ᴏʀɪɢɪɴᴀʟ sᴄᴏʀᴇ ғᴏʀ ᴄʜʀɪsᴛᴏᴘʜᴇʀ ɴᴏʟᴀɴ's "ᴍᴇᴍᴇɴᴛᴏ" (𝟸𝟶𝟶𝟶)
ᴅɪɢɪᴛᴀʟɪᴢᴇᴅ ᴀɴᴅ ʀᴇᴍᴀsᴛᴇʀᴇᴅ ʙʏ ᴘᴀᴄᴏ ᴅᴇ ᴄʟᴇʀᴄǫ

Leonard And Natalie

Remember Me

Losing Control / Tattoo Parlor

Time For My Shot

The Facts / Tattoos

Memento (Main Theme)

Arriving At The Derelict / Jimmy

Ali alo,

welcome back with a lovely selection coming from Vienna Austria and cooked by @simone-stocker

To discover a lil more about her we had a quick chit chat ...
Enjoy as much as i did and wish you all the best ...

✘ Hey so tell me what was your first track you fell in love with during your childhood?
Limp Bizkit - My Way

✘ and the last track you digged?
Love is Wise - Jolasol., Seyde Remix <3

✘ ...and maybe could you tell us more how did you get into the music cooking pot?
When I turned three years old my aunt gifted me a yellow cassette radio with a microphone and I carried it everywhere and was singing and recording all the time. Since then it was my biggest dream to be on stage and sing. With 8 I started to play accordeon for eight years. I didn’t really grow up in a surrounding that supported my creativity and then as a teenager somehow I was only singing for myself and I couldn’t sing in front of people anymore - I guess I just thought I am not good enough. I studied marketing and set foot in the business world. In 2017 I moved to bali and was living there back and forth until I moved to vienna in 2023. In bali I found my biggest passion again, that I was hiding for many years: music. I started to sing again and also decided to go back to university to study “electronic music and sound design”. Since 2023 I am DJing and also producing. I am surrounded by amazing, passionate musicians now and couldn’t be happier and proud of myself that I was courageous enough to walk this path. It is like a new, colourful world opening up and I am super grateful for everything that I am learning :)

Inspired by Sia Moan

A kind of jam inspired by and based around the feel of the backing of Miles Davis's So What

Kinda So What

A jam with a mess around of panning and volume, production inspired by changes in decibel atmospheric pressure, which is where the song title gets its name

Running Out of Space To Fly

Tater Andersson's remix reimagining of Poetically's upbeat track "You Caught Me At The Wrong Time" 

A melancholic disco remix anthem!

Poetically - You Caught Me At The Wrong Time (Original) 
https://soundcloud.com/poetic-ally/you-caught-me-at-the-wrong-time

This remix was crafted exclusively on the MPC One and mixed in the final stages on Ableton Live 11.

Tater Andersson
Instagram: https://www.instagram.com/taterandersson/
bandcamp: https://taterandersson.bandcamp.com/

You Caught Me At The Wrong Time (Tater Andersson Remix)

Bandcamp

A jam in Dminor with some time spent in Ebm

Jam in Dminor

Please let that be the end (Instrumental)

Ali Alo,
today i m very pleased to introduced you to a lovely artist under the name of @schwofdrossel
he cooked a sensitive journey with a subtil selection in order to trigger your ears and make them feel gooood ..

To discover a lil more about him we had a quick chit chat ...
Enjoy as much as i did and wish you all the best ...

✘ So tell me what was your first track you fell in love with during your childhood?

Ra (David August Remix) - The Acid

✘ ... and the last track you digged?

Cowboy (Sydka & Iorie Remix) - Laaar

✘ maybe could you tell us how did you get into the music cooking pot ?

I remember the feeling when my mum showed me just how good the speakers could sound. I was seven years old, and she was playing the Buena Vista Social Club LP from 1997. That’s when I fell in love with music. Since then, I’ve been building my own collection and sharing it with friends, and I haven’t stopped since. When I was 15, I went to my first rave in Hamburg, and my love for music only grew deeper as I felt the energy and passion people put into it.

follow the artist

Inspired by Schwofdrossel

Ali Alo,

"Today, I’m thrilled to introduce you to a truly unique artist. Not only is she Italian, but her delicate touch and emotional approach to music create a universe that’s entirely her own.
@diereva has crafted this set full of inspiration last summer and it has been evolving since then. On this occasion she played after a performance by her friend Mele Ferrarini who then joined her live with improvised readings taken from Arthur Cravan.— and it feels so good..."

Recorded on April 5, 2025 at The Boxing Gallery / Fondazione Arthur Cravan in Milan.”

To discover a lil more about her we had a quick chit chat ...
Enjoy as much as i did and wish you all the best ...

✘ So tell me what was your first track you fell in love with during your childhood?
I don't think I remember the first one, but I'm sure it's something by the Beatles, maybe Here There and Everywhere.

✘ maybe could you tell us how did you get into the music cooking pot ?
My first approach to music came at the age of 4 when I started playing the violin. I don't remember how aware I was of it; it had been an imposition, like many things parents impose on their children during childhood, and that's why it felt natural to me. However, I liked it.
When I reached adolescence, personal desires began to assert themselves, and alongside the violin, I picked up the bass guitar (to the great disapproval of my classical teachers) so I could play the music I listened to — mainly Pink Floyd and psychedelic rock from the '60s and '70s.
With the bass, I found an attitude that suited me much more than the violin: not being the leading voice, but instead stepping back and listening to what was being created.
This inclination toward listening rather than performing is what, at 40 years old, ultimately drew me to electronic music.
I have now been composing and producing downtempo electronic music for 4 years (and lately, with intentions that are starting to go further…).
Through this, I've rediscovered the sounds of the music I have always loved — psychedelic music of the '60s and '70s. And I had largely ignored everything produced from the '80s onwards, at least until 2016, when artists like Oceanvs Orientalis, Dandara, and then Arutani, Avem and Ninze showed me that with electronics, you can travel through time and space.
Electronic music gave me the chance to create by following pure instinct, without having to compromise with the needs of other musicians. Instead, I seek dialogue with machines, which often take over the more repetitive aspects of playing an instrument, allowing me to focus much more on sound than on execution.

✘ ... and the last track you digged?
Track ….let me think about it. As musicians/producers Shimon/Farida Bady and Deep Andy intrigue and stimulate me a lot.
But the one I listen to the most at the moment is a soul group, the Thee Sacred Soul.

Cover image: Boxing match of Arthur Cravan and Jack Johnson, Barcelona, 23 April 1916 by Mengyin Wang

Inspired by Diereva

This track blends dancehall/Afrobeat grooves with syncopated percussion

Passion

Upbeat hip-hop/alternative fusion track: playful electronic touches and bouncy indie-pop piano

Good Times Roll

I'm a Vocaloid artist, producer, gamer but you know, maybe I'm just me. This is my corner, welcome.

Freedom and love go together. 
Love is not a reaction. If I love you because you love me, that is mere trade, a thing to be bought in the market; it is not love. To love is not to ask anything in return, not even to feel that you are giving something- and it is only such love that can know freedom.

Tater Andersson (musician, artist, and producer) is carving out a name for himself as a rising force in Norway’s underground music scene.
Inspired by hard upbringings, local underground hip-hop and punk movement. Tater channels this inspiration in his raw electronic sound. 

Andersson's music career has span over many projects in the past, such as Munn Til Munn Metoden (2009-present), Shufflethroat and Antichrist (2010-2013) 

He has been part of many electronic music scenes, but mostly in the blog house and trash indie electro category. 

Signed to Kommuun Records

For the nerds<3:
Korg MS20-Mini
MPC One
Behringer TD-3
Behringer Crave
Korg Toneworx stereo multifx pedal (MS20)
SSL2+ pre-amp (MPC One)
Some cheap mackie mixer
Oktava MK-319 condenser mic
Various toy keyboards and modules.
Also sometimes borrow equipment from friends, but this is mostly my core equipment, subject for change tho.

I also do have a PC with Ableton Live 11, but I only use it to finalise the stems I get from the MPC one. For mastering.

No AI involved with mixing, production or mastering.

ᴍᴜsɪᴄ ᴀʀᴄʜɪᴠɪsᴛ, ᴄᴜʀᴀᴛᴏʀ, ᴅᴊ ᴀɴᴅ ᴠɪɴʏʟ ᴅɪɢɪᴛᴀʟɪᴢᴇʀ

- ʀᴀʀᴇ ᴇᴘ’s, sɪɴɢʟᴇs, ᴀʟʙᴜᴍs
- ʜᴀʀᴅ ᴛᴏ ғɪɴᴅ sᴏᴜɴᴅᴛʀᴀᴄᴋs ᴀɴᴅ sᴄᴏʀᴇs
- ʀᴇᴍᴀsᴛᴇʀɪɴɢ ᴅɪɢɪᴛᴀʟ ғᴏʀᴍᴀᴛs
- ᴅᴊ ᴀᴛ ᴠᴀʀɪᴏᴜs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴇᴠᴇɴᴛs ᴀs ᴅᴊ ᴘᴀᴄᴏ
- ᴍᴏʀᴇ ɪɴғᴏ ᴏɴ ᴍʏ ᴡᴇʙsɪᴛᴇ

Just two people becoming the persons we were meant to become.

New tracks tagged #Inspired By