ICARUS

Flowstate

chump change (p. bumboi)

FEININ

GUTS!

indifferent

NATIONWIDE!

RUMBLE

the physical impossibility of death in the mind of someone living

TOMMY WRIGHT 3

watch yo step

mom, it's not a phase! (ft. PSVCH and Wildmvtt)

Made this track while staying at the broadview hotel with a close friend. There was a record player in our room so we grabbed a bunch of random records from the hotel library. The very first one we put on happend to be Dive by Tycho, and the instant we heard it we knew we had to sample it. 

The vocal cuts were sampled from a 1975 film, "Critical Program Reading" of which only part one still survives.

Broadview

I used the first 10 seconds of Finale by Toby Fox, and tried to see how far I go. Not my best work but it's something.

Yellow Flower

這首歌就像一隻脾氣不穩定的節拍狗，咬你一下又像在撒嬌

Snappy Voice

UNCANNY présente PIF Series 003 !!
Bonne écoute ! 🔊

Track List:

1. Endorphin - Massive Moloko (Zoltan Stadler Remix)
2. Mateo! & Gaga - Plastic
3. S.M.O.G - Blurred  (Zentrix Remix)
4. Ben Rama - Regenesis (Original Mix)
5. Knobs - Helicopter (Original Mix)
6. Occer - Summer Peak (Original Mix)
7. Damolh33 - Truffle (Insect Elektrika Remix)
8. Doublewave - Mammut (Original Mix)
9. Quantaloop - Little Voice in my head (Chaostrail Remix)
10. Elmar Strathe - Clearly separated  (Original Mix)
11. Ash Roy x 8-bit Culprit - Synapses (Original Mix)
12. Muggi Dane - Blueshift (Jitter Remix)
13. James Monroe - Places (Original Mix)
14. Ben Rama - Implicate (Dr Strangefunk Remix)
15. Maymoon - Adagio (Original Mix)
16. Feral - West Cliff (Original Mix)

UNCANNY - présente PIF Series 003

JitterHeart is an acousmatic work that explores how AI can reimagine traditional musical notions of the score, performance, and expressivity. In this piece, I use the Max MSP programming environment in conjunction with Jitter (Jit.GL) to create a self-regulating, quasi-organic audiovisual system. The core material stems from a StyleGAN3 neural network I trained at the Yale Center for Research Computing (YCRC), using an ethical dataset composed entirely of frames from my own digital music scores. The resulting AI- generated video is not merely representational – in a sense, it becomes a new score itself: the “heart” of the piece, the motor for both its sound and structure – the difference being that this score is read in a completely different way.

Rather than interpret the video visually, I process it technically. Jit.GL extracts its pixel-level data into four dynamic matrices – like the pulsating chambers of a heart – converting the video into long lists of numbers. These are mapped to musical parameters such as frequency, resonance, envelope shape, articulation density, and velocity. The video’s abstract jitteriness becomes a kind of LFO constellation – a network of oscillators – governing the sound in ways that feel both organic and alive.

The composition’s harmonic and timbral structure is shaped by a custom-built polyphonic subtractive synthesizer I programmed within Max, using noise as the foundational signal – conceptually echoing the visual noise matrices typically used as generators in Jit.GL. Its behavior is refined by a “modalizer–microtonalizer” module I developed this semester for spectral control. I quantize this filtered pink noise using scales, and further sculpt it with delay, reverb, and sequencing tools. The audio processing mirrors the structure of the video –turbulent, layered, yet precise and self–contained.

The idea of the score is further expanded in this piece through a new mode of “reading” and extracting musical information: a data-rich object interpreted and generated by machines from its prior incarnation as a man–made symbolic system for human musicians. In JitterHeart, the score becomes both performer and performance – simultaneously visual archive and generative code. By giving the video agency over sound, JitterHeart poses a speculative question: what if a score could not only instruct performance, but become it, pulsing with its own synthetic jittery heartbeat?

JitterHeart

jitter x 808sbumpin x levee banks

free dl. (click the 3 dots)

ight. (free dl)

Kick並不重擊，而是像小心翼翼的破碎推擠。Hi-hat節奏介於不穩與節制之間，形成一種神經質的點點跳動

Careful Slot

All fucked up for CC, if you want that you got that.

Bienvenue dans la Psychedelic International Family!

Créé en 2023, Pif Mizik a pour but de promouvoir et diffuser la musique psychédélique des artistes producteurs, et DJ’s internationaux.

Ce label qui passe sans hésiter de l’Ambient à la Psyprog, en passant par la Deep ou encore la Techno, est le fruit d’une volonté commune d’amateurs de dancefloor, de mettre en avant les virtuoses de la musique électronique.

Nous avons l’ambition de partager au plus grand nombre, les plus belles expérimentations et créations musicales, car nous sommes convaincus qu’elles se doivent d’être vécues.

Avoir du nez, dénicher les créateurs d’orgasmes auditifs, les produire et avoir de la chance, PIF MiZiK!

Composer and scholar of new acoustic and electronic music at the Yale School of Music

Techno & Electronica with minimal and obscure sonic explorations.

New tracks tagged #Jitter