minimalistic deep house made with mostly analog synths

Duat

Go ahead - no vocals

Meditate on it

Acid 236

Playing around trying to make something with my hardware

HOS-YC

Long Distance

Our motto... Go with the flow until the bass kicks in. Keep the world swinging, keep the world on the dance floor. Have fun, everyone!

Aqua con Bass

First track of our Halloween special. In the memory of a wonderful artist. Enjoy

Go directly in Jail (feat. Varinia Mandela)

Sounds from the studio session featuring Hydrasynth Explorer, Behringer Edge, Behringer Grind

251102_grind_edge_hydrasynth_session_5

Born as ufficial beginning of "NOMAAD Transmission series" where I record my Live hot takes and leave it on the platform. There will be a video on Youtube for every episode, because I play it after a long sound exploration. The Official EP will follow on 1. December 

Camper Synthmission 001

Born in rural Scotland, shaped by Germany’s underground.  I discovered techno while serving in the British Army, stationed in Germany.  Drawn to its raw energy, hypnotic flow, and emotional weight. Now back in Scotland, I’m following a lifelong passion, exploring sound, and shaping a style that blends gritty textures, heavy grooves, and evolving atmospheres.

Still learning. Still experimenting. This isn’t just a project, it’s a path.

My tracks on my profile are free to use with high quality download.
Label release are linked and available to be acquired.
just tag me when you drop it.

Erik aka NOMAAD
His statement of techno is the way he lives, sweating and grinding in search of answers, living his own subculture on the road.
Sculpting sound in real time, his sets are unstable structures, shaped by pressure, instinct and space.

Years of dawless performance forged a signature sound, hypnotic, distorted, acid soaked to atmospheric turning into deep trance. His large sound inventory became a language.

Today he mastered the TR-8S as main instrument and adopted an hybrid setup:
Ableton Live drives the sonic quality to its peak where all the signal get mastered and before coming out to the Xone96.
APC40 controls the scenes like a groovebox.
The Xone K2 as hardware effect controller and internal pad to control a secondary drum machine.
Torso T1 sequence his synths, System-1m along with other integrated synths like the ASM Hydrasynth Explorer.  
the OTO Boum is the Master Thru as last point of escape for his music.


Just pure presence.
Every set is a question. 
Every drop is a cut through time.

https://www.nomaadmusic.com

Making iOS Music with Figure and Gadget. Occasional Cover Art by james anzalone; www.flickr.com/jamesanzalone

With parents who really loved the music in the 70’s / 80’s it wasn’t really complicated for Joel to fall in love with the music genres of these periods. As a kid for him it was a bunch of years to search and discover through the gigantic records collection some of the most fantastic and rare masterpiece of these decades. Nowadays these memories bring back a new kind of creation for him.
Music lover, DJ, producer Joel is active in the electronic music genre for more than 15 years.
All has begun with The Badgers back in 2002 with two second hand Technics turntables. He was party manager of big electronic music festivals in the east of France and after that he started to produce some dark techno / minimal tracks with his best friend as The Badgers.
After numerous music productions during more than 10 years in the dark techno / minimal branch with the Badgers (Creepy Finger Rec, Plankton Repellent, Momentum League, Killing Machine Rec. and many more) Joel decides to make a solo project to explore the another creative side of his personality, deeper and funkier.
“Nasty Preacher” is the new born of this choice.
“Nasty” was how some people portrayed the music his influences. “Preacher” is a nod to James Brown.
There is only one objective, to create a good workout for your hips…

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

I play with instruments, not necessarily well.

New tracks tagged #Hydrasynth