In my solitude - Garance Jazz

Alone together - Garance Jazz

Two-time GRAMMY® nominee Cyrille Aimée’s latest album, à Fleur de Peau, is her most personal and vulnerable work yet, blending elements of her French and Dominican heritage with influences from New Orleans, New York City, and her current home in Costa Rica. Read the full article at BLRBMag.com.

Cyrille Aimée’s à Fleur de Peau - A BLRBMag Review

番組へのメッセージ欄はこちらにあります。
https://www.j-wave.co.jp/original/universe/
また、お葉書の宛先は→　〒106-6188　J-WAVE THE UNIVERSE 火曜日 大橋トリオ まで
時刻、曲目は radikoタイムフリーのページのものを使っています。
https://radiko.jp/#!/ts/FMJ/20250205030000

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03:06 YELLOW IN GREEN / JOCKSTRAP
03:10 STAR DUST / ART TATUM
03:15 GUESS WHO I SAW TODAY(DUO VERSION) / SAMARA JOY FEAT.GERALD CLAYTON
03:20 HELLO LOVE / BLOSSOM DEARIE
03:22 QUESTIONS FOR THE UNIVERSE / LAUFEY
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03:31 STRANGE MELODY / JANE BIRKIN
03:35 CELEBRATE ME HOME / LIZZY MCALPINE
03:39 TITLE GUIDE TO THE TALKIES / CHARLIE BURG
03:42 EVOLUTION / CAT POWER
03:47 ODESSA / CHILLY GONZALES FEAT.KAISER QUARTETT
03:50 LIVE CINEMA / ELLIE WILLIAMS
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04:01 MAGIC MIRROR / LEON RUSSELL
04:06 写真の中のあなた / 中納良恵
04:10 GOOD FRIDAY / ELVIS PERKINS
04:15 LATE JUNE GERANIUM / TONY NJOKU
04:19 砂丘 / ムーンライダーズ
04:23 SPIDERS AND FLIES / MERCURY REV
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04:32 EVERYTHING CHANGES / PEGGY SEEGER
04:36 INFINITY / HOHNEN FORD
04:39 SHALLOW BROWN / JUNE TABOR
04:44 季節によせて / 大橋トリオ
04:49 THE SHELTERING SKY / 坂本龍一
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写真は「#ohashiTrio & THE PRETAPORTERS 2025 new year party🎉Photo by 勝永裕介」
https://x.com/Trio_staff/status/1882714975052911047

THE UNIVERSE 大橋トリオ 2025 2 4 ジャズボーカル＆シンプルピアノ 何となくそんな気分だからピアノの回

"Five Forbidden Seconds of You" is a sophisticated contemporary ballad that weaves together soul, jazz, and orchestral elements into a tapestry of human connection. Through the sultry vocals, the song explores those suspended moments when time seems to pause and ordinary spaces become sacred. The composition moves from intimate piano and voice to rich orchestral arrangements, complemented by smooth jazz harmonies and soulful expression. The interplay between vocal interpretation and instrumental textures creates a cinematic journey through the landscape of unspoken possibilities.
This Valentine's Day release celebrates love's mysterious ways of finding us in the most unexpected moments, turning brief encounters into eternal echoes in our hearts.

Craving your glance, my heart's in chains,
in my veins, your image sustains,
never fading, like a spear in my sight,
deep within thoughts, day turns to night.  

Your fleeting presence, my daily thrill,  
come close, yet far, a forbidden thrill,
only in passing, our worlds briefly touch,
quietly sparking, a flame so much,

Under your gaze, I burn like fire,
intense, your smile, my heart's desire,
a volcano's heat, in your eyes, my love's dire.

Five forbidden seconds of you

Fly Me To The Moon - Live At Louis Prima Bar, Minsk/2025

This is an unofficial remix. All rights to the original song belong to their respective owners. No copyright infringement intended.

Ezra Collective Ft. Olivia Dean -No One's Watching Me (Sonat Remix)

Glad I didn't know

make your music from you first...
Raised on Radio by songwriter Edwin H. Balder
Didn’t grow up chasing cowboy dreams
Didn’t learn my songs from dusty strings
Didn’t hear my name in old-time rhymes
Didn’t follow footsteps lost in time
Wasn’t Reba, wasn’t Dolly
Wasn’t Hank or Loretta calling
Didn’t find my fire in country gold
Found it where the speakers rolled
I was raised on radio, dancing in the barn
Singing every word like it was written in my heart
Didn’t need a six-string, didn’t need a twang
Just a beat that hit and a voice that sang
I was raised on radio, lights against the sky
Found my rhythm where the bass hit right
Didn’t need a cowboy, didn’t need a sign
Just a song that said this life was mine
Played "I Wanna Dance With Somebody" loud
Screamed "Mr. Brightside" in the crowd
Spun to "Uptown Funk" till the floor gave way
Lived for "Party In The U.S.A."
Didn’t need a front porch, didn’t need a field
Didn’t need a heartbreak song to heal
Took my dreams where the city glowed
Where the rhythm ran and the stories flowed
Raised on a farm, growing life from the ground
Everyone figured I lived in that country sound
But working in the barn, walking dirt roads at dawn
I was jamming in my head to far different songs
Didn’t grow up chasing cowboy dreams
Didn’t learn my songs from dusty strings
Didn’t hear my name in old-time rhymes
Didn’t follow footsteps lost in time
Wasn’t Reba, wasn’t Dolly
Wasn’t Hank or Loretta calling
Didn’t find my fire in country gold
Found it where the speakers rolled
I was raised on radio, dancing in the barn
Singing every word like it was written in my heart
Didn’t need a six-string, didn’t need a twang
Just a beat that hit and a voice that sang
I was raised on radio, lights against the sky
Found my rhythm where the bass hit right
Didn’t need a cowboy, didn’t need a sign
Just a song that said this life was mine


Link to more of our Singer/songwriter style hits you can cover into fame because of your take!

https://soundcloud.com/edwin-balder/sets/best-new-folk-americana?si=04e0155163644977b37cf8c0a04f3c53&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing



All Rights Reserved Edwin H. Balder
Thanks so much to my band: Hot Cookie
See Our Music Videos Here> https://www.youtube.com/channel/UC-509h42heKT05D8egf2U9w

Raised on Radio by H.C. & E. H. B.

フルアコとJAZZ2_vocal

フルアコとJAZZ4_J_vocal

A soft, vintage-style ballad, whispered through velvet trumpets and warm piano. This is the language of silences, of smiles never explained.

This music was originally generated using Suno AI. All rights were granted to me through a paid subscription, as outlined in Suno's Terms of Service (as of June 30, 2024).

Bluebird Never Says Goodbye

Letter 1: What a Quiet Smile Can Say

Composed and Written by Young-Ae Jung
piano, Douglass Johnson
contra bass, Greg Feingold
drums, Joh Wood
trumpet, Takeshi Ohbayashi

A Rainy Autumn Day in Boston

A dazzling nod to the golden age of showgirls and Broadway glamour, Showgirl Queen blends big-band brass, sparkling rhythms, and cinematic flair. With lyrics shimmering in sequins and stardust, it transports listeners to a spotlighted stage where every note is a celebration.

When she struts in the spotlight — the world takes a bow,
"Where’ve you been ‘til this moment? We’re all watchin’ now."
Every gem in her gown is a galaxy’s gleam,
And her smile is a postcard from a champagne dream.

Oh, she’s the sequins, stardust, showgirl queen,
Swayin’ through the silver screen.
When she shimmies, every trumpet blows,
Broadway blooms like a blushing rose.

Feathers flutter and swish in a sweet parade,
She can waltz you to Paris, ragtime you to Broadway.
With a wink like a diamond, she spins you ‘round,
While the drummer beats moonbeams right out of the ground.

Yes, she’s the sequins, stardust, showgirl flame,
Every marquee knows her name.
When the curtain’s up and the band’s in tune,
She’s the midnight sun and the noonday moon.

Step to the left — glitter on her heel,
Step to the right — hear the crowd’s wild squeal.
One little laugh and the front row melts,
Two little notes and the whole town belts:
"She’s the queen — of the midnight whirl,
The sequins, the stardust, the showgirl!"

Sequins, stardust, showgirl star,
Broadway’s beacon near and far.
From the first brass note to the last encore,
She leaves ‘em cryin’ — and beggin’ for more!

Showgirl Queen

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".

🌟LAUREATE OF THE INTERNATIONAL TV PROJECT: FRIENDSHIP CUP (festivali.by)
🎤Jazz Vocalist 
🎶 Belarusian Frank Sinatra

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

A BLRB is your gateway to capturing attention and sparking interest in your latest music, TV, film, or literary project. Think of it as a dynamic, engaging promo that can be visual, audio, or video-based. We’ve got the audience—you need the eyes and ears! Let us bridge that gap and connect your project with the eager audience it deserves. Ready to make an impact? Join us and let’s get your project noticed!

BLRB. Supporting the arts, one BLRB at a time.

In the shadows of Apache Junction, at the foot of the majestic Superstition Mountains, sits a weathered hacienda. This desert oasis is home to an enigmatic figure, a songwriter whose journey reads like a long, dusty road of honky-tonk bars and college cafeterias. He wasn't chasing fame or glitter; instead, he chose the soul-crushing beauty of music for music's sake.

Years spent hunched over sticky barroom tables and scribbling lyrics on napkins earned him a reputation—not in the spotlight but in the back rooms where deals are made. He wrote melodies that found their way into the hearts of stars who had lost their own muse. He sold his creations for cash, with no recognition, but the whisper of his songs carried the weight of his soul.

Finally, he bought this piece of desert paradise—a stable income from his timeless songs allowed him to live comfortably, if anonymously. Here in this hacienda, with his family beside him and the mountains as his backdrop, he found the peace to write hits under his own name. He chuckled at the irony that now, without chasing fame, he could create music that brought him joy.

In the end, it was never about the spotlight. It was about the journey, the stories, and the songs that wrote themselves through his life. As the sun set behind the Superstitions, casting long shadows over the hacienda, he strummed his guitar and sang—content, unknown, and unburdened by the world's gaze.


Copyright 2019 Edwin H. Balder

I may be dead when fame comes but my real glory was always JULIE & The Kids. Thank you for such love

Artist-Singer-songwriter born in France. Started singing jazz in a Sextet in France in 2004. Lives in Cambridge UK. Jazz singer of the IJ7 Cambridge.

Hadley began composing music at the age of 12, blending curiosity with raw creativity at a time when songwriting tools were limited to pen, paper, and instinct. From those early beginnings, Hadley developed a lifelong knack for turning life’s moments—both big and small—into captivating tracks and songs that resonate across generations.

Explore the journey and hear the sound of experience at SMXmusic.io.

New tracks tagged #JazzVocal