The MarsSaturn Sound is William Neal and Chris Rodriguez. Mixing and production by William Neal. Guitar by Nicky V, Rhodes Piano by Kevin P, Upright Piano, Moog Bass, and Strings by thommyknoles. Mastered by James Driscoll



Curiosity (Cut for Time)

Curiosity In The City (Cut For Time)

Live jam with Arturia Microfreak, Roland S-1, Circuit Tracks

MORPHIC

A former Diddley Darling departs for downtempo town with this remake. Kristy Hinds met Bo Diddley as a child in the 70s in Peralta, New Mexico, and was drafted into the Diddley Darlings with his daughters Tammi and Teri McDaniel. They often shared the stage with Bo on his local gigs. It was a short tenure but loomed large in the imagination of this future jazz musician. "This recording came from roots I didn't even know I had put down." — Kristy Hinds

vocals, guitar - Kristy Hinds
bass - Jay Dronge
drums - Arnaldo Acosta
keys - Robert Muller
flute - Annie Benjamin
recording engineer - Richard Blair
additional recording/mixing engineer - Mathew Tobias

Who Do You Love

This Gamma Remaster uses entirely Mixcraft Software Synth instruments hence terming it "Akai Beta" because when dealing with Mixcraft i use my 25-key dummy MIDI keyboard instead of the FA-08

Supremely Poised To Give Me A Hard Lesson (Akai Gamma)

here's something new! I was inspired by the aesthetics of 2000s menu music but with a twist. my friends said it sounded "curious", like "shopping in the future". hope you like it :>

spotify

future shopping zone

The text prompt for the jam was simply "Noir"

Venetian Blind Blues submission for WNCJ26 hosted by emscottish for Itch.IO July 2025

submission for Friendly Music Jam #4 hosted by Gullo, featuring Gullo, Xafae, elia the animal, lodesa, and RSR's samples + my connectors

modular multiple-step process on this one the most ambitious that I have done so far since 2023.  There aren't MIDI dumps or MuseScore scores of this because if i did it would be only tiny pieces of the whole thing.  It's done with random throw away lines in my text files for lyrics that didn't go into full songs so it feels like some White Album thing of half-songs or the way Alan Parsons Tales of Mystery & Imagination doesn't quite hang together because it was his first solo effort.  The samples of the contributors were paired with Roland FA-08 performances into "modules" and the ones that failed in that process for selection were replaced with Akai-MIDI keyboard performances of instruments that I got off places like Humble Bundle that are integrated with the Mixcraft 10.6 Pro Studio DAW.  And then backbones of performances which connect the sample section modules complete the process when overlaid with vocals corresponding to all (or almost all) the modules.  This went twelve draft versions, I've never done that many incremental drafts.

William Tell Should've Known Better - Chocolate-Dipped Chocolate

Dionté BOOM - Live From The Velvet Room October '25

A Shiny Non-Euclidean Sarabande - submission for Composer Weekend Jam #3 hosted by Joe Chris of ScoringTech.NET for Itch.IO July 2025 – exedexes1

I'm getting called on the carpet by the music theorists for inaccurately (randomly) naming it a Sarabande, and they're right.  Nuff said lol.

The music jam prompt was to go find a piece of graphic art and be inspired by it.
I chose to take a tour of being slightly influenced (for 4-5 seconds each and then to veer away sharply) from various Classical Composers.
as follows:

1. Dieterich Buxtehude (c. 1637–1707):
Canzonetta in A Minor BuxWV 225
Toccata in D BuxWV 155

the only composer where I used more than one piece this evening.
I spent about 3 hours on this overall submission.

2. Gioseffo Zarlino (1517–1590).

Veni sancte spiritus, motet

3. Johann Pachelbel (1653–1706).

Praeludium in D.

Johann Sebastian Bach (1685–1750).
I actually did skip JSB its already evident my entire corpus of output is already heavily influenced.

4. François Couperin (1668–1733).

Ordre 12 in E or E-, 8.L'Atalante

5. Jean-Baptiste Lully (1632–1687).

Les folies d’espagne,

6. Georg Philipp Telemann (1681–1767).

36 Fantaisies for Harpsichord, TWV33, No.13 in C-

7. Johann Joseph Fux (1660–1741).

Grave, for 2 trombones

8. Domenico Scarlatti (1685–1757).

Sonata in C-, K.99, L.317, P.135, F.57, Allegro

9. Jean-Philippe Rameau (1683–1764).

Nouvelles suites de pièces de clavecin, Suite in G/G- - 6.Les Sauvages

A Shiny Non-Euclidean Sarabande submission for Composer Weekend #3 for Itch.IO July 2025

Unwind Project returns with “True Story,” the dreamy new single from his upcoming album Lovers On The Edge of Tomorrow. Seamlessly blending classic lo-fi textures with rich, resonant drums, the track radiates warmth and intimacy. The addition of soulful saxophone solos by Two Scents introduces a jazzy, emotive layer that glides effortlessly over the mellow groove. It’s the perfect sonic companion for golden hour drives and breezy summer nights—relaxed, nostalgic, and irresistibly smooth.

Music produced by @unwindproject

Follow Unwind Project:
www.instagram.com/unwindprojectmusic

Illustration and design by zozpaints.com/
www.instagram.com/pedro_zoz/

Radio Juicy © 2025

Stream / Buy now

Unwind Project - True Story (feat. Two Scents)

if i could say it with words i wouldn't have to write symphonies - appropriated Gustav Mahler quote;
title sorta makes it sound like a dance track; not really for dancing lol. worried its a lil cluttered/sorta falls apart? was half way the intention, might have pushed it. let me know what you think! thanks love ya ! 

Pushing Electric Daisies - [Jazztronica Alt Hiphop]

A restrained but very tongue in cheek send up of the 8-bit Nintendo game Magic Of Scheherezade, I think differently enough that it won't cause I.P. problems. Particularly this fit the game jam's idea of the Dark Forest because the specific overworld tune during the night-time portion of the game was a decent inspiration that I had always wanted to circle back to some day.

Scintillations of Ariosche submission for WNCJ27 hosted by emscottish for Itch.IO August 2025

Experimental guitarist Jürgen Schwer and electro-acoustic drummer Sebastian Arnold release their latest collaboration piece. This time they take you on a journey through the wilderness of a fungus-growing ant population, who aim to escape their daily grind. All songs on this album build upon instrumental live improvisations and were later compiled into nine songs in Sebastian's studio in Potsdam. The result is a thrilling ride though cragged post-rock landscapes, funky electronica dub and some krautrock here and there.

Releases 12.09.2025 – CD & Digital https://www.beeah-music.net/de/releases/031

Terra Formica

Arnold/Schwer – Extraflorale Nektarien

Kit: CS2x, Kaoscillator, Minimoog Model D, Sector, Volca FM, Kolb Real Bass, Taqs.im, Drone FX, Mellowsound, Boss chorus and delay pedals, Logic Pro X...
Vocals: Zutsuri (treated)

Contemplation

If you like this track, hit that [↻ Repost] button and share it around.
To buy the full version of this song and directly support
the artist who made it; https://dpercussionrecordings.bandcamp.com/music
Thanks for your support :)

Glasgow based DJ / producer Snow Leopard drops
‘We Are One’ another crepuscular activity pattern,
packed with introspective piano lines and
persuasive grooves with fluttering percussion.
‘We Are One’ out now on Dpercussion Recordings.

artist: SNOW LEOPARD
title: WE ARE ONE
label: DPERCUSSION RECORDINGS
catalogue number: DPER 136

written & produced by SNOW LEOPARD
for HYPERBALLAD PRODUCTIONS
recorded at JITTABUG STUDIO, GLASGOW
distributed by LAMBHILL MUSIC DISTRIBUTION
(p) + (c) 2025 DPERCUSSION RECORDINGS
published by SALTMARKET MUSIC PUBLISHING
all rights reserved

Dpercussion Recordings is a Glasgow based record label,
founded by DJ, producer and record collector Tubby Tooba.
The label showcases fresh excursions in nu jazz, broken beat
and future jazz experiments. Artists include; Peanut Vendor,
Corrosive Orchestra, Tubby Tooba, Three Point Ensemble,
Snow Leopard, Rotterdam Jazz Quintet, Henny Fat Mouth,
Opaque Structures + more
.

SNOW LEOPARD - WE ARE ONE (DPER 136)

Submission for Weekly Note Composing Jam #28 hosted by emscottish for Itch.IO August 2025, the text prompt for the jam was simply "The Desert"

The first track of Mъdrъ / Mudru draft album

It's titled Part II but only about 5% is from before, to stay within the Jam's rules.

but if you -must- know, Part I is Release CCVI (#206) from December 2023 on DoDeka album twenty albums ago.
https://soundcloud.com/doug-stoothoff/stutterin-bob-dropped-the-rocket-launcher

https://soundcloud.com/doug-stoothoff/sets/duodeka

Stutterin' Bob Dropped The Rocket Launcher Pt. II

The first vocal track of Mъdrъ / Mudru draft album.  A mix of playing an instrumental before writing the lyrics (which is a departure although has been done a little recently), and also later my older style of writing chord-per-syllable to already-written lyrics toward the end of the piece.

Overall I write pretty naive lyrical pieces.  This guy is kind of a paranoid douche but with the best intentions.  She's like absconding off to (heaven forfend) a different little splinter group than his thing but it turns out to be benign and he inflicts some minor annoying damage by sneaking into their outing.

Lyrics:

Somewhere in the past someone set us up the bomb
Culture shifted so fast that 30 Rock is now a right wing sitcom

Somewhere in Ulster's bowels
Were heard the pangs of an alarm
A girl's heterofatalism was giving her an ulcer
The ginger with a minge
Had had enough of Hinge
Since the latest respondent's saccharine charm 
Was rather laid on with a trowel
The states seemed the right place to flee
And that's how she hooked up with me

How have I hated instruction, 
And my heart despised reproof 
It was the nagging ineluctable
Erosion of fitness under our roof
And what came of it was standing aloof
As i witnessed its destruction

After being the fall guy i was focusing on
Survival in the strange waters that i was swimming
Much like tall guys have no idea 
That they are at war with short guys
Normal women have no idea they are at war with crazy women

I saw our coming doom 
Through the bloodshot glass 
At the bottom of a marinara jar
The girls had started having breadsticks parties
And a lot of gossip got said
And pretty soon our burgeoning movement
Was given up for dead
But one can take theorizing too far
Particularly if you're too well-read

And so at the risk of assaulting my intestines
I engaged in a clandestine infiltration
And the leader of her congregation
Served a sumptuously appetizing oration
On the fiscal dangers of being an oversnacker
At the end of the presentation
One presumptuously testy cracker
Pointed out that one of the high watermarks 
Of our civilization
Is the Domino's pizza tracker

You can imagine their reaction
When I said the most frugal drug
Was constant distraction
In sunshine or rain
It lessens the pain
Of trudging dissatisfaction

We got to a really dark place
And the tipping point began
Around when i was being really crass
And implied that the high priestess was an also-ran
She was really about to kick my ass
I think it was the rage of Caliban
Not seeing her own face in a glass

After several mint juleps
She went and staggered amongst the tulips
magniloquent miss molly
Chided me on my vindictive folly
She asked what are you stupid
What's the point of all this skullduggery for me

Well I am genuinely attracted to you
Having walked too close by Cupid
And that is a pretty stupid thing to be

Magniloquent Molly's Mozzarella Jolly

Submission for Composer Synthestration Jam #1 hosted by Joe Chris for Itch.IO August 2025
The jam called either for directly synthesizing a classical/romantic piece or to write an original piece entirely in synthesizers.
Technically all of my output is always done -on- synthesizers with the FA-08 or with software synths in the laptop.
However I took pains in the submitted mp3 to mostly use synth tones.
In *MuseScore* however: if I used all different synth tones the player online in MuseScore's website would give an end product where things sounded very murky and bled-into-each-other. So there are some natural-sounding instrument tones albeit electronically produced, which are indicated in the score PDF as a result of that. And there are probably a small number of natural-instrument tones in the mp3 file which is the principal submission piece: however in that case it's like 90% electronic sequence tones.

The process was to listen to the Bela Bartók piece (4 Stücke Sz 22 BB 27 No.4 "Scherzo") on the mp3 player's earbuds while manually performing similarly "inspired" sections on the FA-08 and then to export that as a wav file. this wav file was then combined in MixCraft with the MIDI export also from the FA-08 and then the MIDI export used MixCraft's instruments in addition which takes us beyond the 16-track capacity of the FA-08 on its own. There are inter-cuts of brand new variations on the Whimsy series' leitmotifs, which cause this to be designated Whimsy Number 7.

Whimsy Number 7 (Bartókian Whimsy) submission for Composer Synthestration Jam #1 hosted by Joe Chris

We’re thrilled to unveil “Stranger,” the latest single from Keeth, a masterfully crafted instrumental that bridges the worlds of jazz and hip-hop with effortless finesse. This lush, groove-laden track is the first glimpse into Keeth’s upcoming project, set to release later this year via Radio Juicy.

“Stranger” wraps listeners in warm synths, rich textures, and soulful rhythms that evoke a sense of introspection and nostalgia. It’s a sonic journey built for deep listening—where every layer reveals something new. Whether you're vibing out or zoning in, Keeth’s production invites you to get lost in the moment.

Music produced by @kphazer

Artwork by Stelios Chatzivasileiou
Instagram » www.instagram.com/c_h_t_z/

Follow Keeth:
Instagram » www.instagram.com/keeeeth/
Twitter » twitter.com/TheKeeeeth

Radio Juicy © 2025

Keeth - Stranger

Musician • Producer • Vibe Construction Guru featured on Stones Throw a couple times. ✌🏿

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

the cream will rise to the top

Alternative hip hop // electronic // experimental instrumentals & beats.

gonzotheoptimist@gmail.com

🎧 Follow us » https://linktr.ee/radiojuicy

Website » http://radiojuicy.com
Booking » bookings@radiojuicy.com
Other inquiries » label@radiojuicy.com

DDPERCUSSION RECORDINGS is a Glasgow based record label, artists include; HENNY FAT MOUTH, CORROSIVE ORCHESTRA, TUBBY TOOBA, THREE POINT ENSEMBLE, SNOW LEOPARD, ROTTERDAM JAZZ QUINTET, PEANUT VENDOR, OPAQUE STRUCTURES + more

Dawless one take jams exploring all forms of electronica.

Sebastian Arnold, since 2007 known as "mad scientist drummer" is an electronica artist from Berlin. He is touring as a one-man band and uses his drum kit to interact with sequencers and sythesizers. His music is a danceable mixture of jazz, electronica and post-rock.

https://sebastianarnold.bandcamp.com

ding dong retrospective PLUS transitional rough cuts to dashdotdotdash (-..-).
..... with electronic music (pre-2000)for the analogue age of wow and flutter, tape hiss and stutter.... given ancient-modern remiXes....
..... PLUS, vintage cuts from the -..- band archive (post 2000) that did not get pass the Beta stage and therefore, remain in the ding dong vaults...

soundtracks for cyborgs!

all art by me

FAQ: https://docs.google.com/document/d/1c8CJ6uck-cdz1em6bgALqbJtsqNxmAqOypjUCpKmkSk/edit?usp=sharing

alt account for random stuff: @i-b-r

New tracks tagged #Jazztronica