Ten years ago, Parish Bracha anonymously released his Disconscious album Hologram Plaza, significantly influencing the still nascent Vaporwave scene. He continued producing a number of disparate anonymous projects until Cascade II was released in 2020 on Arca's Mutant Mixtape.

Cascades of Refinement, which includes the single Cascade II, is Parish's debut album released under his own name and his focus on the dialogue between the digital and the organic continues. The techniques that defined his influential early sound have been refined into a flawless hybrid of analog and digital textures which give his post-minimalist compositions an unmistakably personal expressivity.

Classical instruments are mutilated and transmuted into razor-sharp shards of glass suspended on piano wire above warped opalescent metal while never losing sight of their tonal integrity. Much like the impartial juxtaposition Parish employs in his timbral exploration, each composition explores the concepts of beauty and gentleness through and with extremity, violence, and chaos as equal counterparts, with each successive piece refining and relieving the artificial tension between these states. Employing use of the Una Corda, prepared piano, bowed piano, plucked piano, harpsichord, church organ, untuned violin, voice, synthesizers, and resampled field recordings, Cascades of Refinement lies somewhere in the indefinite space between acoustic and electronic and is beholden to neither.

Parish's initial electroacoustic experiments with piano and strings were interrupted by the pandemic lockdown when he was limited to sampled instrumentation and digital processing available on a computer. Out of this necessity evolved an appreciation for the incidental nature of digitally sampled acoustic instrumentation and the unpredictability of its interaction with digital signal processing.

As work on Cascades of Refinement continued and acoustic recording was reintroduced, the focus turned to the tension between recorded and sampled instrumentation, with the goal of integrating the two into a singular indistinguishable material to be warped and shaped together. Each of the four pieces of the Cascade series explores this tension, successively integrating and collapsing their distinction with each piece. 
 
The subtle artifacts of digital processing and incidental mechanical sounds of the acoustic are amplified and given presence alongside the tonal elements of each piece until a point of indivisibility is reached. The sound of a bow scraping along a string or a granular buffer freezing are neither discarded nor hidden, but selected as the ripest material to accompany and structure each composition. Cascades of Refinement is a dialogue between organic and digital, between the mercurial and infinitely reproducible, not as opposites, but as mereologically cohabiting counterparts with equal expressivity.

Cascades Of Refinement

Parish - Cascade III - From Cascades Of Refinement CD/Tape

LP and cassette tape available directly from: IMPREC.com

LP is pressed in a hand numbered edition of 300
(White copies #'d 1-100. Black copies #'d 1-200)
Paste on covers screen printed by Monoroid
Mastered by Tom Eaton at Sound &amp; Substance
Produced and designed by John Brien at Imprec

Florescere&nbsp;by Jonathan Bousquet is a powerful debut exploring a tapestry of electronic textures, compositional structures, and themes. Bousquet demonstrates a unique ability to forge a cohesive sonic world, employing a diverse array of techniques and sound sources.&nbsp;Florescere&nbsp;is a thoughtfully crafted album revealing itself slowly through rich harmonies and memorable melodies, rewarding repeated listening.

From the opening chimes of Recurrence, the album invites listeners into a multi-layered musical narrative, exploring the dualities of movement and stillness. The second track, How to Make an Exit, investigates form through themes of resolution, entrances, and exits. As the album progresses, Divisible Machine examines how time is measured and how personal perception can alter these measurements, expanding or contracting them.

Listeners are then drawn into Enveloper, a soundscape that evokes a sense of omnipresent time and presence through overtones and an electronic choir. The title track, Florescere, marks a new beginning beyond the constraints of place and time, characterized by jubilant sequences and a resolute low end. The A-side concludes with And the Void Becomes Eloquent, a cyclical composition where repetitions gradually move toward their undoing. The work concludes with a profound sense of rest and ethereal pause on the B-side track, Being, Becoming.

Available on black vinyl, white vinyl, and cassette tape, Florescere features six tracks on side A that blend intricate rhythms and lush textures. Side B presents a 30-minute drone piece, offering a contemplative journey through ambient soundscapes.

Designed by John Brien and mastered by Tom Eaton, each detail of Florescere reflects Bousquet's commitment to crafting a unique auditory and visual experience. With striking letter-pressed sleeves by Monoroid, the album is a tactile delight.

New tracks tagged #IMPREC