"Just listening to my walkman whilst delivering newspapers"
SPOTIFY: https://open.spotify.com/track/0hGf8iVwnivTIHZmGZNQ7x?si=184b79181f6747a2
APPLE MUSIC: https://music.apple.com/gb/album/paperboy/1662681617
YOUTUBE MUSIC: https://music.youtube.com/watch?v=-8LJN5t4kTw
AMAZON MUSIC: https://music.amazon.co.uk/albums/B0BRM2BRB6?marketplaceId=A1F83G8C2ARO7P

Paperboy

Stellar Loop - Cloudy Saturday afternoon, french countryside. luv this little loop

Stellar Loop

Started with syncing a few things to the TR-606: SH-101 and TD-3 to the toms' trigger-outs and TB-303 through din-sync. Juno-60 and Octave's Cat also used.

303Duo101+JunoCat-2-4_rec3a1(44k)

in the valley of the fox

I highly recommend headphones for this one due to the stereo field.

Roland Cloud jam in Ableton Live which turned into a bit more of a track. Tons of post processing going on in this one. It all started with a custom JD-800 patch I made while messing around with the JD-08 Boutique as a control surface. I added a TB-303 bassline in the same key and just kind of went crazy with throwing layers on it.

Autumnal Equinox



Written By: James Converse
Produced By: Bob Li
Mix + Guitars By: Lucas Michalski

Lyrics:
Come on take a ride,
To the land of the living.
Set all your fears aside.
Do you wanna dance with me?
Shooting for the moon
She's a noisy little girl.
Siren sing a song
She's the apple of my world.
A baby's candy.
Gonna get stole
The Devil is a Juno
The Devil is a Juno
And I'm a klepto.
And I'm a klepto
Pedal to the metal,
You're taking me through the night.
Pick any dark place,
Will you separate my silence?
Shooting for the moon
She's a noisy little girl
Siren sing a song
She's the apple of my world
It's a pornograhic scene.
Are you ready for the show?
The Devil is a Juno
The Devil is a Juno
And I'm an open eagle
And I'm an open eagle
Shooting for the moon
She's a noisy little girl
Siren sing a song
She's the apple of my world
Subliminal tunes
Cannot be controlled 
The Devil is a Juno
The Devil is a Juno
And I'm a criminal
And I'm a criminal!

The Devil is a Juno

House in Philadelphia where Kościuszko stayed in 1797
The death of Tsaritsa Catherine the Great on 17 November 1796 led to a change in Russia's policies toward Poland.[101] On 28 November, Tsar Paul I, who had hated Catherine, pardoned Kościuszko and set him free after he had tendered an oath of loyalty. Paul promised to free all Polish political prisoners held in Russian prisons and forcibly settled in Siberia. The Tsar gave Kościuszko 12,000 rubles, which the Pole later, in 1798, attempted to return, when also renouncing the oath.[104]

Kościuszko left for the United States, via Stockholm, Sweden and London, departing from Bristol on 17 June 1797, and arriving in Philadelphia on 18 August.[104] Though welcomed by the populace, he was viewed with suspicion by the American government, controlled by the Federalists, who distrusted Kościuszko for his previous association with the Democratic-Republican Party.[104]

In March 1798, Kościuszko received a bundle of letters from Europe. The news in one of them came as a shock to him, causing him, still in his wounded condition, to spring from his couch and limp unassisted to the middle of the room and exclaim to General Anthony Walton White, "I must return at once to Europe!" The letter in question contained news that Polish General Jan Henryk Dąbrowski and Polish soldiers were fighting in France under Napoleon and that Kościuszko's sister had sent his two nephews in Kościuszko's name to serve in Napoleon's ranks.[105] Around that time, Kościuszko also received news that Talleyrand was seeking Kościuszko's moral and public endorsement for the French fight against one of Poland's partitioners, Prussia.[104]

Techpec22 Presents New Track.       Big Wide AMERICA - 2

The final version of my song Vortex is finally out!

ValOne - Vortex

AI genarated song, splitted and re-arranged with real synths ;)

Stolen Ride

16:12

Music for the Dark Ages 5

Beats for the Dark Ages

been influenced by vaporwave recently. I made this today lol. lmk if you wanna use it or something ! not exactly sure what you'd classify this as but I'm def influenced by hip hop music so i tagged it as such. cover is one of my influences Kate Bush s/o to her frfr. thx for listening !! 

limelemon

One More Day

making this sonic ultraviolence was fucking harder than it needed to be after live 12 updated to 12.1 and took a massive shit on my studio life.

going dawless for a bit lol.

Think again or not at all

Genre: Techno | Ambient | Industrial | Soundtrack
Location: UK / Poland
Services: Music Production • Live Performance • Video Game Soundtracks • Sound Design

Contact: techspec22@icloud.com
Biography
IronHertz447 is a techno and ambient-industrial producer whose sound fuses the melancholy of post-communist silence with the electrified pulse of the future. Born in Poland and forged through years of underground exploration, IronHertz447 builds raw sonic architecture that speaks of defiance, survival, and spiritual evolution. Initially introduced to the scene through a grassroots concept under the alias Techspec22, the artist honed their craft with limited gear but limitless drive. That phase served as the foundation. IronHertz447 is the transformation — a rebirth with sharpened sound, elevated vision, and full-spectrum production capability.
Driven by deep roots in analog culture and an obsession with dystopian aesthetics, IronHertz447 crafts music that resonates through the body and burns into the mind. From immersive soundscapes to dancefloor detonations, every track is a story of resistance, rhythm, and rebirth.
Artistic Vision





The name “IronHertz” symbolizes power and pulse.

“Iron” stands for strength, legacy, and inner fire.

“Hertz” reflects the frequency of sound, connection, and revolution.



Together, it becomes a signal — one that blends ambient sorrow with industrial rebellion, giving listeners a raw emotional charge.

Offerings
🎮 Video Game Music Production – Atmospheric, cinematic, and tension-driven scores for immersive gameplay
🎛️ Techno Live Shows – Electrifying live sets with modular energy and dark elegance, tailored for underground spaces or digital stages
🎚️ Sound Design Services – Original textures and beats crafted for visual media, installations, or collaborations
🎧 Custom Tracks – Commissioned works for labels, filmmakers, or artistic projects

Ambient depth meets techno aggression
Strong Polish cultural influence, evoking a post-industrial landscape
Music rooted in authenticity, never filtered, always felt
Ready for both club stages and conceptual sound exhibitions

Motto
“Same fire. Sharper edge. Heavier impact.”

Bridges we've crossed and bridges we've not, in tales yet untold.
Bridges we've built and we've burned, with friends from the old.

☕ Like what you hear? Support me directly: coff.ee/marol

lmk what you think or just hit me up to chat or something

Experimenting with vintage sounds to travel through time…

The Sonicspace: Mac Pro on macOS 12 Monterey, running Ableton Live 12 Suite & Cubase Pro 12 [for film re-recording], DELL S2817Q, ASUS VE228H, 2004 Apple Cinema Display, PreSonus Eris E4.5, MXL-990 microphone, M-AUDIO AIR 192|4, Ableton Push, M-AUDIO KEYSTATION 88 MK3, Roland TB-03, Roland BOSS DR-660, Roland JV-1080

Electronic- I don't care what it takes to make a track as long as it's electronic: spaghetti, dread-locked tangles of patch cables, ridiculous VST plug-ins, feedback loops, external effects, old-school analog synthesizers or iPad apps.  You might find noise and experimental "tracks" here, live PA, maybe some ambient, downtempo, trance or analog drones.

What you definitely *will* find: Roland TB-303, Roland MC-202, Roland Alpha-Juno 1, Moog Rogue, Dave Smith MoPho, Korg Kronos, Korg microKORG, Alesis Micron, Akai MPC-1000, Ableton Push.

Lately I've been getting more into house music and early acid house which clearly shows in my newer compositions.  I've been migrating from Logic to Ableton Live but I do like to keep up with production and mixing/remixing in both.  The Ableton Push controller makes the composition part fun again ;-)  Regardless of the DAW, it's still amazing to be able to get hands-on with patch creation, performing parts and massaging the flow of a track with outboard gear (especially analogs :-)!) and dedicated controllers.

I am human… No A.I. here!
Like my music?  Drop me a like or a comment!

I identify as synth, tweak my knob - do I not squeal?

pastoral/town and country/beyond

Releases on Bohemian Club & Travin Systems.
Supported by the acid ted, music junkies & deXter bentley.

Props to everyone I've ever met.

crx091081gb@gmail.com


New tracks tagged #Juno-60