Bishop Edward Weisenburger sits down with a group of Catholic teenagers to discuss HOPE. Youth are not just the future of the Church; they are the present. Tune in to this series of conversations led by youth! In this episode, teens asked Bishop Weisenburger about the role of suffering and how to find hope in the midst of the world's brokenness.

Produced by the Diocese of Tucson's Office of Youth Ministry

Teen Talks: God and Faith in Difficult Times

Saturday 1st February 2025 at The Parker Roofing Memorial Ground
EV2 Sportswear County Senior Premier Division
Penistone Church Reserves 5-3 Jubilee Sports
Scorers for Church - Ryan Hallsworth (2), Will Hackett, Alfie Broughton & Reece High
Manager Tom Wright reflects on an "interesting" game

24 - Tom Wright - Report - Church Res 5-3 Jubilee - 1st Feb 2025

Saturday 8th February 2025
EV2 Sportwear County Senior Premier Division
Jubilee Sports 1-3 Penistone Church
Scorers for Church - Jack Moore (2), Charlie Shepherd
Manager Tom Wright reflects on a good afternoon for Church second string and the fact that "Jack Moore scores goals"

26 - Tom Wright - Report - Jubilee Sports 1-3 Church Res -8th Feb 2025

God blesses spiritually obedient people with spiritual blessings *and* material blessings. But this is no health-and-wealth gospel, for God also warns us that material blessings tend to distract us from Him. “Those who want to get rich fall into temptation and a trap and into many foolish and harmful desires that plunge people into ruin and destruction” (1 Tim. 6:9). Does that mean it’s wrong for Christians to be rich? If not, what does the Bible say about how Christians should handle money?

July 21, 1989
 
#money #wealth #finances #healthandwealth #retirement #savings #ira #debt #mortgage #poverty #generosity #share #Sabbath #tithe #Sabbathrest #Jubilee #DougWilson #CCMMedia #CCMBooks

Biblical Finances: How Should Christians Handle Money? (Doug Wilson)

Dans cet épisode spécial de Voix Solidaires, nous présentons notre dernière campagne, Transformer la dette en espoir. 

Rejoignez-nous pour discuter avec Alfonso Apicella, responsable principal des campagnes mondiales de plaidoyer à Caritas Internationalis, afin d'explorer l'impact de la dette sur les communautés du monde entier et ce que nous pouvons faire pour plaider en faveur du changement.

Du fardeau des systèmes financiers injustes à l'appel à la solidarité mondiale, cette conversation met en lumière l'urgence de l'annulation et de la restructuration de la dette. Découvrez comment vous pouvez faire partie de ce mouvement et contribuer à transformer la dette en un avenir de justice et d'espoir.

Transformez La Dette En Espoir

Love Lockdown (Miami Bass/Jersey Club Remix)  

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Bookings: bookdj444@gmail.com

Free Download

Kanye West - Love Lockdown (Miami Bass/Jersey Club Remix) (FREE DOWNLOAD)

Brooklyn’s JUBILEE has been one of the most important voices in American underground dance music fo over a decade. She’s rocked the world’s biggest stages and headlined clubs on literally every continent–– from Berlin’s Berghain, Barcelona’s Nitsa and Chicago’s Smartbar to festivals as diverse as Lollapalooza, Lightning in a Bottle, Unsound, Sónar, Boomtown, Disrupt Festival (Mumbai), Bass Coast and Bestival – not to mention rocking four Boiler Room sessions and playing every important club in New York City a hundred times over. 

As an artist and producer, JUBILEE leans deep into her South Florida rave roots and her experiences in the East Coast underground to create a singular sound that draws from electro, techno and breaks as well as Baltimore club, ’90s dance, Miami bass and the UK diaspora stretching from basement and jungle to grime and garage. Her iconic style is on full display on her two albums of original music, After hours and Call for Location, as well as a staggering number of EPs, singles and remixes for labels like Boys Noize Records, Fool’s Gold, Razor-N-Tape, and Mixpak, with whom she won the Red Bull Culture Clash in 2016 in a staggering show featuring Popcaan, Spice and Big Narstie. 

She is up for our IWD2025 campaign with another next level mix which delves into rave, bass and everything between. 

Tracklist: 
Hydroz - Party Starter 
Phoenicia - Odd Job - Rhythm Box Version (Soul Oddity Remix)
The Soft Pink Truth - Make Up
Addison Groove - Elevator (Is Broken)
HONEY B, nextdimensional - BOY U UP? (Jubilee Remix)
BELLA - Odd Symphony (Olsvangèr Remix)
Kicks Like a Mule - The Bouncer (Housequake Remix)
Mix Factory - Take Me Away (XTC Come Hard Mix)
Bjork - HYPERBALLAD (LFO DISCO SYNC MIX) 
Anthony Rother - Hydrocarbon
Addison Groove - Pump Jam Mix
Hudon Mohawk and Nikki Nair - Wait a Minute
Chrissy - U Can't Stop
Anz - Body + Mind

More from Jubilee - https://www.instagram.com/jubileedj/



International Women's Day Mix 2025 - Jubilee

Join panelists Dr. Regis Martin and Dr. Scott Hahn, host Fr. Dave Pivonka, TOR, and special guest Dr. John Bergsma, Professor of Theology at Franciscan University of Steubenville and Author of "Jesus and Jubilee", as they discuss how we can enter into this Year of Jubilee and discover what God wants to offer each of us.

ORIGINAL AIR DATE: January 2025

A Year of Grace and Hope | Dr. John Bergsma | Franciscan University Presents

Jubilee (xtsywill)

Вижу балаган на вокзале, чем - то я был опечален,
Но не в отчаянии, в чайнике, нету заварки,
Недаром, я выкинул текст из окна и притом,
Это не наркопритон,  в горле ком, слышу стон,
Катакомбы,  но легко, телефон звонит на домофон,
Бегло барыги идут на лёгком с лихвой,
Тишиной, меня манит рядом пиво,
Алкоголь рядом, значит всё красиво
Будет, если обо мне не позабудут,
Будто вуду, меня протыкали иглой в клубе.
Полностью залиты трубы,
Чаша терпения, помнится хмуро,
Лопнуло так,  пасмурно день снова прожил,
Ожил, снова в отжиг, вот тебе прожиг,
Моей жизни, но не к счастью недолго,
Дайте мне повод, я хаваю Роллтон,
В кайф жить - упорно, но жить как сниматься мне в порно
Ведь это спорно в упор...

Bizmare - Мероприятие (Prod. Metrozzy Beats)

Вступление:
Мы не готовы к миру, но знаю, что дальше будет только хуже,
Мы не свободны в этой жизни, не знаем, кого нам слушать.

Первый куплет:
Знаешь, когда, все были счастливы, но увы пали в кану,
Канун в столетия, будто на ветер, от части поставили всех на виду,
Давай-ка не будем, ты щас ведь увидел, в объятиях в плену,
Ведь не забыл ты, как горем убиты, в ебучих эпитетах, все на лету.
Мне не знакомы проблемы, когда не касаются меня лично,
Вроде отлично, спалили с поличным,  но жизнь в порядке в кавычках,
Знайте как, все уничтожить, на личном, и выйти на правильный путь,
Найдите мне суть, ну ладно и пусть, не надо себя избивать снова в грудь.
Будто вы сильны и смелы,  решите вопросов проблемы,
Уничтожите сотни идей, да и сотни рублей, для Вас - это пробелы,
Нахуй стараться, если все сдохнем, в говне,  в круге первом,
Напоследок, ругаться на слове,  всё меньше придётся на верном.
Я дал себе малую цель, на майке ебашить контекст,
Мне суждено, и мне как бы не счесть, давать себе молчания обет,
Вот и ответ, как не легко в одиночестве быть, и во вред доживать одному,
И навек, всему своё время, приходит на бис, или в пыль, погибать на зло всему...

Припев:
Однажды все уйдут, в то место, где будет всё честно,
Душа там заблестеет.
И в каждом, станет своё детство, от жизни до смерти,
Пока огонь затлеет.

Второй куплет:
Каждый на нервах, но с этим не проживают до ста,
Хочется мне восстать, и выйти со дна, оставить текста навсегда,
Предвидит судьба, как хиромант мне покажет по руке,
Как слуга, мне показывает путь, чтобы стал я не хуже, проходя уикенд.
Я не забыл свои корни, мир оставил семена,
Ведь во мгле, проснулась моя совесть, в моей жизни зацвела листва,
С чистого листа, я проживаю свою жизнь с нуля,
Отформатировал память у себя, так никогда не был уверен в себя.
Пока Всевышний мне даёт свой знак героя,
Я был когда - то лишним типом, умирал в спокойствий стоя,
Гулливер, вернулся чтобы разбить людей об шкаф,
Выл как было всё хуёво, убиваться - первый штраф.
Всё во мне, намешано, на битах был так помешен,
Хватит мешкать, как белая пешка, или тайная слежка, никчёмная невежда,
О чём можно мечтать, в надежде, чтобы покупать себе одежду,
К несчастью от части, всё можно достичь,  даже лучше чем прежде...

#NewMusic #Trending #Popular #Hit #Viral #Fresh #Music #SoundCloud #ListenNow #OnRepeat #Banger #Fire #Dope #Playlist #MusicLover #Rap #HipHop #Trap #RnB #Beats #Chill #Indie #Electronic #Dance #Pop #Rock #Alternative #Instrumental #Freestyle #UKDrill #Дрилл #ХипХоп #НоваяМузыка #Тренды #Популярно #Бэнгер #Музыка #СаундКлауд #СлушайСейчас #Вирусный #Фреш #Рэп #Биты #УличнаяМузыка #Инди #Трэп #РэпКультура #ЛондонскийДрилл #Фристайл

МЫ НЕ ГОТОВЫ К МИРУ

In Parshat Behar, the Torah outlines four types of property sales driven by financial pressure—each revealing the soul’s relationship to joy, return, and spiritual inheritance. The Jubilee year, the Yovel, corresponds to the Keter, the 50th gate, where everything lost can be restored—if one maintains simcha. The field symbolizes a place of personal connection with Hashem; the house in the field shows visible fruits of that connection. The Levite, constantly steeped in Temple song, can redeem his portion at any time. But the one who builds in a walled city—rooted in worldly pursuits—may lose it permanently. Only through joy can we access the Keter and restore what was lost.

Help support Breslov Therapy: ⁠⁠linktr.ee/breslovtherapy⁠⁠

This class is based on Likutey Moharan lesson 24. For more on this lesson: ⁠⁠linktr.ee/breslovtherapy_lesson_24⁠⁠

If you have been inspired by this class/lecture please share it with your friends. Thank you.

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Parshat Behar-Bechukotai - The Redemption of the Jubilee

A funny mix I made (under my creative project THC or The HOPE Club) about a recent current event featuring Dr. Jordan B. Peterson's appearance on the Youtube channel 'Jubilee' in which he debated 20 atheists using AI sometimes in the piece as a creative tool. Commentary on the debate is from Twitchstreamer Hasan Piker.

This is a slightly modified version of the original one posted on June 3rd, 2025 which has an AI Jordan Peterson NCN Spot at the very end.

Derived transformed credit to: Man Carrying Thing; Jublee; Hasan Piker; Monty Python's Flying Circus; Brain Drain Media; FatSetGo; Q Lazzarus

Some portions may be NSFW. Please Use Listener Discretion.

TACO Tuesday

Jordan Peterson Jubilee Atheist Debate Remix Mashup

My Patreon

CHARLIE KIRK

Jubilee

Rome's Jubilees, occurring every 25 years (with some extraordinary Jubilees mixed in for good measure, are traditionally associated with universal pardon, offering a special opportunity for the remission of sin and debt. This year's Jubilee, initiated by the late Pope Francis, centers on the theme of hope--Pellegrini di Speranza. In this episode, Bret Thoman (stfrancispilgrimages.com), author of The 2025 Jubilee in Rome, shares insights into the Jubilee's history and some advice on making the pilgrimage to Rome this year. After that, Dave Whitson shares his presentation from the 2025 Gathering in Vancouver, which explores his three-month walk across Italy on the Cammino Materano, Via Francigena Sud, Cammino di San Benedetto, Via di Francesco, Cammino di Sant'Antonio, and Cammino Via Flavia.

For more information on The Camino Podcast:

www.davewhitson.com
www.facebook.com/CaminoPodcast
www.patreon.com/davewhitson

Episode 98 - The 2025 Jubilee

Знову якось так пішло і вийшло.))
На цьому 10 випуску, завершується перша хвиля передач. 
Буде мабуть друга хвиля, слухайте, записуйте нам аудіоповідомлення на телеграм чи пишіть листи, слідкуйте за новинами,донатьте на ЗСУ та перемикайтесь з горя на вдячну мить життя
Останній в передачі твір на органі від Ганс-Андре Штамм - "Під зоряним небом" виконує Світлана Позднишева.

"Ювілейна Придибенція".  Випуск 10й

The whole squad is back!  This week we talk about changing professional sports teams' names, Trump in the Epstein files (WSJ source), Pizza quality, Coldplay CEO, Death Stranding 2, Donkey Kong Bananza, K Pop Demon Hunters, Wild Robot, The Sandman Season 2, Ghost of Yotei, Mehdi Hasan Vs. 20 far right conservatives, Kr0nus has a bad day, SDCC, and more!

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Eps 505 Rump Fountain

‘444' aka Anu Desai is a South Asian DJ/Producer based in Brooklyn NY. You can expect to hear global and cultural sounds, such as Brazilian/Arab Funk, Afro-Desi, Amapiano, Gqom, Reggaeton Rave, Dembow, Jersey/Baltimore Club, Juke, Miami Bass and UK Garage, met with her signature bouncy club edits.

Запрошуємо слідувати за нами...
Фолькльор,чарівне, рідне мовлення, психоделіка, міфи, провокативний гротеск, який може перейти до сюру.)
Біля мікрофона  професор, доктор етнографії, культурольогії  і міфольогії  ЕмСі Місько,  за пультом Діджей Мікстир.
 Представляємо Вам авторські, альтернативні, незалежні, таємні передачі Оаза Галичини, "Вітання по замовленню", а також різні вибрані, "підпільні", забуті, репетиційні, невідомі, ігноровані, перевипущені і покинуті архіви з радіомовлення, дисків та касет.


Дуже вдячні за технічну підтримку Галицькому Funky Нойзу, DJ Kolbasyevich, Їжаку, DJamaica та родичам за збереження вінтажного мікрофону.)

Приймем в дар, або купимо працюючий студійний мікшер і семплер.)

Партнери:

1. Ґалицький Funky Noise
2. Львівський уфологічний центр
3. Кафе "Пінгвін"
4. Клуб "Лялька"
5. Львівські кури
6. Радіо "Ініціатива"
7. Давня гілка львівського метро "Полтва"
8. Музей іграшок
9. Архів вінілу біля Федорова
10. Резорт "Зелене око", 
"Озеро Нараяна"
11. Курорт лісовий
12. Гора Лева
13. Обласна спілка рибаків
14. Товариство грибарів
15. Прогресивна молодь міста
16. Масажний салон "Релякс"
17. Галерея вільних художників 
18 Б'юро знахідок
19. Відео Салон на проспекті
20 Студія "Шанс"
21. Агенція "Мистецькі барикади"
22. Студія звукозапису "Звук"
23. Магазин "Притончик"
24. Маєток "Цар Гора"
25. Касети на стрийському базарі
26. Аматорський клуб
27. Спільнота бездіяльників
28. Відео-кафе "Вежа"
29. Кав'ярня-галерея "Дзига"
30. Клуб "Романтик"
31. Кафе "Комарик"
32. Кафе "Під Вежею"
33. Арт-кафе "Вавилон ХХ"
34. Кінотеатр "Львів"
35. Музей Ідей
36. Фредра 6
37. Халупа в лісі

Podcast Host: Cthulhu's Prodigy, Blue, Kr0nus, Old Ninja and Stitch.

Blacker Than Black Times Infinity is a podcast hosted by geeks like you.  Come listen as we talk about the games we are currently playing and our take on upcoming games we are looking forward to.  We cover comics from all different publishers.  We have been Anime fans since the time we were kids and which we cover in-depth. We review movies and TV shows and give our thoughts.  The fun doesn't just stop there.  Come listen to some guys having fun.  Podcast are updated every Wednesday Nights.



The Camino Podcast is a program focused on pilgrimage. We talk about major pilgrimage routes, like Spain's Camino de Santiago, we share stories from the road, and we talk about more technical aspects of pilgrimage. Whether you're planning your first pilgrimage, processing your latest one, or just an armchair traveler, we hope you find this to be a good listen! (Soundtrack features "Walking in the Country" by David Mumford.)

Follow Dave's walks and learn about his guidebooks here: https://davewhitson.com/
Support the podcast and Dave's book projects here: https://www.patreon.com/davewhitson
Find Dave's books here: https://www.amazon.com/stores/Dave-Whitson/author/B004NBNR9I

Franciscan University.  Academically Excellent, Passionately Catholic.

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

CCM is a Christian non-profit organization based in Moscow, Idaho. Learn more about us on our website, ccmbooks.org.

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