades. Nowadays these memories bring back a new kind of creation for him.
Music lover, DJ, producer Joel is active in the electronic music genre for more than 15 years.
All has begun with The Badgers back in 2002 with two second hand Technics turntables. He was party manager of big electronic music festivals in the east of France and after that he started to produce some dark techno / minimal tracks with his best friend as The Badgers.
After numerous music productions during more than 10 years in the dark techno / minimal branch with the Badgers (Creepy Finger Rec, Plankton Repellent, Momentum League, Killing Machine Rec. and many more) Joel decides to make a solo project to explore the another creative side of his personality, deeper and funkier.
“Nasty Preacher” is the new born of this choice.
“Nasty” was how some people portrayed the music his influences. “Preacher” is a nod to James Brown.
There is only one objective, to create a good workout for your hips…

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

I play with instruments, not necessarily well.

New tracks tagged #Hydrasynth