Critique de "Histoire de Martinus Scriblérus, de ses ouvrages & de ses découvertes" ("The Memoirs of Martinus Scriblerus", 1741) de John ARBUTHNOT, John GAY, Thomas PARNELL, Alexander POPE, Henry SAINT JOHN, Jonathan SWIFT, préfacé-postfacé par Pierre SENGES, annoté par Pierre LAFARGUE, traduit de l'anglais par Pierre-Henri Larcher, éd. Vagabonde, 2022

Histoire de Martinus Scriblérus, de ses ouvrages & de ses découvertes

Scriblerus Club - Histoire de Martinus Scriblérus

Narrator Ernest Landauer and pianist Gary Lloyd Noland perform Noland's TEATIME IN PURGATORY, Op. 16, Part One. This performance took place at Room 125 Morrison Hall at the U.C. Berkeley Music Department in February, 1990. Composer John Harbison was having a work performed at Hertz Hall (adjacent to Morrison Hall) that same evening, which prevented a large turnout. The text, written by Gary Lloyd Noland, was his first serious literary undertaking. It has undergone numerous edits and revisions since the time of this performance. TEATIME IN PURGATORY was originally premiered by narrator Dan Banks and the composer on a Special Harvard Group for New Music concert at Paine Hall, Harvard University on November 2nd, 1986. It is the composer/author's intention to finalize the text of Teatime in Purgatory for publication, if he can find the time (read: funding) to do so. Ernest Landauer, who was recommended to Noland by John Swackhamer (one of Noland's composition instructors at U.C. Berkeley when he was an undergraduate there in the late 1970s), was, according to the composer, a joy to work with. Notwithstanding many problems with the text and blunders in the performance, the spirit of the work is brilliantly conveyed. It is an electrifying performance! For more information on Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

TEATIME IN PURGATORY for narrator & piano improviser, Op. 16, Part One

Narrator Ernest Landauer and pianist Gary Lloyd Noland perform Noland's TEATIME IN PURGATORY, Op. 16, Part Three. This performance took place at Room 125 Morrison Hall at the U.C. Berkeley Music Department in February, 1990. Composer John Harbison was having a work performed at Hertz Hall (adjacent to Morrison Hall) the same evening, which prevented a large turnout for Noland's performance. The text, written by Gary Lloyd Noland, was his first serious literary undertaking. It has undergone numerous edits and revisions since the time of this particular performance. TEATIME IN PURGATORY was originally premiered by narrator Dan Banks and the composer on a Special Harvard Group for New Music concert at Paine Hall, Harvard University on November 2nd, 1986. It is the composer/author's intention to finalize the text of Teatime in Purgatory for publication, if he can ever find the time (read: funding) to do so. Ernest Landauer, who was recommended to Noland by John Swackhamer (one of Noland's composition instructors at U.C. Berkeley when he was an undergraduate there in the late 1970s)as a gifted narrator, was, according to the composer, an absolute delight to work with. Notwithstanding many problems with the text and blunders in this performance, the spirit of the work is brilliantly conveyed. Truth be told, it is an electrifying performance. Unfortunately, the transcription of Part Two from cassette recording to digital media was found to be distorted. This problem will, it is hoped, be eventually resolved, so that Part Two can be presented here on SoundCloud. There may be another part of this historic performance elsewhere.

TEATIME IN PURGATORY for narrator & piano improviser, Op. 16, Part Three (1990)

Jonathan Swift at Holyhead

Lo here I sit at Holyhead
With muddy ale and mouldy bread
All Christian victuals stink of fish
I’m where my enemies would wish
Convict of lies is every sign,
The inn has not one drop of wine
I’m fasten’d both by wind and tide
I see the ship at anchor ride.

The Captain swears the sea’s too rough
He has not passengers enough.
And thus the Dean is forc’d to stay
Till others come to help the pay

In Dublin they’d be glad to see
A packet though it brings in me.
They cannot say the winds are cross
Your politicians at a loss
For want of matter swears and frets,
Are forced to read the old gazettes.

I never was in haste before
To reach that slavish hateful shore
Before, I always found the wind
To me was most malicious kind
But now, the danger of a friend
On whom my fears and hopes depend
Absent from whom all climes are curst
With whom I’m happy in the worst

With rage impatient makes me wait
A passage to the land I hate.
Else, rather on this bleaky shore
Where loudest winds incessant roar
Where neither herb nor tree will thrive,
I’d go in freedom to my grave,
Than rule yon isle and be a slave.

Swift At Holyhead

Reading of "The Lady's Dressing Room" By Jonathan Swift

"The Lady's Dressing Room" by Jonathan Swift

✅ Prueba gratuita de 30 días: https://labibliotecafantasma.es/go/audible

🎧 Audiolibro: Los Viajes de Gulliver
✍️ Escritor:  Jonathan Swift
🎙️ Narrador: Pablo López, Niloofer Khan
💬 Idioma: Español (Castellano)
⏳ Duración: 9 horas y 11 mins
📖 Género: Ficción

Leer más: https://labibliotecafantasma.es/audiolibros/audiolibro-1005115/

📚 Sumario de Los Viajes de Gulliver:

Los Viajes de Gulliver es una épica narración en forma de audiolibro, cuya voz es cautivadora bajo el talento de Pablo López y Niloofer Khan. Con una puntuación de 4.3/5, este audiolibro promete sumergir al oyente en un mundo lleno de aventuras fantásticas e increíbles, llevándolo a través de los ojos de Lemuel Gulliver, un cirujano y capitán marino. Durante las 9 horas y 11 minutos de duración, Gulliver naufraga en la enigmática isla de los Liliputs, donde sus diminutos habitantes miden tan solo 15 centímetros de altura. Pero esto es solo el comienzo de sus viajes, ya que también visita Brobdingnag, un país poblado por gigantes, y Laputa, una misteriosa isla voladora. Allí, se encuentra con seres inmortales y caballos tan inteligentes que han domado a seres humanos de desarrollo primitivo. Esta notable novela, escrita por Jonathan Swift en 1725, nos transporta a una época de asombro y descubrimientos, donde el mundo aún era un lugar por explorar. Sin embargo, más allá de ser una simple narración aventurera, Los Viajes de Gulliver es una satírica sutil de la naturaleza humana, destacando nuestras insuficiencias y nuestro deseo de sorprender y mentir. Swift, un escritor y satírico irlandés, brinda una cruda crítica a la sociedad de la ilustración, revelando los aspectos más exactos y sagaces de la condición humana. Este audiolibro se convierte en una experiencia inmersiva que cautivará a cualquier amante de la literatura y de las historias fascinantes.

¿Quieres escuchar Los Viajes de Gulliver completo?

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Además, con tu membresia de Audible puedes descargar Los Viajes de Gulliver para disfrutarlo en cualquier momento y lugar, de forma legal y segura. 

¡No esperes más y haz la transición a una experiencia de calidad que apoya a los autores!

🎧 La Biblioteca Fantasma 👻
→ https://labibliotecafantasma.es/

Descargo de responsabilidad: Esta publicación incluye contenido de Audible, destinado a ser usado como una muestra promocional del audiolibro completo. Este contenido está disponible de manera gratuita directamente desde Audible, y se ofrece para que los posibles oyentes puedan experimentar una parte de la obra antes de decidirse a adquirir el audiolibro completo. No poseemos los derechos de este contenido y no pretendemos infringir los derechos de autor del material. El uso de este contenido tiene como único fin promover el audiolibro original y animar a los espectadores a explorar la obra completa en la plataforma de Audible. Para más información sobre este audiolibro y muchos otros, visita https://www.audible.es/

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Los Viajes de Gulliver (Audiolibro)

This song has two basslines and is about how much Jonathan Swift loved farts.

Is This A Joke To You

Nunca quise que la violencia criminal se desatara en mi patria. Condené entonces y aún lo sigo haciendo a Felipe Calderón por imponernos una guerra en la que a México tocaría poner los muertos, mientras Estados Unidos ponía los dólares y las armas.

Epigmenio Ibarra. Cada quien de su lado

🎧📚 LOS MEJORES AUDIOLIBROS EN ESPAÑOL 📚🎧

En La Biblioteca Fantasma, no solo te contamos historias, te hacemos vivirlas. Somos más que una simple colección de audiolibros en español; somos el puente hacia universos paralelos donde cada palabra tiene el poder de transportarte. Creemos en la magia de los relatos bien contados, en la fuerza de una voz que puede hacerte reír, llorar, temblar y suspirar en un mismo suspiro.

Aquí, cada audiolibro es una puerta que se abre a mundos desconocidos, donde lo extraordinario se convierte en cotidiano. Nos apasiona conectar a los oyentes con historias que dejan huella, que vibran en tu interior mucho después de que la narración termine. No solo escuchas, sientes. No solo disfrutas, vives.

Nuestro objetivo es llevarte más allá de lo obvio, sorprenderte con recomendaciones que desafíen tus expectativas y te inviten a explorar lo inexplorado. Desde clásicos que nunca pasan de moda hasta joyas ocultas esperando ser descubiertas, en La Biblioteca Fantasma siempre hay algo nuevo para experimentar.

Así que ponte cómodo, dale al play y deja que te llevemos en un viaje inolvidable. Aquí, tu próxima gran aventura te está esperando, lista para cobrar vida en tus oídos.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Milenio Opinión es un espacio que recopila las firmas de los columnistas y colaboradores de Grupo Milenio.

Animateur depuis le 11 février 1997 de l'émission littéraire Paludes sur les ondes de Radio Campus Lille, fondée en 1969 à Villeneuve d'Ascq.

New tracks tagged #Jonathan Swift