CANDENTED 2024
HTTPS://CANDENTED.COM
HTTPS://MUSIC.CANDENTED.COM
HTTPS://BE.CANDENTED.COM
HTTPS://MERCH.CANDENTED.COM

INTRO - SOUNDCLOUD ALBUM EXCLUSIVE - LAST UPDATED NOVEMBER 2024

Recording of a wireless microphone to a wireless IEM with a latency of signal processing of 193 samples (4021us) at 48kHz (excluding the wireless microphone transmission).

Signal path:
00. Wireless Sennheiser SKP 100 A1 transmitter and a Behringer XM8500 microphone (not measured) -- >
01. wireless into a Sennheiser EW 100 G4 receiver -- > 
02. LINEIN into a Sound Devices Scorpio -- > 
03. LINOUT into a Behringer Wing -- >
04. via AES50 into a Midas M32C -- >
05. via AES50 into a Midas HUB4 -- >
06. via AES50 into a Midas DP48 -- >
07. Personal MIX -- >
08. AES50 back into Midas HUB4 -- >
09. AES50 back into Midas M32C -- >
10. into Channel -- >
11. into MIX BUS -- >
12. to Out -- >
13. AES50 into Midas HUB4 -- >
14. LINEOUT into Sennheiser EW IEM G4 transmitter -- >
15. wireless into Sennheiser EW IEM G4 receiver -- >
16. Phones out into LINEIN Sound Devices Scorpio recorded onto SSD

Piano LEFT Direct In RIGHT Wireless IEM

On alimente deux générateurs d'ondes ultrasonores avec un même générateur basses fréquences de
façon à obtenir simplement ω1 = ω2.
Dans ce cas-là le terme d'interférences devient :
< cos(ω1.t–φ1(M)).cos(ω2.t–φ2(M))> = ½.< cos{ (φ2(M)–φ1(M))}>
avec φ2(M)–φ1(M) = k.S2M – k.S1M +(φ20 – φ10) = [ ] S2M S1M2−λπ+ (φ20 – φ10).

No Liminal Limbo

IEM - 99800

IEM - 02580

IEM - 00812

S - Premix

Supervenient

https://linktr.ee/ashrekkmusic
https://linktr.ee/ashrekkmusic
https://linktr.ee/ashrekkmusic

The Wellkeeper

Here we are, 2025... The future... And life has proven to be ever so fast. In the confusion of it all it's too often that we forget who we are, or at least want to be. Call it amnesia, and there may never be a cure. However, here at the Fort our best researches have come close by developing this musical medicine. Maybe it's just a rubber band-aid for the symptoms, but we still did somethin'!

Forgetful

Amnesia

Rubber Band-Aid

T8T @Aetheria | 29.03.25

Ale Ground @Aetheria | 29.03.25

Decosume @Aetheria | 29.03.25

Silvia and Rodrigo are joined by Dr Ray Wang, Director of the multidisciplinary Foundation of Caring Lysosomal Storage Disorder Program at the Children's Hospital of Orange County. Silvia asks Dr Wang and Rodrigo (who also happens to be a researcher in this field) about cutting-edge advances in LSD research: from base editing in Pompe disease and patient-specific in vivo gene editing, to new biomarkers and scoring systems in Gaucher disease, insights into lipid dysregulation across lysosomal storage disorders, and the first clinical trial of anakinra in Sanfilippo syndrome.

Papers discussed include:
Christensen CL, et al
Base editing rescues acid α-glucosidase function in infantile-onset Pompe disease patient-derived cells. Mol Ther Nucleic Acids. 2024 May 21;35(2):102220. doi: 10.1016/j.omtn.2024.102220. PMID: 38948331; PMCID: PMC11214518.

Starosta RT, et al
Predicting liver fibrosis in Gaucher disease: Investigation of contributors and development of a clinically applicable Gaucher liver fibrosis score. Mol Genet Metab. 2025 Feb;144(2):109010. doi: 10.1016/j.ymgme.2025.109010. Epub 2025 Jan 3. PMID: 39788861.

Kell P, et al
Secondary accumulation of lyso-platelet activating factors in lysosomal storage diseases. Mol Genet Metab. 2025 Jun 17;145(4):109180. doi: 10.1016/j.ymgme.2025.109180. 

Polgreen LE, et al
Anakinra in Sanfilippo syndrome: a phase 1/2 trial. Nat Med. 2024 Sep;30(9):2473-2479. doi: 10.1038/s41591-024-03079-3. Epub 2024 Jun 21. Erratum in: Nat Med. 2024 Sep;30(9):2693. doi: 10.1038/s41591-024-03207-z. 

Musunuru K, et al 
Patient-Specific In Vivo Gene Editing to Treat a Rare Genetic Disease. N Engl J Med. 2025 Jun 12;392(22):2235-2243. doi: 10.1056/NEJMoa2504747.

IMD Research Round-Up: Lysosomal Storage Disorders

| Digital Designer
-----------------------
| check my playlists
| 3.3.3

Booking: sounds.of.the.fort.music@gmail.com
🚀🏰
Facebook: https://www.facebook.com/profile.php?id=100092632965836
🚀🏰
Instagram: https://www.instagram.com/soundsofthefort/
🚀🏰
Everything else: https://linktr.ee/soundsofthefort 

🚀🏰🚀🏰🚀🏰🚀🏰🚀🏰🚀🏰🚀🏰🚀🏰🚀🏰

Sounds of the Fort is a rhythm focused EDM producer that plays guitar and sings.

My name is Alexander Tristan Maximus Welby from Denver, Colorado and I am the man behind the music. This music is rhythmic based call and response EDM with a focus on punching low end dynamic movement, sustain, and the incorporation of live guitar and live vocals.

I am a unique producer, at a young age I had the opportunity to create film scores for a Connecticut disability group, SPHERE. My brother was their cameraman and at the time I just received an award in my first music tech class.

Through SPHERE I acquired Ableton, my work is in their films Romeo & Juliet and Sparkle Island, award nominees for NYC Indie Film Festival.  This contributed to the birth of the Prospector Theater.  Writing film scores, I had an independent study and graduated high school early. From there, I became a ski lift operator and kept producing to develop rhythms for guitar practice. This lead to attending Colorado State where I recorded local rappers alongside those same tracks, and thus the name “Sounds of the Fort” was born.

After school I spent time on my uncle's farm in Illinois playing guitar while driving a tractor and playing to the chickens, sheep, cats, ducks, and cows. One the right moment came, I got back to Colorado and took that playing style into the rockies where I solidified a unique country western blues sound in the small bars near ski resorts.

Ski bum life in rockies has been the core influence of this music, but its direction was finally solidified upon my arrival to Denver. Seeking to become a band’s guitarist, an EDM community, Bass Valley, had taken an interest to my work. Bass Valley grew into the Something’ Different Music Festival where I took a lead role in atmospheric design and street promotion.

I hope you enjoy this music as it is a reflection of community, earth, history, and pop culture.

🚀🏰

I will never allow a song purely AI on my profile - no offense to those who express themselves through that interface. There is something to learning the art of a practice rather than just the practice itself. Its a mindset of creativity that I hope the AI interface leads everyone to learn more about.
I have begun to work with a single producer who has shown me their production workflow and is transparent that use AI I will be noting that the song has used the producer I will work with named "A[REDACTED]I". I like this name for their studio which I feel clearly indicates in their name that they use AI for mastering and final works. 
Candented is JS. ~ https://linktr.ee/candented

This project is partly funded by the South Carolina Arts Commission, supported by the National Endowment for the Arts.

This project is also funded in part by a generous award from the John and Susan Bennett Memorial 
Arts Fund of The Coastal Community Foundation of South Carolina.

Now on Spotify and most streaming services.

JIMD Podcasts is home to the Journal of Inherited Metabolic Disease podcast and the JIMD Shortcast. We're also proud to showcase Metabolic Mysteries and the new Footprints in IMD podcast.

New tracks tagged #IEM