"Sinners" is the newest film by director Ryan Coogler, and it's quite unlike anything else you'll likely see this year. It is a Deep Jim Crow South-era gangster film that turns into a vampire action horror film with its soul infused with blues music. It stars a wonderful cast led by a fantastic dual performance from Michael B. Jordan. Cast members Miles Caton, Jack O'Connell, Jayme Lawson, Omar Benson Miller, Li Jun Li, and Delroy Lindo were all kind enough to spend some time talking with us about their experience working on the film, which you can watch or listen to below. Please be sure to check out the film, which will open in theaters from Warner Bros. Pictures on April 18th. Thank you, and enjoy!

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Interviews With The Cast Of "Sinners"

For this week's main podcast review, Sara Clements, Josh Parham, Giovanni Lago, Joselyn Safadi, and I are reviewing and discussing the latest film from Ryan Coogler, "Sinners," starring Michael B. Jordan, Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, Buddy Guy, Delroy Lindo. A blending of different genres forms a singular vision from not only one of the best Black filmmakers working today but one of the best filmmakers working today, period. What Coogler has created has given us many different talking points, from the electrifying music to the performances, shot-for-IMAX cinematography, and themes of the story dealing with assimilation, appropriation, and striving for freedom, literal and metaphorical. Tune in as we touch upon these points and more, including its Oscar potential in our SPOILER-FILLED review. Thank you for listening, and enjoy!

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"Sinners"

Sinners, written and directed by Ryan Coogler, is a horror musical set in 1930s Mississippi, shot in part on IMAX 70mm film, starring Michael B. Jordan as a pair of identical twins who return to their hometown for a new start, only to encounter vampires. It's as ambitious as that sounds and full of ideas and culturally specific nuance, and José loves it. Mike doesn't.

We discuss how the music draws on several influences, not just from the blues of the era but also from Irish folk and hip-hop; the getting-the-band-back-together feel of the opening, in which the twins bring their influence and riches to bear on the creation of the juke joint; the visual design, simultaneously confident and careless; the crowd-pleasing fantasy of an anti-racist Rambo; and the theme of vampirism - what it means and how it's used.

Recorded on 5th May 2025.

442 - Sinners

For this week's main podcast review, Katie Johnson, Giovanni Lago & Amy Kim join me to discuss the latest film from Edgar Wright, "The Running Man," starring Glen Powell, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, Colman Domingo, and Josh Brolin. It is the second adaptation of the 1982 novel by Stephen King, following the 1987 film starring Arnold Schwarzenegger, with Wright's 2025 version adhering closer to the novel and its themes. What did we think of it, though? Please tune in as we discuss the adaptation, Powell's lead performance, Wright's action direction, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy!

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"The Running Man"

Join Andrew Dunn and Chris Triebel as they discuss The Running Man

Then stick around for a review of Witch Hazel by Colton Fox and Beige Blum! I don't trust anyone whose name is a word. IT'S (as the kids say) SUS.

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IS THE RUNNING MAN BAD???? Plus a review of WITCH HAZEL by Colton Fox  and Beige Blum - 180.2

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

The Media Lunch Break is your best resource for geek news, reviews, comedy, and the Oxford comma! We'll argue the oldest of debates: DC vs Marvel, Mac vs PC, Michael Bay vs our collective childhoods.
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But hopefully you like it too! So sit back, relax, and listen to two idiots riff on topics they know nothing about.


"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

New tracks tagged #Jayme Lawson