Overwhelmed

The Why’ dives into loyalty, pressure, and clarity in chaos. A fusion of sci-fi mystique, street wisdom, and cold ambition, Marvo raps like a commander in the Jedi chamber—unmoved while both sides pull at him. This is more than a track; it’s a statement for anyone who thrives in the middle of the storm.

The Why

jaymartyrr - no contact

lyrics: 

you acting oh so drastic
oh so drastic
you don't show no passion
heartless actions
won’t call me back
always end up headed for the hills then come running back
i don’t really fuck with that

i did it on my own
never should've let nobody get that close to my soul
heart in pieces ain't no cast for this
won't heal like broken bones
know it won't be no contact after this all this shit set in stone

you had my soul
you keep me whole
your face in all the pictures, woah
still in control
but i gotta let you go i know
no other way for me to grow

you never here when i need you
but i'm the one you call
i'm so anxious to see you
girl why you gotta stall?
if this ain't what you need truthfully why do this at all?
girl tell me why we still involved?

you had my soul
you kept me whole
i met your mom, you met my bros
said i complete your soul
then you changed your mind
you switched it up 
you don't need me no more
now i mind my business so-
gotta let go

you had my soul
you kept me whole
i met your mom, you met my bros
said i complete your soul
then you changed your mind
you switched it up 
you don't need me no more
now i mind my business so-
gotta let go

no contact

A melancholic synthpop track exploring the lingering emotions after a lost love. City lights feel dimmer, laughter turns into fading memories, and even moments of peace are haunted by echoes of the past. this track paints a sonic picture of emotional struggle, identity, and isolation in a world.  

Echo in the Night

The lyrics convey a sense of detachment and emotional numbness in the face of overwhelming external pressures. desire to disconnect from the chaos and drama surrounding them, opting for a state of ′sleep mode′ where they can escape the noise.

Sleep Mode Access Denied

This is the first song I've ever done, beginning to end, that someone else wrote.  We took it together from words on a paper, no bridge, and a ukulele to what it is now.  The artist and writer (Leila Pagano) wanted to go in a slightly different direction with this song.  Still pop-punk but more stripped.  Hopefully, she will be releasing that version soon under her own artist name and brand.  I heard this song go another way and one of the perks of being a producer and co-writer is that I can actually finish it in a different way and send it out into the world as a different version!  So here's the producer's cut of a song about feeling lonely, isolated, and the pain of all that.

Living Hell (Producer's Edit)

zaya! - how do some of yall genuinely enjoy life lmao

The lyrical matter of the song and the chords are supposed to be ironic of each other in a way. Such a happy Elliot Smith sounding progression with my feelings about my isolation. It isn't even a song, Its just a rant with instrumental. In my opinion, too experimental chord wise for what I want to accomplish.

House Of Dolls - Irony

pressure (guapphunnidz)

"Three Time" is a haunting Dark Pop / Dream Pop tale inspired by supernatural ritual folklore. With ethereal vocals, glitchy production, and vivid horror imagery, it follows a chilling game that blurs the line between reality and the in-between. From candlelit whispers to cracked mirrors, the song captures fear, vulnerability, and the loss of identity in a spectral possession.

Three Time

[Verse 1]
Streetlamps flicker with a violet glow,
I drift like mist where bitter cold winds blow.
Footsteps fade in echoes of a muted sound;
My shattered reflection remains unfound.

[Pre-Chorus]
I reach out, but the world won’t slow;
Names are lost in the undertow.
I speak, but silence calls instead—
A hollow voice inside my head.

[Chorus]
I’m a faded ghost, adrift in a haze where memories fray;
A forgotten name, confined in the maze of endless gray.
No refuge to call my own, no tender hand to guide my way—
I vanish into silence as time steals dreams away.

[Verse 2]
The city sighs beneath a mournful air;
Neon spectres wander with a vacant, distant stare.
Moments crumble like brittle leaves in disarray,
And I stand alone, swallowed by endless gray.

[Pre-Chorus – Variation]
I reach out, yet time remains unkind;
Every whispered name slips further from my mind.
I cry out, but the void replies instead—
An echoing sorrow deep within my head.

[Chorus]
I’m a faded ghost, adrift in a haze where memories fray;
A forgotten name, confined in the maze of endless gray.
No refuge to call my own, no tender hand to guide my way—
I vanish into silence as time steals dreams away.

[Verse 3]
The stars don’t whisper, and the night won’t speak;
Only silence lingers where every shadow grows weak.
I call for meaning, yet all light slowly decays—
Like clockwork hands that keep slipping, erasing the days.

[Bridge]
My reflection shatters on glass so thin—
A faded shadow sinking deep within.
Each breath unspools like silk undone,
While neon ghosts weep under a dying sun.

[Chorus – Variation – Final]
I’m a faded ghost—was I ever truly here?
No hand calmed the ache of my perpetual fear.
As darkness consumes me and silence claims my soul,
We hide our deepest sorrows, too painful to control.

———

"Faded Ghost" drifts through the neon-lit corridors of memory, loneliness, and the quiet erasure of self. Wrapped in lush progressive rock textures and cinematic atmospheres, it blends baritone vocals, haunting piano lines, and precise guitar interplay into a spectral journey through identity and loss.

This track captures the feeling of walking through violet fog—alone but surrounded by echoes. It’s a meditation on impermanence, where moments crumble like ash and every dream slips further from reach.

“Faded Ghost” is not just a song—it’s an emotional landscape you can wander.

———

Genre: Progressive Rock
Key: E♭ Major
Tempo: 147 BPM
Time Signature: 4/4

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved. 


Darkness

Faded Ghost

crusty old dude

dripping that red

⚠️This piece is made for ambisonic systems, and converted for headphones⚠️

For more detailed info, you can check my website:
https://cosmiccats.neocities.org/FarSites/FFG/tunnels.html

Acousmatic music from the MSC487 class serves as the fifth project among five total projects. [Electroacoustic Experiments 5/5]

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Tunnels (2025) is a piece about shifting realities and spaces. Its story involves an entangled mixture of real and dream-like events.

The piece/story has 2 layers. The first layer is a fictional story about an exploration trip to the underground. After various events (Burried Forest), the main character loses its light source in dark tunnels and blindly navigates to the unknown. He crosses lakes, sees crystal geodes, and hears earthquakes and collapsation. As he tries to find any light source, he finds himself in weirder situations. The physicality of the piece; elemental usage (water, earth, glass...), frequency usage, reverberation, etc is gathered around this reality.

The second layer is about my journey through this semester. The story contains important events from my life, thoughts, feelings, and such. It functions as a diary to me. This personal reality decides my sound material (car, train, sea), musicality (mood), dynamics, and pace, alongside some scenery connected with the story layer.

2 layers have their accented, dedicated sections in the form/structure of the piece. For example, a train sound is ultimately connected with the real life. However, they morph into each other continuously (for example it turns into a rumble, a quake). Thus, they create a unique and alternative story we can call a 3rd layer; the Masking layer. A layer that has petrified as audio, lost its composer's heritage and merged with the listener's story. Enjoy.

Tunnels (Binaural Stereo) (Listen With Headphones)

Industrial, defiant rap-metal for the lonely. Female vocals slice through metallic guitars and deep bass, projecting rage and self-crowning energy.

Razor Wire Queen

DETECT

locked again

Been running solo way too long noticed I need company 
Feels like it’s too late like every time I try they run from me 
Don’t know why I feel distrust, don’t know why I feel so hated 
I was smoking so much weed, feeling so dazed and sedated 

Detox hit me like a truck, feels like I’m just catching up 
Everyone I left behind it sucks I just wanna love 
Take all my achievements if it means I’m alone then I’m just stuck 
Calling out for help but karma’s telling me I didn’t do enough 

I don’t even try anymore
No one reaches out this cycles got me crying on the floor
I just wanna make memories that I keep within my core
But, I feel like if I reach out I’ll surely be ignored

Cus I lost contact with half the people in my contacts list 
Other half I half heartedly spoke to in the mist
Lately I’ve been feeling sick, but I should have made the effort
Now I’m drowning in my solitude inside in rainy weather

Running Solo Prod. Me 🔐👤

I create and drop tracks daily.
Plays = support. Donations = motivation.
Thank you for being here.

Welcome to DenineZ Studio! I create a diverse range of music, carefully curated and crafted to share heartfelt emotions with listeners worldwide 🎵 Blending creativity with innovation, I harness the power of AI vocals to bring each song to life

Patrice Richmond : producer, singer/songwriter, piano, ukulele, audio engineer, sound design, session singer.

Born and raised in Chicago, Patrice Richmond now resides in China with her husband and children. This diverse background enriches her music, infusing it with a unique perspective. A talented vocalist and pianist, Richmond draws inspiration from the timeless sounds of legends like Carole King, and Sara Groves. Fans of upbeat pop and pop-folk will find a kindred spirit in Richmond's music, which resonates with the styles of contemporary artists such as Jess Ray, Sara Bareilles, Griff, and Ingrid Michaelson.
“Music has always been a personal journey for me,” says Richmond. “This album reflects the intimacy of my Christmas experiences and my desire to create meaningful songs. I hope it brings warmth and joy to everyone’s holiday season!”
The upcoming album promises to be a delightful addition to the holiday music landscape, bringing a fresh perspective while honoring beloved traditions. Patrice Richmond's passion for songwriting shines through as she crafts an album that celebrates the essence of Christmas.
For more information about the album and to listen to Patrice Richmond's music, contact Patrice at handles or email above and stream at all streaming platforms.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

Project KT (standing for Knowledge Transfer) is the solo creative project of Kareem Tyler, a multidimensional being navigating the constraints of the physical realm through immersive, genre-blending artistry. Blending progressive rock, symphonic fusion, post‑punk ambience, and a touch of metallic catharsis, Project KT crafts cinematic soundscapes rooted in raw poetry, violin-led instrumentation, and emotional tension.

After a life-altering accident that caused partial vocal cord paralysis and ended his ability to play piano, Kareem reinvented his creative process with digital composition and visual art—turning personal trauma into transcendent expression. His music now explores loss, longing, and rebirth through long-form storytelling and orchestral depth. Though Project KT remains firmly his own vision—overseeing lyricism, production, and artwork—he is actively seeking a female vocalist collaborator to give voice to the remaining untold emotional core.

With a vibrant presence on Instagram and BandLab, Project KT continues building cross-medium narratives that fuse sound, image, and meaning. If you are a vocalist or visual artist drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT invites you into the echo.

Welcome to my vault where u hear unreleased first. 
Youtube:
 https://www.youtube.com/@nlbmarvo-music8788
Spotify: https://open.spotify.com/artist/53YuO6Mw2IW7oPplJJA1lN?si=D1LFcrGZRb6_ZEq-vw_k3g
Apple Music:https://music.apple.com/gb/artist/nlb-marvo/1561395242
⬇️join the social community and follow the ig for giveaways⬇️
https://www.instagram.com/nlbmarvo/?hl=en

wannabe indie artist, i rap sometimes too

Producer, 20 🚀🍀

Tap in all links below buy beats etc.🫡 Love Y'all! 💓
https://linktr.ee/prodbyquill

https://cosmiccats.neocities.org/

20yo Composer/Producer/Pianist (random music generator)

Sometimes, if I have any free time, I explore and comment on new releases, trying to find gems. Then, I repost the 𝒻𝒾𝓃𝑒𝓈𝓉 and 𝓫𝓮𝓼𝓽 of them. So, welcome to my little collection!

Other times, I publish my own gems, some of them are, ɴᴏᴛ ᴛʜᴇ ɢʀᴇᴀᴛᴇꜱᴛ...
But I have a few, that make me happy :>

Todo:
*Release ¨20 finished piece
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Bio (boring):
I graduated from Eskişehir Conservatory with a degree in piano. Now, this is my 2nd year in the Bilkent Composition Department. I also work on the university's radio. I usually create my compositions in different styles and cultures. Sometimes they are short-movie or game soundtracks, sometimes they are simply techno or breakcore. I enjoy this/creating various kinds of music so much that I ignore the probability of hurting my career at some point...
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GO SUPPORT @KiveXewo !!! (my brother)

New tracks tagged #ISOLATION