While not exactly culturally accurate, the Yurok drum and the Navajo Flute go well enough imo together. I added a simple synth drone as well. The name is Yurok, I figured this fit since I ended up invoking that atmosphere. The translation I put in the title (in brackets). I appreciate any and all who listen and I thank you for your time, Wokhlew'.

These Clouds Carry Rain

Lerpsue'wer'y (it is covered in mist)

Lerpsue'wer'y (It is covered in mist)

Welcome to Indigenous in Music with Larry K, on todays show we welcome from Bella Coola, Nuxalk, welcome members of the Indigenous musical collective “Nuxalk Radio Records.” Nuskmata and Qwaxw in the house to tell us all about their new album, and journey they took to produce it in their language along with a mix of genres.  Nuxalk are featured in our current issue of the SAY Magzine, read all about them at our place www.indigenousinmusicandarts.org/past-shows/nuxalk-radio.

Enjoy music from Nuxalk Radio, Leonard Sumner, J. Pablo, Indian City, Aysanabee, Ray Zaragoza, Samantha Crain, Carsen Gray, Nicole Gatti, Bomba Estero, Ana Tijoux, Joshua Haulli, Marx Cassity, 1915, Mike Bern, Edzu'u, Tracy Bone, Jason Benoit
Trent Sgecoutay, Uncle Trent and Friends, Sage Lacapa, Amanda Rheaume, Chantil Dukart, Blue Moon Marquee, Mitch Walking Elk, Cary Morin, Alan Syliboy & The Thundermakers, Sebastian Gaskin, Lil Mike & Funnybone, Joy Harjo and much more.

Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org. Visit our new News and Entertainment podcast at www.indigenousinmusicandarts.org/indigenous-in-the-news and enjoy.

Nuxalk Radio in our Spotlight Interview (Indigenous Fusion)

For a project I made, using a bit of effects and synths, a personal favorite of mine

Uncertainty In The East

“Join the Native Spirit” is a powerful sonic journey through New Age, World Music, and Tribal Fusion, where traditional Native American elements blend seamlessly with modern Downtempo rhythms. Sacred flutes, ritualistic throat singing, and energetic tribal drums unite to form a spiritual soundscape grounded in both movement and meditation.

Inspired by shamanic rituals and a deep connection to nature, the track merges the ceremonial with the danceable — a compelling fusion of spiritual, ambient, and ethnic music, designed to awaken body, breath, and ancestral memory.



Join The Native Spirit

"Rip Curl DNA" by DJ AZARII is a powerful Electro-Trap anthem that combines the energy of surf culture with Australian street spirit. The track is influenced by the Rip Curl brand - the ideology of freedom, adventure and life on the edge. Powerful 808 bass, aggressive trap drums, didgeridoo samples and guitar riffs create a unique sound. The vocals are in English with a bright Australian accent, including fragments in the Pitjantjatjara language, which adds depth and respect to the indigenous culture. The perfect track for TikTok, extreme commercials, Instagram Reels, surf films and festivals. This track is more than music. It's a wave. It's a challenge. It's Rip Curl DNA.

(Verse 1)
Yo, this ain't just threads, mate, it's a legacy deep,
From Torquay's shores where the wild waves sleep.
Sixty-nine, 'Claw' and 'Sing Ding', vision clear,
No fear, just froth, the next big frontier.
They scribbled "Rip Curl" on a board, pure stoke in their soul,
Said, "Rippin' was choice, we were cool, we took control!"
Yeah, that logo, mate, it’s a story untold,
Exploration, anticipation, legends unfold.

(Chorus)
We're on The Search, yeah, the never-ending chase,
Sun on our skin, feelin' the ocean's embrace.
From the barrel's deep roar to the mountain's white peak,
Rip Curl DNA, the ultimate streak!
We're leaders, mate, ain't no time for a lag,
Drop the mic, hit the wave, always runnin' the flag!
This ain't just a brand, it's a vibe, it's a roar,
More than just boards, we're forever explore!

(Verse 2 - Pama-Nyungan (Pitjantjatjara) language)
*Kapi palya ngura nyangatja, tjina kulila, yuri kulila.*
*(Good water place here, hear the foot, hear the spirit.)*
*Walu pulka palumpa, tjukurpa manta mulapa.*
*(Big time for them, dreamtime earth truly.)*
*Wati kutjara palumpa, tjurkurpa tjina kulila.*
*(Two men for them, dreamtime foot hear.)*
*Kapi kungka, ngura pulka, anangu tjuku tjuku.*
*(Water woman, big place, small people.)*

(Chorus)
We're on The Search, yeah, the never-ending chase,
Sun on our skin, feelin' the ocean's embrace.
From the barrel's deep roar to the mountain's white peak,
Rip Curl DNA, the ultimate streak!
We're leaders, mate, ain't no time for a lag,
Drop the mic, hit the wave, always runnin' the flag!
This ain't just a brand, it's a vibe, it's a roar,
More than just boards, we're forever explore!

(Verse 3)
FlashBomb wetsuits, yeah, they SIMA award winners,
Three times in a row, leaving all the sinners.
My Bikini campaign, snatchin' those awards too,
Women's campaign, year after year, it's true!
From Bells Beach to Pipeline, we own the whole scene,
The SearchGPS watch, keepin' our stoke keen.
Mirage shorts, yeah, we're setting the trend,
Innovation, pure grit, 'til the very end.

(Chorus)
We're on The Search, yeah, the never-ending chase,
Sun on our skin, feelin' the ocean's embrace.
From the barrel's deep roar to the mountain's white peak,
Rip Curl DNA, the ultimate streak!
We're leaders, mate, ain't no time for a lag,
Drop the mic, hit the wave, always runnin' the flag!
This ain't just a brand, it's a vibe, it's a roar,
More than just boards, we're forever explore!

(Verse 4 - Pama-Nyungan (Pitjantjatjara) language)
*Puti tjuta ngura palya, walu manta nyangatja.*
*(Bush many good place, time earth here.)*
*Wanka palya, tjina kulila, kuka tjuta.*
*(Good life, hear the foot, meat many.)*
*Mama pulka, tjina kulila, tjukurpa tjina.*
*(Big spirit, hear the foot, dreamtime foot.)*
*Anangu tjuta, yuri kulila, tjina tjina.*
*(Many people, hear the spirit, foot foot.)*

(Outro)
Rip Curl! The Search is on! Yeah!
Forever ridin' that wave! Let's go!
DJ AZARII!

Spotify URL

Rip Curl DNA

I signed the checks, I led the team,
Big decisions, corporate dreams.
But every line of code I see,
Turned into songs that carried me.

I’m leaving the boardroom, leaving the grind,
To build a label, rewire my mind.
With a thousand tools and voices new,
I’ll industrialize the art with you.

Deadlines, targets, endless calls,
All those numbers, concrete walls.
Now I hear machines that sing,
Future folk in everything.

I’m leaving the boardroom, leaving the grind,
To build a label, rewire my mind.
With a thousand tools and voices new,
I’ll industrialize the art with you.

Not a gamble, it’s design,
Algorithms fall in line.
Every risk a melody,
Every voice a factory.

I’m leaving the boardroom, leaving the grind,
To build a label, rewire my mind.
With a thousand tools and voices new,
I’ll industrialize the art with you.

To build a label (Organic Groove)

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

Join Larry K from the Ho Chunk Nation, as he brings you a mix of Indigenous music. Enjoy live interviews and a mix of new music from our Indigenous musicians from around the Western Hemisphere. Our show is recorded in our Say Magazine studios in Sarasota, FL.

The Indigenous in Music with Larry K radio show was developed to support indigenous musicians. After we did our research, we discovered that our indigenous musicians were not getting the exposure needed to get into the mainstream music scene. Host Larry K, from the Ho – Chunk Nation started the Indigenous in Music Radio Show in Sarasota, FL.

OUR GOAL: Is to develop and market our show to radio stations around the world. We will provide music and interviews to the general public. We will promote our indigenous musicians and entertainers. Both a host and producer, Larry values the diversity of cultural expression and traditions, fosters the preservation and advancement of diverse musical genres, creates a sense of welcoming and belonging, enhances the enjoyment of life, and celebrates community with great programming.

Recorded live at the new Two Buffalo studio’s and is heard daily Native Voice Once (NV1) and distributed by NV1, PRX the public radio exchange, on the web at PRX.ORG and Pacifica AudioPort. Our musical guests and show are featured in the SAY Magazine. SAYMAG.com,

MISSION: The Indigenous in Music Radio Show mission is to: develop, organize, promote and administer a comprehensive, coordinated music program. Provide music and entertainment for the general public.

Tom Lysar creates electronic music with an emotional core — shaped by atmosphere, structure, and instinct. His compositions don’t follow fixed genres but emerge from moments, moods, and inner imagery.

Much of his music is rooted in an extensive archive: early studio sessions, unfinished sketches, and custom loops originally crafted for sample packs, background cues, and small creative projects such as indie games and online content. In 2025 he began reshaping this material, refining old fragments into finished works and aligning them with his present sound. The result is a continuous flow of releases that feel both timeless and immediate — carrying the depth of past explorations into the present.

In his work, sound, memory, and motion merge into a fluid musical expression. Each track becomes an invitation: to drift, to remember, or simply to feel.

This is music that doesn’t confine — it opens space. Between light and shadow, closeness and distance.

🎧 Available for external projects (DJ sets, video, sync etc.)
📩 Just get in touch

🌐 More links below

I'm not exactly the greatest audio engineer, pointers would help lol. Yurok/Navajo musician, self taught.

New tracks tagged #Indigenous Fusion