Jamuary Fun-A-Day 2025 05

Playing around with Arturia's Acid V plugin and just started going with some random leads with a bit of Transit sprinkled in. A bit busy and noisy, but thems jams.

Jamuary 2025 (Day 5) Brown aCid

My 3rd track for #jamuary. I am doing one every other day, as each track takes quite a bit of work. For this one, I decided to go with something as far from my usual compositions in that I stayed away from techno, electronica and electroacoustic music. This one is inspired by the question "what would it sound like if I started a jazz band?"
Funk influence and I couldn't stay away from extreme reverb to do some pad sounds. I also am using an arpeggiator and some repetition, as that's familiar territory for me.

jamuary 5 2025

Jamuary 6

Something soothing. Mutable Instruments Rings with a modulated sequence by IME Stillson Hammer MKII.

welcome-to-the-world-jamuary2025-05

trying again for something polymetric using Bitwig's Note Grid

Jamuary 2025-01-05

Poor time management left me needing to just crank one out. A little slap bass, one of those weird "hollowed out" beats, and here we go.

Jamuary 2025 - Day 5 - Slinky

Experimented today with polymeter. The bongos and first lead are played in 5/4 while the rest is 4/4.  

jam-1525

Day 5 of the Jamuary Contest 2025 - Imagine your grandma taking over your setup and accidentally creating a masterpiece

Day 5 Jamuary - Gramaphone

 Jamuary 2025 Sketch 06 - 6.1.2025 

Improvised in AUM, featuring:

Hammerhead Rhythm Station
FabFilter Twin 3
isxynth

Jamuary 2025 Sketch 06 - 6.1.2025

Jamuary 5th 2025 Glimpse an Uncertain World

Call me the Kitchen Sink, the way I throw it all in.

Kitchen Sink (day 6)

I was hoping to do something cheery. This is where I ended up. 
So far, JAMuary is delivering on the promise--I never know where I'll land, but I always end up with something as long as I start. 
Tools like iDS-10 are super interesting to work with because they force a very different way of organizing and effecting musical ideas. The limitations push me naturally into unexpected directions and inspirations.

Jamuary2025 Day 5 - sorry, Dad

OP1 Field
Kalimba
Tongue Drum
Dictadrone Slide-fm V3
Chase Bliss Generation Loss MKII & MOOD MKII

#jamuary #jamuary2025

Jamuary 2025 : VI

Back on my warble-y nonsense, haha. The sort of metallic open-and-close sound is another patch I put together from scratch with a couple of wavetables.

Jamuary 2025

Jamuary 06 25 - Siren's Beat

Quick one before I travel. Cellos and violas, yadda yadda yadda

Jamuary 2025 - Day 6 - Reendtroducing

250106 (02:09-097BPM)

Today's prompt was recording stuff from my environment.
So I recorded my walk from the bike to and through the front door.

The arp came from my key making a bell-ish sound and running that through a Spectral Resonator.
The bass was just a snippet of the recording run continuously also through Spectral Resonator.

Day 6 - Found Sound Orchestra

Unterwasser

Ambient and melodic house pulsing from Toronto.

Strongly influenced by the fruits of the downtempo Bristol sound of the early nineties, Endless Blue's music spins the trip-hop style in a new direction while staying true to their roots. They infuse trip-hop's "signature" lo-fi beats, vintage synths, and jazzy bass with guitar and songwriting that leans toward the indie-rock vibe of their original home of Minneapolis, Minnesota. Sprinkled into th...ese grooves are eclectic snippets of other genres, from synth-pop to industrial to loungecore to staright-up rock. Finally, bringing it all together is a female voice that is a blend of numerous eras, from the torch singers of the '40s to the classic female rockers to the modern trip-hop singers.

Dirty beats, trashy keys, sultry vocals -- this is Endless Blue.

Originally from various sides of various mountain ranges near and far from the sea, Pally's got the waves and the crags and the peaks and the plains, the evergreens and the waves of grain, the salty breeze and the fireflies deep in those bonny veins. A forever tanline from the Bible belt and bad winter skin ensure that every song's a lie, and every lie's the damndest truth, and any truth a pretentiousest overstatement.

Sound smith. I make live looping music more often than not using only my own voice. I'm a singer and beatboxer.

Improvisations, experiments, as they appear.

Canadian Polyglot and polymath living in North Carolina, Francois is Head of Dion Research by day, & artist, maker of instruments & effects, musician, photographer & sound engineer by night.

His interest in music started at a very young age when he studied classical piano and electronics, both of these things would be quite influential on his future work.

He started composing electronic music as a kid in the early 80s and experimenting with sampling on an Apple //e, and would later use the Amiga, Apple IIgs and on the PC, the Gravis Ultrasound wavetable soundcard, and would publish soundbanks for it. Today, most of his music is done without computers, on modular synths and effects built by him, along with some commercial synths and effects.

From 1988 to 1997, he hosted a show on electronic music from its beginning in the early 20th century all the way to modern electronica, and the history of it and the technology that enabled it. He also did a stint at the Canadian Broadcasting Corporation and Videoway / Videotron in Montreal.

In parallel with that, he would continue releasing music through various media, including digital media before MP3 files (through MP2 and ADPCM WAV files on Hyperreal, IUMA etc). In those 30 years to now, he has produced an average of ~1 album (EP or full) a year

New tracks tagged #Jamuary2025