Comes and goes

Hysteric - Hysteric Fucking Maniac

SPOILER WARNING: This song contains spoilers for Inanimate Insanity IV. If you wish not to be spoiled, you don't have to listen to this remix.

aka if billy idol made karma waits

DOWNLOAD (wav + mp3 + instrumental): https://drive.google.com/drive/folders/1QKsAnW6DqdenoBMrZgBjocK_XyllU1Cg?usp=sharing

Inanimate Insanity belongs to Adam Katz, Brian Koch, Justin Chapman, and the rest of the II crew. The song was performed by Austin Nebbia, Casey Landman, Patrick Mealey, Sam Thornbury, arranged by Adam Halpin, mixed by Hunter Bass, and produced and written by Benjamin Gross. I do not own the original song or show.

Welcome To The OSC but it's 1985

OWVR - POWER II [FREE DL]

I’m kinda glad of how this out. (it’s beautiful)
Original song: M&L:PiT -final boss

[OLD] The great beyond Insanity

Fair-inanimate

Neste episódio, trataremos da solicitação apresentada pelo Brasil à Comissão de Comércio do Mercosul (CCM) para a aplicação de redução temporária da Tarifa Externa Comum (TEC), no âmbito da Resolução GMC nº 49/19.

Cursos Aduaneiras:
Classificação Fiscal de Mercadorias e Multas por Enquadramento Incorreto
https://cursos.aduaneiras.com.br/Treinamento/142387/Classificacao_Fiscal_de_Mercadorias_e_Multas_por_Enquadramento_Incorreto

Informativo - Brasil solicita Redução da alíquota do I.I. mediante quota

припев!!!!!!!!!!!

ну давай же вскрывай мою больную голову
ты не найдешь там ничего кроме боли
а я, так же как вчера буду впадать в кому
в которой почему то мой гнилой мозг вспороли

бридж!!!!!!!!!!

мама я закрылся в ванне
мы меня щас не спасай
мама я закрылся в ванне 
мы меня щас не спасай
мама я закрылся в ванне

куплет 1 !!!!!!!!!!!!!!!!

бритвой режу себе вены 
ненавижу сам себя  
ты гордишься что ты выжил 
по сознаю с нуля 
помогите я вскрываюсь  
снова нищий как всегда
без сознания валяясь
 снова дохну как вчера

куплет 2!!!!!!!!!!!!!!!!!!!!!!!!!!

 мне так похуй на менталку 
почините умоляю 
снова просыпаюсь в школу 
 сука я уже в печали
в аттестате только двойки 
неужели наебали 
кто сказал что буду круче если я не уникален

ментальный психоз

Instrumental of "Can't Help Lovin' Dat Man," composed by Jerome Kern, lyrics by Oscar Hammerstein II, for the classic 1927 Broadway musical “Show Boat.” Julie London popularized the song in her 1955 debut album.

Can't Help Lovin' Dat Man

Mój edit Plata o Plomo II na drum and bassie, a do tego - sam Belmondziak, bez pozostałych wykonawców. Czego chcieć więcej? 

Dorobię wersję ze wszystkimi - jak tylko będę miał czas

Jesteś posiadaczem praw do wokali/muzyki i nie życzysz sobie by taki edit widniał w sieci? Daj mi znać przez prywatną wiadomość lub na blendusiak@gmail.com - zdejmę go jak najszybciej, no offense plz!

BELMONDO - PLATA O PLOMO II (BLENDUSIAK DNB EDIT)

bonus track (digital download code through vinyl release) from "II" LP

Vacancy [SR002] (Bonus Track)

In an era where innovation defines progress, James Bleier II stands as a creative force who bridges the gap between architectural tradition and technological evolution. His philosophy centers around intelligent design—a concept that goes beyond aesthetics to integrate sustainability, functionality, and human emotion. For Bleier, design is not only about creating structures; it’s about crafting experiences that adapt, respond, and inspire.

The concept of intelligent design in modern architecture represents more than just technological advancement. It’s about harmonizing the physical environment with the digital ecosystem. James Bleier II emphasizes that cities of the future must be designed as living organisms—fluid, adaptive, and emotionally connected to their inhabitants. This approach requires architects to think beyond buildings and embrace systems that interact dynamically with human life.

James Bleier II – Crafting Tomorrow’s Cities Through Intelligent Design

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we AREN'T

@blip-795078891
@corrout
i
i
i,i,i,i
iiiii,ii,iiiiiiiiiiii,ii
iiii
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ii
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iiiii
iiiiiiiiii
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iiiii

prod. smoke fusion




















_________________________

CAP.m4a (DISS TRACK)

I only upload medium-high quality rips. 
This account is for remixes and trashposts.
Also I'm a very amateur producer.

‡ all displayed tracks are composed, produced, recorded, mixed & mastered by me
[except explicitly stated otherwise]

‡ creating music for 15+ years

‡ unbound by genres

‡ booking/other inquiries: [contact.tria@proton.me]

FUTURE FUNK IS SHIT AND BLAND
I HATE ITAMI(YOU JUST FKING COPY JAPAN'S PLACE AT HYOGO), DONT SAY(DONT MAKE MUSIC), C3REAL NG(MORE LIKE C3REAL SUCKS ASS), LADY STARK(MORE LIKE LADY SOCK), PINA COLA(FAKE BRAND), BLIP(BLEEP HIS ASS), OPIERM(OPEEPOOP), REPPOP(RETAYLOR SWIFT SUCKS ASS), CORROUT(MORE LIKE CHLORINE AND CAN'T DRINK A SINGLE SHIT), JINGORO(MORE LIKE JINGOHOME), BURGUNDY(MORE LIKE BURGER POOP DIARRHEA) AND OTHER FUTURE FUNK PRODUCERS.....

I LOVE SPEEDCORE/HAPPYCORE MUSIC SO STFU IF YOU SAY FUTURE FUNK IS GREAT

I am markcornbread (obviously :P)
I’m 16
And I make animations and YTPMV sources :)

This is where I post my YTPMVS so enjoy :3

''The world carries deep scars from humanity’s darkest creations. War, famine, oppression, and cruelty reveal the horrors we inflict upon one another''

ANTI-MUSIC

Projects:
GARRADOR (WTM)
PROWLER (Experimental WTM)
ABUSER (Power Electronics)
SALEM WITCH (JunkNoise)
NAZARETH (Drone)
HYSTERIC (AggroTech)

James Bleier II is a distinguished American architect with over 25 years of experience creating impactful designs. His work spans residential, commercial, and cultural projects, uniting innovation, functionality, and timeless appeal to serve clients nationwide.

rap; trap; drum and bass
kontakt: blendusiak@gmail.com

J.-E. Berendt: "Nada Brahma: the world is sound".  
Claus Bury: "The engineer pursues a goal and considers what means he can use to achieve it. 
The artist is not initially subject to any specific purpose. Only he is allowed to do totally crazy things."
Kenny Werner: "If you make music out of the world of thought, you miss the whole wonder of music."
"Music is not an art form with clear boundaries, but rather what we want to perceive as such."
Navacky (Poland):
"The most important thing for me is to create music that I feel, not stick to any particular genre."

New tracks tagged #II