This recording is the result of ten creative participants - musicians, artists, and other creatives - who came along to the Constable Experimental Improvisational Soundscape Orchestra workshop led by Kelly Ann Buckley (K-A-B), to explore the grounds of Flatford Mill, the landscape that inspired so much of Constable’s work. Together, the group connected with the soundscape through a series of exercises that included deep listening, elements of graphic score writing, gathering natural ‘instruments’ from the land, and other activities that encouraged locking in with the environment and with each other. At the end of the session the group interpreted their findings, using a mix of their unconventional ‘found’ instruments and conventional ones. The piece was fully improvised, with no rehearsal before the performance. 

Many thanks to National Trust Flatford for supporting this project by providing The Granary building for these workshops.

K-A-B Experimental Soundscape Orchestra - 23rd August 2025

(FR) Un groove moelleux tout droit sorti d’un studio imaginaire où les peluches tiennent les instruments… et le tempo.
JAMS est une session fusion funky, sans parole, mais pleine de dialogues : basse slap, guitare électrique, clavier chaud, batterie vivante — le tout en équilibre, sans esbroufe.

Merci à Jojo (basse), Erny (clavier), Bill (batterie), Sam (guitare), Clara (choriste à paillettes), et Max (guitare solo en fourrure).
Ils n’ont pas de mains. Mais ils ont le funk dans les coutures.

(EN) (EN) A soft and funky groove straight from an imaginary studio — where plush toys handle the instruments… and the vibe. JAMS is a funky fusion session, wordless but full of dialogue: slap bass, electric guitar, warm keys, live drums — all in balance, no show-off. 

Special thanks to Jojo (bass), Erny (keys), Bill (drums), Sam (guitar), Clara (sparkly backing vocals), and Max (fuzzy lead guitar).
They’ve got no hands. But all the groove.

The JAMS

Psychedelic rock with stoner riffs, ambient synths, and immersive jam sections

Lanterns in the Fog

Psychedelic rock with bass-driven rhythms, stoner guitar riffs and jams

Mesquite Bush Tea

Un viaje de más de dos horas que arranca con salsa clásica y atraviesa los sonidos tropicales, el jam session, el raggamuffin, el basshall y el reggaetón en todas sus formas: desde el 110 hasta el de la mata y el urbano actual.
Una sesión que celebra la evolución del ritmo latino desde sus raíces hasta la pista moderna.
Disfrútalo completo en calidad NM6 🔊
Duración:
2h06m
Géneros:
Salsa / Tropical / Raggamuffin / Basshall / Reggaetón
Etiquetas (tags):
nm6dj, salsa clásica, música tropical, raggamuffin, basshall, reggaetón 110, reggaetón de la mata, reggaetón urbano, panamá, latin mix, dj set, nm6radio
Copyright:
©2025 NM6DJ. Todos los derechos reservados.
Prohibida la reproducción o modificación sin autorización del autor.
Enlace externo sugerido:
https://instagram.com/nm6dj

NM6dj – De la Salsa al Reggaetón (8 de noviembre 2025)

Ready Set Go Alternate Version

This Is How I Roll

Im All In

Paulo le dur

Joaquín Cotler feat. Salon Artists - ADD | Oct 17th, 2025

Space...The Final Frontier

People are talking, cars are driving past the windows....I don't care about anything...jam session at home...

Blues for my sister, A min blues. Oz blues.

In celebration of the 60th anniversary of "Rubber Soul" by the Beatles, a cover of one of the album's tracks, "In My Life". Recorded on November 22, 2020 for a one-day session/get-together.

Personnel:
Raymond A. Corriea: Acoustic Rhythm Guitar, Lead Vocals
Brendan Ross: Electric Bass, Backing Vocals
Eddison Buenano: Acoustic Lead Guitar, Backing Vocals
Christopher Antonucci: Congas

Date Posted: December 3, 2025

In My Life (Cover)

Subi fesztivál jam 1. rész

Soy NM6, compositor virtual y creador de paisajes sonoros únicos. Mi pasión es transformar ideas en música, fusionando géneros y estilos para dar vida a experiencias que conectan con la mente y el corazón.

Cada producción es una historia original, hecha para romper fronteras y llevarte a un universo donde la creatividad no tiene límites.

En NM6, la música no se detiene.

(FR) Biographie 
Entre ombre et lumière, souffle et silence.
Explorateur sonore aux racines multiples, je compose des fragments d’univers : pièces expérimentales, chansons, éclats pop, fusion, baroque et poésie sonore.
Voix non lexicale ou texte ciselé — chaque morceau cherche son propre langage, sa propre émotion.

Je travaille avec l’IA comme on sculpte une matière vivante : non pour imiter, mais pour révéler.
Tout part d’un geste d’auteur, d’une intention humaine, d’une recherche d’écho intérieur.
Écouter, c’est traverser. Composer, c’est traduire l’inconnu.

Cette citation de Michel-Ange résume ma démarche :
« J’ai vu un ange dans le marbre et j’ai seulement ciselé jusqu’à l’en libérer. »

(EN) Biography
Between shadow and light, breath and silence.
A sound explorer with many roots, I compose fragments of universes — experimental pieces carried by a non-lexical voice, without words yet never without emotion. Each track is an open enigma. I do not seek the norm, but the inner echo — the emotion to be shared. To listen is to cross through. To compose is to translate the unknown.

This beautiful quote by Michelangelo captures my way of thinking:
“I saw the angel in the marble and carved until I set him free.”

Rogue Army Is a dj rapper and producer 
The Revolution is Within

I create music in styles and genres I love (and there are a LOT). I especially enjoy experimenting with genre fusion, instrumentation, and arrangement. If it brings you joy, that makes me happy.

This music is not monetized. It's to bring musical joy to me (and hopefully you!). Thanks so much for listening

Released under the name Flannel Salad (formerly Scurlock).

L'unique trio de rock over-bruitiste du monde te  salue, visiteur paumé de l'espace infini.
Autrement Atome68 c'est :
guitar/chant + cris : Stéph.
Drums/chant + cris : Phil. (https://soundcloud.com/philbarble)
Bass guitar : Matiou (https://soundcloud.com/matiou-1)

Thanks to everyone who listen to my melodies
My live performances can be found on Facebook, link below.

Stuart’s work is inspired by location and the people, experiences and objects he encounters there. 

He is particularly interested in sounds that are associated with place, overlooked and overheard noises of the everyday and highlighting the auditory as a defining factor in how we experience a particular environment. 
​
His recordings of people, their activities, experiences and environs have contributed to art installations, phone apps, archival records, dance performances, public consultation events, musical compositions, a computer game, a eulogy and sound tracks to short films.

New tracks tagged #JAM Session