Lead Guitar: O D D S Y N
Rhythm Guitar: O D D S Y N
Produced by O D D S Y N

So Confused

Lead Guitar: O D D S Y N
Rhythm Guitar: O D D S Y N
Produced and mixed by O D D S Y N

The Wretchedness Within

Job for a Cowboy single "The Agony Seeping Storm"

The Agony Seeping Storm

Job for a Cowboy "The Agony Seeping Storm"

Job for a Cowboy "The Forever Rot" from the album "Moon Healer"

Moon Healer

Job for a Cowboy "The Forever Rot"

Job for a Cowboy "Beyond the Chemical Doorway" from the album "Moon Healer"

Job for a Cowboy "Beyond the Chemical Doorway"

In this episode we look back at some concerts this fall: Pantera and Dime Store Riot at Rocklahoma, Guns n Roses and Dirty Honey in Knoxville, ACDC at Power Trip, Job For a Cowboy and Scott Stapp at Blue Ridge Rock Fest, Les Claypool’s Flying Frog Brigade at Hulaween, and Jason joins me to talk about Glenn Hughes at The Granada  in Dallas. Also, take a look at the recent news from Sammy Hagar touring with Joe Satriani, Duff McKagen’s new album, Slipknot, and more! Thanks for listening, and please share!

This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows!

This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. They are state licensed and Mother approved! The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details.

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Episode 386 - Concert Reviews

After a 10 year hiatus we are joined for a mind blowing chat with Job For A Cowboy's Nick Schendzielos around their latest album release Moon Healer. We are shocked to learn that the decade absence was actually planned, and the new album is a conceptual follow up to their 2014 release Sun Eater. Nick explains what the members been up to throughout the years and that this piece is partly an expression of how we as humans perceive the layers of space and time. We also dive into subjects of self-discovery, ancient hallucinogenic, esoteric wisdom, and learn what the future hold for the band.

Episode 220 featuring Job For A Cowboy

Job For A Cowboy bassist Nick Schendzielos talks about ‘Moon Healer,’ and why it took so long for the band to release new music again. #interview

URL: https://v13.net/2024/03/job-for-a-cowboy-nick-schendzielos-moon-healer-interview

Words: Graham Finney

Job For A Cowboy Bassist Nick Schendzielos on ‘Moon Healer,’ their Hiatus, and Life Choices

Revocation "Cronenberged" feat. Jonny Davy of Job for a Cowboy from the album "New Gods, New Masters"

Revocation "Cronenberged (feat. Jonny Davy of Job for a Cowboy)"

Hard Rock / Metal Podcast. The show features interviews from Rock n Roll Hall of Famers to emerging artists.

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Instagram: dirtbankoddsyn

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

The Creative Imbalance is a series of podcasts that immerses you into a universe of fun conversations with artists, rebels and interesting minds.

High-fidelity content by music, entertainment and pop culture lovers. Ex-PureGrainAudio. Vita. Veritas. Vox Populi. C’est La V13.

New tracks tagged #Job for a Cowboy