BUY: https://bit.ly/themoond

#producers, #musician, #mountains #kontakt, #library, #music, #sample #loop, #drumkit, #samplepack, #guitar, #instruments, #future, #nativeinstruments, #KontaktLibraries, #SamplePacks, #MusicProduction, #AudioLoops, #VirtualInstruments, #SoundDesign, #FLStudioSamples, #MusicProducers, #SoundKits, #DAWTools, #KontaktScriptEditor, #CustomLibraries, #LoopCreation, #PresetBanks, #VSTPlugins, #BeatMakingTools, #RoyaltyFreeSamples, #MusicProducerLife, #StudioGear, #ProductionEssentials,

DML - Etosar Beat - A Minor (140 Bpm)

BUY: https://bit.ly/spmountains

#producers, #musician, #mountains #kontakt, #library, #music, #sample #loop, #drumkit, #samplepack, #guitar, #instruments, #future, #nativeinstruments, #KontaktLibraries, #SamplePacks, #MusicProduction, #AudioLoops, #VirtualInstruments, #SoundDesign, #FLStudioSamples, #MusicProducers, #SoundKits, #DAWTools, #KontaktScriptEditor, #CustomLibraries, #LoopCreation, #PresetBanks, #VSTPlugins, #BeatMakingTools, #RoyaltyFreeSamples, #MusicProducerLife, #StudioGear, #ProductionEssentials,

DML - Beautiful Garden With Drums - C Maj (80 Bpm)

DML - Antique With Drums  - D# Minor (70 Bpm)

DML - Ruthless - E Major (122 Bpm)

BUY: https://bit.ly/dmlguitarist

#producers, #musician, #mountains #kontakt, #library, #music, #sample #loop, #drumkit, #samplepack, #guitar, #instruments, #future, #nativeinstruments, #KontaktLibraries, #SamplePacks, #MusicProduction, #AudioLoops, #VirtualInstruments, #SoundDesign, #FLStudioSamples, #MusicProducers, #SoundKits, #DAWTools, #KontaktScriptEditor, #CustomLibraries, #LoopCreation, #PresetBanks, #VSTPlugins, #BeatMakingTools, #RoyaltyFreeSamples, #MusicProducerLife, #StudioGear, #ProductionEssentials,

DML - Original Guitar With Pitch - F Major

DML - Multis With Sine - D# Minor (140 Bpm)

BUY: https://bit.ly/41LJwSN

#producers, #musician, #mountains #kontakt, #library, #music, #sample #loop, #drumkit, #samplepack, #guitar, #instruments, #future, #nativeinstruments, #KontaktLibraries, #SamplePacks, #MusicProduction, #AudioLoops, #VirtualInstruments, #SoundDesign, #FLStudioSamples, #MusicProducers, #SoundKits, #DAWTools, #KontaktScriptEditor, #CustomLibraries, #LoopCreation, #PresetBanks, #VSTPlugins, #BeatMakingTools, #RoyaltyFreeSamples, #MusicProducerLife, #StudioGear, #ProductionEssentials,

DML - Mountains - A Minor (135 Bpm)

СУШІ

“Sunsets & Summertime” is a feel-good roots rock celebration of everything we love about the season: grilling out, road trips, mountain views, lazy mornings, and the joy of being with the people who matter most. Released just in time for the summer solstice, the track blends classic Americana grooves with brass-laced warmth and heartfelt vocals to create a breezy, nostalgic mood.

With a solid rhythm section laid down by Mike Lomax (drums) and Wim Becker (bass/guitars), the song is brought to life by a vibrant horn trio — Matt Allen (trumpet), Zach Craigle (saxophone), and Kevin Tall (trombone) — adding soulful punch and a touch of vintage charm. Zak Davis' vocals are earnest and comforting, grounding the track in both emotional sincerity and laid-back cool.

Whether you’re on the back porch with friends or setting out on a weekend getaway, “Sunsets & Summertime” captures that timeless seasonal magic — equal parts road trip playlist, backyard soundtrack, and love letter to long days and golden evenings.

Lyrics:
Been stuck inside all winter long
But now the birds are singing
On a Saturday morning
And the heat beats like a drum

Can’t wait to fire up that grill
With the beer on ice
The shade feels nice
For some summertime chill

Pack up your bags we going to hit the road
Check out a town we never been before
We could ask the locals what they like to do
Or stay in bed and sleep all afternoon

-Chorus-
Your loving’s like the summertime
As long as I got you, I’ll be just fine
Sunsets & Summertime
Like you It’s always on my mind

Let’s hike up to the mountain tops
Stare at the stars when the skyline drops
Friends and family gather at the camp
The fire lights our memories like the perfect lamp

-Chorus-
Your loving’s like the summertime
As long as I got you, I’ll be just fine
Sunsets & Summertime
Like you It’s always on my mind



credits
released June 20, 2024
Zak Davis - Vocals
Mike Lomax - Drums
Wim Becker - Guitars/Bass
Matt Allen - Trumpet/Backing Vocals
Zach Craigle - Saxophone
Kevin Tall - Trombone

Bandcamp

Sunsets & Summertime

Une pièce ample, mais sans emphase.
Neuf instruments se croisent, se superposent, se taisent, chacun à sa place.
Pas de virtuosité gratuite, pas de complexité pour elle-même — seulement un tissage de timbres et de souffles.
Chaque ligne existe par elle-même, mais c’est l’ensemble qui dessine l’espace.
C’est une sonate polyphonique, non dans le style, mais dans l’intention : faire entendre des voix multiples, sans les faire dominer.

Sonate pour 9 instruments.

vst utilizzati: FM8 Native Instruments, OsTIrus, impOSCar3, ANA 2, Retrologue, DUNE 2 e 3, Osirus, Lush 2, Serum, Diva.
Non mi reputo un musicista, ma creo i preset di tutti i vst dalla preistoria, devo pur provarli. ;-)
Antonio Vasto

My Old Age part one

A new techno EDM shamanic trance album with chinese instruments and kargyraa chants

Wu (巫), Böö love

Ban Công - Nguyen Van Khang
Prod : Nguyen Van Khang
Lyrics :

Anh đứng trên ban công, nhìn thành phố rực sáng
Dưới kia bao dòng xe, nhưng trong tim thì vắng
Khói thuốc bay mờ, như đoạn tình mình trắng
Em đi mất rồi, để lại anh với khoảng không dài bằng

Pre-Chorus
Em có nghe tim anh vỡ đôi trong màn đêm?
Hay em quên đi nhanh, như chưa từng biết tên?

Chorus 
Đêm nay mưa rơi, anh tìm em trong ký ức
Màu mắt ấy giờ còn đâu... chỉ còn anh cùng nỗi buồn
Bao nhiêu thương yêu, giờ hóa thành lời chưa nói
Nếu có kiếp sau, liệu ta còn tìm thấy nhau?

RAP:
Anh chẳng trách gì đâu, tình yêu vốn dĩ mong manh
Chỉ tiếc những ngày cũ, mình từng thề sẽ bên nhau mãi
Những dòng tin nhắn xưa, giờ đọc lại chỉ thêm cay
Giữa lòng Hà Nội này, chỉ còn anh say…

Bridge
Có đôi khi nhớ em, tim anh rơi vào hư không
Giữa căn phòng tối, bóng anh lạc trong mênh mông
Nếu được một lần nữa, anh sẽ chẳng để em đi
Nhưng mà giờ đây… ta chỉ còn là quá khứ.

Chorus
Đêm nay mưa rơi, anh tìm em trong ký ức
Màu mắt ấy giờ còn đâu... chỉ còn anh cùng nỗi buồn
Bao nhiêu thương yêu, giờ hóa thành lời chưa nói
Nếu có kiếp sau, liệu ta còn tìm thấy nhau?
*Copyright by Nguyen Van Khang & Do not Reup
☎Telephone & Zalo: 0528449727

DOWN

Ban Công - Nguyen Van Khang

BỎ LỠ NHAU - NGUYEN VAN KHANG
*Copyright by Nguyen Van Khang & Do not Reup
☎Telephone & Zalo: 0528449727
Lyrics : 
Anh đi qua phố quen chiều nay
Những kỷ niệm vẫn còn đâu đây
Ly cà phê cũ, góc bàn ngày xưa
Chỉ thiếu em, thiếu một nụ cười.


Thời gian chẳng chờ đôi mình
Lời hứa còn trong gió bay xa
Có lẽ ta đã lạc nhau
Ngay khi trái tim cần một điều giản đơn.


Mình bỏ lỡ nhau như mưa rơi ngoài hiên
Người đi quá nhanh, còn anh đứng yên
Chẳng thể giữ em, dù yêu rất nhiều
Đành nhìn bóng em khuất xa về phía khác.
Mình bỏ lỡ nhau như chuyến xe cuối cùng
Giá như lúc đó anh nói một lời
Chỉ còn tiếc nuối, còn những ước mơ
Giờ thành khói bay theo trời.


Anh nghe câu hát em từng yêu
Trái tim này vẫn còn thương nhiều
Những dòng tin nhắn đã xóa từ lâu
Sao ký ức vẫn cứ gọi tên em.


Người ơi, nếu gặp lại nhau
Liệu ta có còn dám nắm tay?
Hay chỉ lặng im mỉm cười
Như hai người từng rất xa lạ.


Mình bỏ lỡ nhau như mưa rơi ngoài hiên
Người đi quá nhanh, còn anh đứng yên
Chẳng thể giữ em, dù yêu rất nhiều
Đành nhìn bóng em khuất xa về phía khác.
Mình bỏ lỡ nhau như chuyến xe cuối cùng
Giá như lúc đó anh nói một lời
Chỉ còn tiếc nuối, còn những ước mơ
Giờ thành khói bay theo trời.


Nếu có kiếp sau anh nguyện
Sẽ đến sớm hơn một bước
Để không bỏ lỡ phút giây
Mình thuộc về nhau…


Mình bỏ lỡ nhau…
Mãi mãi chẳng còn thấy nhau…

BỎ LỠ NHAU - NGUYEN VAN KHANG

The Companions' Resolve

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

TEMA DI VAKHIM (Main Theme from the original motion picture "Vakhim")

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

After many years of creating music behind the scenes — ghostwriting and producing for others — I was encouraged to finally share my own voice. What you'll hear reflects my eclectic inspirations: from pop, dark ambient, classical, Chinese folk, shoegaze, Mandopop, R&B, EDM, hybrid trap, hip-hop, to ambient, new age, phonk, chillout and lounge. I’ve released several albums across these styles, each one shaped by an evolving emotional and cultural journey.

I collaborate with two extraordinary Chinese tenors, Tian Zhang and Liang Lin, whose voices bring a celestial depth to many of my tracks.

I was previously on SoundCloud but accidentally deleted my account — so here I am again, hoping my former listeners find their way back... and welcoming new ones into my sonic world.

A genre-defying band from Layton, Utah, skillfully blends rock, reggae, ska, and alternative music to create a unique sound. Founded in 2024 by Zak Davis.

🎼 Compositeur libre
Je compose sans instrument ou avec eux, selon l’instant : guitare, lyre, ukulélé, clavier ou instrument indien à une corde.
MuseScore me sert de clavier mental, GarageBand de chambre d’écho.
Pianos, hautbois, percussions lentes… Chaque pièce est une trace posée.

Je ne cherche pas l’auditeur. Je laisse simplement la musique être entendue.

LH đặt nhạc :  ☎Telephone & Zalo: 0528449727

New tracks tagged #Instruments,