Soundtrack for a video installation.
Fragments of radio communications accompany archival footage of a family from the 1960s and 70s.   
The current title of this work is inspired by Don De Lillo’s science fiction short story in which two astronauts receive unidentified radio signals while orbiting above an Earth torn apart by war. These radio signals are later revealed to have been old broadcasts from Earth.

Human Moments in WWIII

Loops Pt.2

Loops Pt.3 & 4

L’Istituto Svizzero invita l’artista, produttrice, studiosa e DJ Fatima Wegmann Guinassi. Lei riempie lo spazio con il brano Godspeed, appositamente composto, con il quale prosegue la sua esplorazione sul potenziale narrativo della fantascienza: come possiamo immaginare un futuro gioioso e sensuale attingendo alla speculazione fittizia in un presente cupo?

Godspeed (House of Switzerland in occasione della Milano Design Week 2024)

"Electricity the Sea" 
Music for Maharu Maeno and Hiroyuki Kojima's Performance and Installation 
Premiered at Chiba Prefectural Museum of Art, Japan [3-9-25] 

"Electricity the Sea" - Track for Installation/Performance at Chiba Prefectural Museum of Art, Japan [3-9-25]

540 km (excerto)

Audiocollage / visuell-auditive Installation

TOUFFE [tuf]

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

LACIS

SIGNAL / BIRD

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Save on Energy Bills with Solar Heater For Pool: Here’s How

ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT
ALL WRITING IS SELF-INDULGENT

All writing is self-indulgent— the written word, just like the sonic and visual forms of documentation, allows the artist and writer to express their personal observations of the outer world. However, filtered through the lens of their own experiences, art is almost always irrevocably subjective to the perspective of the author. Even great writers and artists rarely manage to separate themselves from their creative outputs, which can create a sense of self-importance in artistic pieces. 
This project does not attempt to deny this vanity—no, writing (and nearly all art) indulges, and sometimes validates, the artist’s personal observations of their inner and outer worlds. That is, after all, why art can affect us, and be moving, funny, or interesting. This piece does not refute the self-indulgence of making art; rather, it was an interrogation of what would happen if creative attention was focused purely on observing and recording (ie. ‘collecting’) other people, every day, for 28 days. 
The collections took place over the same time period, but were geographically removed from one another. A corollary of the project was that the observations of the collected subjects, though worlds apart in space, were essentially the same in their fundamental humanness. Soften your eyes, soften your hearts. Maybe all writing is not just self-indulgent after all. 

Collecting people - full track

after (fleeting retention) is an immersive audiovisual experience that explores the ephemeral nature of memory through fleeting afterimages. In darkness, archival photographic negatives from the 1950s to the 2000s are briefly illuminated by intense bursts of LED flashes from a modified Kodak Carousel projector, synchronised to generative sounds. These momentary visual imprints linger briefly on the retina and inevitably fade, emphasising the fragility of our perception and memory.

Exhibited during the Lichtrouten Festival in Lüdenscheid (DE), 20-29 March 2025, the installation occupied a darkened space in the abandoned Forum am Sternplatz - a place rich in intergenerational memories. Visitors navigate in near darkness, guided only by sporadic bursts of light and layered sound cues. This environment fosters a heightened awareness of bodily presence, echoing the tension between intimacy and uncertainty.

after (fleeting retention) - 30 min fragment

Sound installation for my bachelor project "En bruksanvisning for veien videre (2024)

En bruksanvisning for veien videre

One And Three Chairs

An ambient soundscape for Marijke Brinkhof's immersive art installation under the same title at the Carlton Arms Hotel, NYC in March 2018

Fields

Music for an art installation by Greek artist, architect and author Zissis Kotionis. Premiered in an exhibition on the rebetiko song at the Tsitsanis Museum in Trikala, (Dec. 24 - Feb 25)

Garçon Blues

La finalité du projet TRAVEL, piloté par la Chambre d'agriculture de Bretagne, est de faciliter et améliorer la transmission et la reprise des exploitations d’élevage avec l’ambition de maintenir le potentiel ou ralentir le déclin de la production sur un territoire. Le projet porte sur les filières porcines, bovines et avicoles. Ce podcast présente l'action 2 qui analyse les enjeux de la transmission/installation à l'échelle de l'exploitation, les solutions mises en œuvre et les besoins des différents acteurs. 
L'Ifip est partenaire du projet et co-pilote de cette action 2. 

Podcast TRAVEL action 2

Un petit extrait de mon oeuvre-lieu de l'espace_031. Il fallait évidemment être sur place afin d'apprécier l'oeuvre....

oeuvre-Lieu de l'espace_031

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

DedPx1 uses A.I. to craft sound & images, driven by a deep fascination for pop culture. Empowered by machines, he create and shares his passion in a world where the line between human creation and computer generation is blurred.

Count G is Stathis Gourgouris in his musical life. His world revolves around the axis between New York and Athens.

www.cynthiazaven.com

Cynthia Zaven is a composer, pianist and artist based in Beirut. 
Her projects combine a variety of media to explore the relationship between sound, memory and identity through interwoven narratives. Works include Untuned Piano Concerto With Delhi Traffic Orchestra (performance, 2006), Morse Code Composition (ICA, 2012), and Perpetuum Mobile, a 12 channel sound installation that was exhibited within the Temple of Bacchus, at the World Heritage site of Baalbeck, and nominated for the Prix Ars Electronica Award 2017. 

Since 1993, Zaven has also created sound design for theater, live performance, dance and conceptual art projects. She has collaborated with musicians and vocalists such as the Neue Vocalsolisten, the Ensemble Modern and the Danapris String Quartet. She has also composed original scores for films that have been screened at venues worldwide including the film festivals at Cannes, Locarno and Toronto, as well as the Walker Art Center, the ICA in London and Oxford's Museum of Modern Art. 
Her music has been published by the Berlin based label, Staalplaat. 
She is currently a professor of classical piano at the Higher National Conservatory of Music in Beirut.


*more infos about tracks by clicking on their title

Slava Romanov is a data artist and multimedia developer based in Bremen, specializing in generative graphics, interactive installations, performances, and auditory displays. With a background in human rights and data journalism, he explores the interplay of activism, art, and technology. His work investigates language, socio-political processes, and immersive interaction, aiming to balance chaos and order while challenging perspectives on memory, perception, and collective narratives.

Artista sonoro / Artista educador. Nascido e criado em São Paulo, Brasil. Sua prática artística híbrida articula relações entre som, imagem e interatividade, a partir de instalações, peças sonoras, partituras, desenhos etc. // Sound Artist and Art Teacher. Born and raised in São Paulo, Brazil. His hybrid artistic practice articulates relationships between sound, image, and interactivity, based on installations, sound pieces, scores, drawings, etc.

Website: John-Fireman.com

Assistant Professor, Visual Arts, Bowdoin College, Brunswick, ME

Je bidouille les ondes électromagnétiques que je transpose en installation d’art sonore 🔈🔉🔊

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DJ, designer, sometimes a musician
25 yrs

Les podcasts de l'IFIP l'institut du Porc

New tracks tagged #Installation