Chris Holman welcomes Sarah Milanowski, L.M.S.W, Manager of Enrollment and Marketing, Muskegon, MI.

Welcome back to the Michigan Business Beat Sarah, remind the Michigan business community about LIfeCircle PACE?

We understand Lakeshore-based LifeCircles PACE recently completed work on its $1 million Holland Day Center? Tell us about that?

 So, this expansion will allow the organization to help 28% more seniors stay in their homes?

Economic impact of $16M ARPA funds investment in Michigan PACE programs? 

The new Wellness Gym, a centerpiece of the expansion, includes physical and recreational therapy spaces? How will this help?

Talk about the interesting demographic trends for your clientele and where it's going over the next quarter century?

$1 Million Expansion

● 6,620-square-foot addition to Holland Day Center

● Includes state-of-the-art therapy facilities and community spaces

● Allows LifeCircles to serve up to 28% more seniors

Addressing Michigan's Aging Crisis

● Nearly 20% of Michigan residents are 65 and above

● Working-age population expected to remain flat at 37% through 2050

● Increasing burden on families for end-of-life care and caregiving

Enhanced Facilities and Services

● New Wellness Gym with physical and recreational therapy spaces

● Focus on reducing fall risks and unnecessary hospitalizations

● Improved areas for family and caregiver education

● Additional office and meeting spaces for growing team

Impressive Care Outcomes

● Only 53 hospital admissions per year per 100 LifeCircles participants (compared to PACE national average of 64)

● 97% of participants rate home care services as excellent, very good, or good

Funding and Recognition

● Expansion partly funded by $16 million in ARPA funds granted to Michigan PACE programs

● Recognition of crucial role during the COVID-19 pandemic

Community Impact

● Providing support to family caregivers

● Alleviating strain on Michigan's working-age population

● Changing expectations of disability care and independent living for seniors

Ribbon-Cutting Ceremony

● Date: Thursday, October 10, from 4:00 to 6:30 pm

● Features: Tours of new facility, local food vendors, fall-inspired giveaways

About LifeCircles: LifeCircles PACE has provided an in-home alternative to traditional nursing home living since 2009. We offer comprehensive medical and support services to seniors, allowing them to live independently in their homes while receiving the care they need. Our innovative approach combines in-home services, day centers, and community outreach to provide holistic care that enhances quality of life and promotes independence while also supporting family caregivers.

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Michigan Business Beat | Sarah Milanowski LifeCircles PACE Expands: New Wellness Center in Holland

In the Year of Africa, the Democratic Republic of the Congo negotiated independence from Belgium to the rhythm of the country’s greatest export: Congolese rumba. The wildly popular and meaningful genre became a soundtrack to global change.

Written by Emily Hardick. Narration by Dr. Nicholas B. Breyfogle.  Production by Laura Seeger and Dr. Nicholas B. Breyfogle. Video and text versions of this podcast are available at https://origins.osu.edu/article/year-of-africa-1960-rumba-pan-africanism-Kariba.

This is a production of Origins: Current Events in Historical Perspective at the Goldberg Center in the Department of History at The Ohio State University and the Department of History at Miami University. Be sure to subscribe to our channel to receive updates about our videos and podcasts. For more information about Origins: Current Events in Historical Perspective, please visit origins.osu.edu.

Additional Resources:

Elkins, Caroline. Imperial Reckoning: The Untold Story of Britain's Gulag in Kenya. Toronto: CNIB, 2008.

Fanon, Frantz. Toward the African Revolution: Political Essays. New York: Grove, 1952.

Lee, Christopher J. Making a World after Empire: The Bandung Moment and Its Political Afterlives. Athens: Ohio University Press, 2010.

Monson, Jamie. Africa's Freedom Railway: How a Chinese Development Project Changed Lives and Livelihoods in Tanzania. Bloomington: Indiana University Press, 2009.

Phiri, Kings M. Malawi in Crisis: the 1959/60 Nyasaland State of Emergency and Its Legacy. Zomba, Malawi: Kachere, 2012.

Sartre, Jean-Paul. Colonialism and Neocolonialism. Abingdon, UK: Routledge, 1964.

Tischler, Julia. Light and Power for a Multiracial Nation: the Kariba Dam Scheme in the Central African Federation. Basingstoke, Hampshire: Palgrave Macmillan, 2013.

Collinet, Georges. “Hidden Meanings in Congo Music.” Afropop Worldwide, December 21, 2011. https://afropop.org/audio-programs/hidden-meanings-in-congo-music.

Gondola, Didier. The History of Congo. Westport, Conn: Greenwood, 2002.

Kazadi, Pierre Cary (Kazadi wa Mukuna). “The Genesis of Urban Music in Zaïre.” African Music 7, no. 2 (1992): 72–84.

Nzongola-Ntalaja, Georges. Patrice Lumumba. First edition. Athens, Ohio: Ohio University Press, 2014.

White, Bob W. Rumba Rules: The Politics of Dance Music in Mobutu’s Zaire. Durham and London: Duke University Press, 2008.

Iwa Dworkin, Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017)

Kevin K. Gaines, American Africans in Ghana: Black Expatriates and The Civil Rights Era (University of North Carolina Press, 2006)

James Meriwether, Proudly We Can Be Africans: Black Americans and Africa, 1935-1961 (University of North Carolina Press, 2002)

Congolese Rumba: Soundtrack to African Political Struggle

How easy is Portsmouth as a city for disabled people to get around for work, study or leisure? 

What barriers to their freedom are disabled people encountering in Portsmouth? What can be done to remove or reduce the barriers?

We welcome Georgina Fry from Portsmouth’s Disability Advisory Group to hear what the challenges are, and what is being done to help. 

Portsmouth Disability Advisory Group
https://www.facebook.com/profile.php?id=61563355431337

Portsmouth Wheelchair Access Group
https://www.facebook.com/groups/portsmouthwag/

PCPA (Portsmouth Carers and Personal Assistants)
https://www.facebook.com/PortsmouthCPA

Is Portsmouth a disability friendly city?

This upbeat, indie-pop-inspired anthem celebrates the freedom of moving on after a quirky, mismatched relationship.

Quirck IX

Buzzed

Filled with playful lines and an upbeat spirit, it transforms the pain of heartbreak into a celebration of freedom and self-love.

Circles

Marino Canal Vs Argy & Omnya - Independence X Aria X The Phantom Of The Opera (Mindu Mashup)

LYRICS:

Sous le poids des attentes, je me perds,
Dans ce reflet qui n'est plus le mien.
Chaque sourire forcé, chaque mot amer,
Me rappelle que je joue un rôle ancien.

Dois-je me battre pour être moi-même ?
Même si cela veut dire marcher seul dans le noir.
Je me sens tiraillé entre deux mondes,
L'un où je me conforme, l'autre où je m'effondre.

Les voix me disent qui je devrais être,
Mais dans mon cœur, une autre vérité s'élève.
Je veux me libérer, briser ces chaînes,
Être enfin moi-même, sans masque, sans peine.

Dois-je me battre pour être moi-même ?
Même si cela veut dire marcher seul dans le noir.
Je me sens tiraillé entre deux mondes,
L'un où je me conforme, l'autre où je m'effondre.

Et si je prends le risque d’être jugé,
De me retrouver seul, rejeté ?
Mais dans ce combat intérieur, je comprends,
Que ma vérité vaut plus que leurs attentes.

Oui, je me battrai pour être moi-même,
Même si cela veut dire marcher seul dans le noir.
Je choisis ma voie, je refuse de me fondre,
Dans les attentes qui cherchent à me confondre.

Je suis plus forte que leurs illusions,
Je briserai les murs de leurs visions.
Être vrai, être moi, c'est ma mission,
Même si cela veut dire défier leurs traditions.

Etre moi-même

Etre Moi - Même

Dj Sharnz is back with her annual Barbados Independence Mix! We celebrate 58 years of independence and 3 years of BIM being a republic! 

This mix of old school, mid school and new school soca from a selection of Bajan artists is sure to have you pelting waist and doing de dawg! I've chosen some of my all time favourite Bajan songs, as well as some of the biggest songs to come out of the island!

Feel free to like, repost and share this mix! Make sure you follow me on SoundCloud and IG: @djsharnz

www.sharnz.co.uk
www.acesir.com
www.socachronicles.com

For bookings contact djsharnz@gmail.com

Barbados Independence Mix 2024

"Been Ballin' (Chief Keef - Kay Kay Remix)" is my take on the classic track, bringing fresh energy and my own vibe to an anthem of independence and hustle. The line "since a young nigga, been balling on my own" speaks to the core of this remix—it's about building yourself up from the ground, doing it solo, and not waiting for anyone's approval or handouts. From the jump, I’ve been focused on my own grind, no matter the obstacles in my way.

In this remix, I’m not just honoring the original track; I’m adding my own twist to show that the hustle never stops. It's a celebration of standing strong, doing things on your terms, and keeping your eyes on the prize. The vibe is all about self-reliance, confidence, and being the one to make it happen.

This remix is more than just a track—it’s a statement. I’ve been ballin’ on my own, and I’ll continue to do so, no matter what comes my way.

Been Ballin' (KayKay Quaymix)

Orchestral pop instrumental infused with a spirit of adventure, freedom and independence.

CHANCE REMEMBRANCE

The Home of Business in Michigan. Get on-demand access to audio programs, articles and resources presented by savvy business leaders and industry experts.

London based multi-genre DJ | Podcast host | CEO of Acesir

For bookings, email djsharnz@gmail.com
Follow me on IG: @djsharnz

QUAY?
As an artist, BabyQuay creates for the people and does it all for his father. His music is a reflection of the struggle, growth, and resilience that come with life’s challenges. Drawing inspiration from a variety of experiences—both personal and observational—he blends hard-hitting trap with raw emotion to speak on the realities of love, loss, and survival. BabyQuay's sound captures the intensity of the streets, the depth of relationships, and the internal battles we all face, offering a soundtrack for those navigating their own journeys.

With a mission to share his truth and elevate others along the way, BabyQuay remains focused on leaving a legacy that honors his roots and the lessons that shaped him. Every track is a piece of his story, created to inspire and connect with listeners who understand the grind.

EMAIL FOR ALL INQUIRIES
nolimitquayyy@outlook.com
babyquaymanagement@gmail.com

Two brothers-in-law, Ian Morris and Simon Sansbury from Portsmouth (UK) talk about local and national politics without the point scoring.

Ropatt (aka Ron Patton) is a dynamic pop, jazz, and hip-hop artist who first made waves with his 2003 album Biggie Was Here. Hailing from Michigan, Ron dove into songwriting during college and became a staff writer for the legendary Holland-Dozier-Holland team. 

Co-founding Baywest Records in Northern California, his work as a producer and arranger has been featured on major outlets like Oxygen and Animal Planet. Ropatt is also an author, having written Fables & Proverbs: Songwriting's Secret Weapon and Alternate Reels: Recasting Iconic Movie Roles, both available on Amazon. His music can be found on Spotify, YouTube, and more!

Visit and subscribe to my YouTube music channel, Ropatt Music Station - https://rb.gy/kdrbl5

Smart conversations about today’s most interesting topics - a history podcast for everyone, produced by Origins from Ohio State's Department of History

New tracks tagged #Independence