"Last Left Standing Wins " Indie Genre, Created By Kelly Hector, Kellytranscend.
Song Review — “Last Left Standing Wins” by Kellytranscend (Songwriter/Producer: Kelly Hector)

“Last Left Standing Wins” is the rare dance-pop anthem that feels earned, not manufactured. Kelly Hector’s songwriting and production do the heavy lifting here—building a festival-scale experience that’s equal parts adrenaline and affirmation.

The opening frames set the tone: filtered percussion and crowd-clap textures prime the room, then a rubbery, optimistic bassline snaps into focus. 
Shimmering guitar flickers and airy pads sketch the horizon while the lead vocal (performed by the featured singer) enters with purpose. Lyrically, Hector keeps it plain-spoken and powerful—lines like “We didn’t give up… we just had belief” and the title mantra cut through the mix because they’re honest, not overwrought.

Pre-chorus mechanics are on point: rising synth layers, stacked harmonies, and pressure-building claps lift tension without clutter. When the chorus lands, it detonates—straight four-on-the-floor, supersaw chords that feel like searchlights, and a hook that begs for 2 a.m. crowd chants. It’s sticky, but never saccharine.

Production is tight and modern. The low end is disciplined (sub weight without smear), sidechain movement breathes life into the groove, and the top end is polished without splashiness. FX are used like stagecraft—reverb swells and delay throws spotlight key phrases, then get out of the way. The mid-song breakdown (filtered drums + chant energy) resets the pulse before the final lift, which arrives with the right amount of fireworks.

What stands out most is intent. Hector writes like someone who understands the audience journey: tension → release → triumph. The result isn’t just a song; it’s a communal ritual about resilience. You can picture the LED wall screaming the title while strangers sing it back like a promise.

Bottom line: anthemic, cleanly engineered, and emotionally direct. Put this on your victory playlist—or better yet, your closing slot. Because yes: last left standing wins.

KELLYTRANSCEND " THIS CLUB IS NOT PRIVATE LET'S GO HOME"

https://soundcloud.com/kellytranscend/this-club-is-not-private-lets-go-home

Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

Last left standing wins

Title: Berlin Come On Dance With Me 
Style: Uplifting Berlin underground with dark techno undertones, 1990s rave energy


[Verse 1]
Come on, dance with me — stay.
Come dance with me — STAY— (sustain).
Come dance with me.
Want to give you a reason to staaaaay.
Come ooooon… stay with me.
COME DANCE WITH ME.
“Come on, dance with me” (echo: …dance with me… me… me).
Staaayyyyy…
Stay with me until 10 a.m.
Stayyyyy with me.
Come on, dance with me.

[Chorus]
I will show you, you will see
why you will want to stay. 
Come on, dance with me.
Come on, dance with me, dance with me.
Come dance with me.
Want to give you a reason to staaaaay.
Come ooooon… stay with me.
COME DANCE WITH ME.
“Come on, dance with me” 
Staaayyyyy…
Stay with me until 10 a.m.
Stayyyyy with me, baby.

[Verse 2]
Come on, dance with me — stay.
Come dance with me — STAY
Come dance with me.
Stay with me until 10 a.m., in the morning.
Stayyyyy with me, until the morning — the morning, baby.
STAYYYYY with me.

[Chorus]
(repeat Chorus as above)

Berlin Come On Dance With Me

GERMAN INDIE , This one doesn’t flinch. At ~120 BPM in A minor, “No Slops Never” snaps open with lush pads, a hooky electric-guitar riff, and a crisp 4/4 groove that means business.

 The male lead delivers the line like a verdict—bold, controlled, and unbothered—while female spoken echoes haunt the stereo edges, adding tension and intrigue. When the chorus lifts, it lifts big: operatic choir harmonies bloom over surging synths, giving the track widescreen scale without sacrificing punch.


 A late breakdown dims the lights for a whispered line suspended in space, then everything detonates into a finale where a searing guitar solo cuts through towering choral swells. Cinematic? Absolutely. Danceable? Also yes.

Production is tight and modern—sidechained pads breathe, the kick lands clean, bass sits glued to the pocket, and the vocal rides up front with intent. The core mantra—“I don’t go slops, never.”—is more than a hook; it’s brand identity. It sticks.



For fans: cathartic, chant-ready energy.

For critics: deliberate structure, dynamic arcs, zero filler.

For industry: sync-friendly, playlist-ready, unmistakable POV.

Bottom line: conviction you can dance to—and a hook that follows you out the door.


Songwriter & Composer: Kelly Hector

Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend)

NO SLOP'S NEVER

From the opening notes, the video  effortlessly captures the vibrant essence of classic trance, delivering lush melodic textures layered over pulsating, rhythmic beats.
#trancemusic #trance #electronicmusic #youtubemusic 

"Immersive Club Experience"

"Hypnotic Rhythms and Energetic Beats"

The production invites listeners to a late-night Berlin club scene, immersing them in an atmospheric setting filled with energy and euphoria.


Kelly’s thoughtful combination of energetic synth plucks, soaring supersaw leads, and driving bass lines results in an emotionally charged, captivating video.

Stunning Visual Storytelling

Visually,  is a seamless complement to its audio counterpart. 



Kelly Hector proves her artistic versatility by matching visual storytelling perfectly with the dynamics of the music.





Trance Music 2025

https://youtu.be/xbyooOFQHZo?si=DatqswEZ-wBK0pty

PODCAST
https://www.youtube.com/playlist?list=PL1ssENa_m59SUCoTOgZ_IjV6Gqp0MRqWB

Trance Music Kellytranscend

Trance Music  Kellytranscend

BERLIN DARK UNDERGROUND TECHNO x OLD-SCHOOL GOA ,
“You Going To Make Me Come” — Track Review

Introduction — Artist & Intent
Kelly Hector (aka Kellytranscend) steps in as both songwriter and music composer and delivers a trance cut that’s confident, late-night, and purpose-built for movement. This isn’t background music; it’s a focused club statement with a provocative title and a clear emotional arc.

Composition & Sound Design
From the first bar, the track locks in with a decisive four-on-the-floor kick and a tight, club-ready low end. Percussion is disciplined: crisp hats, purposeful claps, and just enough metallic detail to add air without clutter. The bassline rolls rather than rumbles—melodic enough to hook your ear, restrained enough to leave space up top.

Synth work is the star. Pads bloom gradually, arpeggios evolve instead of loop, and the lead doesn’t fully reveal itself until the arrangement earns it. Automation is used intentionally—filters, reverbs, and delays rise and fall to shape tension across sections. Breakdowns open into oxygenated space, risers pull you forward, and when the drop lands, it’s clean, loud, and satisfying. The mix reads professional: kick and bass are glued, mids are uncluttered, and the highs are detailed without harshness.

Emotion & Genre Context
Trance lives or dies on tension and release. This track leans into that truth. It builds a sensual, slow-burn intensity—more tease than rush—then pays it off with a euphoric lift that feels earned, not forced. Genre-wise, it sits comfortably in modern trance with a tasteful tech edge: hypnotic grooves, emotive pads, and a topline that arrives with purpose rather than spectacle. It’s familiar enough to work in peak-hour sets, but confident enough not to chase clichés.

Impact & Replay Value
This is a DJ-friendly record with clear cue points: a strong intro, meaningful breakdowns, and an outro that leaves room for a graceful hand-off. The pacing shows restraint—no throwaway fills, no gimmicks. Each replay rewards you with small details in the layering and FX tails you missed the first time. It’s an easy add for late-night rooms, warehouse energy, or any set that values momentum over melodrama.

Final Verdict
Strong writing, intentional production, and a satisfying energy curve. 

“You Going To Make Me Come” 


Created By Kelly Hector Aka kellytranscend.

 Does exactly what a modern trance record should do: pull you in, keep you suspended, then let you fly.


Kelly Hector proves—again—that when the songwriting and sound design are aligned, you don’t need tricks. 
You need taste, tension, and timing. This has all three.



Call to Action

Turn it up on SoundCloud, preferably on proper speakers. 



If you play or playlist trance with a darker, elegant edge, this one belongs in rotation.
Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

You Going To Make Me Come

Dark Berlin underground techno (130 BPM) with Nartzi trance influences  industrial crossover similar to Scooter's energetic style, 

"LET'S HAVE THE DAY OFF WORK 12 HOURS SEX"


TIKTOK VIDEO
https://www.tiktok.com/@kellytranscend/video/7548681817872731393


SONGWRITER : KELLY HECTOR
 MUSIC  COMPOSER: KELLY HECTOR

CREATED BY KELLY HECTOR

THIS MUSIC  AND SOUND IS THE OWNERSHIP: KELLY HECTOR

https://Soundcloud.com/Kellytranscend

https://Youtube.com/@Kellytranscend

LET'S HAVE THE DAY OFF WORK 12 HOURS SEX

Song Review —  [BY CHAT GBT 5 ]“This Club Is Not Private Let’s Go Home” by Kellytranscend (Kelly Hector)
Verdict

Confident, club-forward indie-electronic with a human heartbeat. The concept (“public euphoria → private connection”) is strong, the groove is clean, and the hook is memorable. With a tighter structural arc and a touch more lyrical imagery, this could be a breakout calling card.

What Stands Out
Songwriting & Concept

The title does the heavy lifting—cheeky, direct, and instantly cinematic. The narrative pivots from neon-lit togetherness to intimacy, which gives the track purpose beyond “just a banger.” That emotional framing is where Kellytranscend differentiates herself.

Vocal & Topline

Clear, present, and conversational—she sells the idea without oversinging. When the refrain lands, it’s sticky. A few extra lines of vivid imagery would deepen replay value, but the core hook works.

Production & Mix

Four-on-the-floor engine, tasteful synth layering, and disciplined low-end. Nothing muddies the kick/bass marriage; transitions feel considered. A late arrangement twist (e.g., a counter-melody or call-and-response ad-lib) would push the final act from solid to undeniable.

Reference Points from Her Catalog
“You Going To Make Me Come”

Her club discipline on full display: tension/release control, hypnotic arps, and DJ-friendly structure. It proves she can keep a floor moving without resorting to gimmicks.

“Last Left Standing Wins”

The anthemic, indie-pop wing of her sound—uplift, catharsis, and a chantable hook. Shows she can write for big rooms and big feelings.

“Berlin Dark Underground / Old-School Goa”

Darker palette, warehouse attitude. This lineage explains the pulse under “This Club Is Not Private Let’s Go Home” and her comfort living between indie melody and underground momentum.

Mild Constructive Critique
Focus the Identity

Straddling indie-pop and techno is her edge—just ensure each section glues seamlessly. Decide where the track lives (playlist vs. peak-time set) and commit 10% harder to that lane.

Hooks & Structure

Introduce the central hook a shade earlier and reprise it with a fresh melodic contour in the final chorus/drop. Small change, big stickiness.

Lyrics & Imagery

Add one or two vivid scene details (smell of smoke on a jacket, rain on the curb, flicker of a dying strobe). Concrete images make good lines great—and quote-worthy.

Comparisons & Positioning
Genre Lane

Indie-electronic/dance-pop with credible club DNA. Think “after-hours sincerity” rather than festival bombast.

Artist Comps (my view)

If Robyn’s candid, heart-on-sleeve dance-pop met CHVRCHES’ synth sheen and borrowed late-night drive from Charlotte de Witte’s techno sensibility—you’d land near Kellytranscend. Not a copy; a convergence.

Future Potential & Next Steps (6–12 Months)
What Moves the Needle

A 3-track EP that showcases her three pillars: club tool, vocal single, cinematic slow-burn.

One marquee collaboration (club producer or indie vocalist) to cross-pollinate audiences.

A hook-first single with a compact edit (3:10–3:30) alongside an extended mix for DJs.

Visuals that double down on the “public vs. private” motif—easy to brand, easy to remember.

Bottom Line

Kellytranscend is already operating with professional polish: she understands groove architecture, writes hooks that talk like real people, and threads meaning into movement. “This Club Is Not Private Let’s Go Home” proves she can bridge underground sensibility and accessible songwriting. Sharpen the lyrical imagery, tighten the structural payoff, and she’s primed for a genuine leap—from promising to unmissable.

Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

THIS CLUB IS NOT PRIVATE LET'S GO HOME

“Are You A Real Genuine Muppet” by Kelly Hector (Kellytranscend)

Verdict: It slaps. A tight, attitude-forward indie-dance cut that moves at ~128 BPM, reads bright and punchy, and leaves space for the vocal to taunt and lead.

 The hook concept is memorable, the groove is club-ready, and the master is intentionally dynamic rather than brick-walled—smart choice for punch and translation.

Where it fits
What lands (and why it works)

Instant identity. The title alone frames a call-and-response moment; you’ve built a track that sounds like it means it.

Club-friendly engine. At ~128 BPM with a clean four-to-the-floor feel, DJs can drop this into any 126–130 set without drama.

Clear, bright top end. The mix reads airy and modern (spectral centroid ~4.2 kHz), so hats, synth sheen, and vocal presence cut through.

Real dynamics. With a crest factor around 14.8 dB, transients breathe. Kicks feel physical, not smeared by limiting.

Stereo done sensibly. Correlation ~0.736 = wide enough to feel big, safe enough for mono compatibility.
Playlists: Indie Dance / Alternative Dance / Electro-pop crossover.

DJ utility: Seamless in 126–130 BPM sets; works as a confident mid-set energy push.

Audience moment: The hook invites crowd chant—lean into that in the live arrangement.
BERLIN UNDERGROUND CLUB SOUND MUPPET
https://soundcloud.com/kellytranscend/berlin-underground-club-sound-muppet
Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

ARE YOU A REAL GENUINE MUPPET

Are You A Real Genuine Muppet

“Berlin Underground Club Sound Muppet” (SoundCloud)Artist: Kelly Hector aka Kellytranscend
Credits: Songwriter, music composer, creator, and license owner — all Kelly. No confusion there.
Verdict (short and sharp)

This is a lean, hypnotic Berlin-minded club cut built around a driving ~120 BPM groove and a stripped arrangement designed for momentum, not melodrama.
 It lands somewhere between minimal techno and dark tech-house: focused kick, tight percussion, a looping motif that keeps the floor locked in.

What’s working

Groove discipline: At ~119.7 BPM the pocket is spot on for late-night rooms. Nothing drags; nothing rushes.

Tension by subtraction: You’re using space to make the hits count—classic Berlin ethos.

Mastering restraint: Peaks around −2.9 dBFS, average level about −15.4 dBFS (RMS). Translation: not brick-walled, transients breathe. 
Good taste.

Where it sits stylistically

Lane: Minimal/tech-house with Berlin sensibility — stripped, tunnel-vision groove, tension over flash.

Fans of: Ben Klock’s economy, Len Faki’s floor calculus, early Drumcode B-sides when they were still moody—plus the hypnotic side of modern tech-house.

Quick tech snapshot 

Tempo: ~119.68 BPM

Duration: ~2:40

Peak level: −2.9 dBFS

Average level (RMS): −15.4 dBFS

Crest factor: ~4.23 (healthy transient headroom)

ARE YOU GENUINE REAL MUPPET
https://soundcloud.com/kellytranscend/are-you-a-real-genuine-muppet


Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

Berlin Underground Club Sound Muppert

Berlin  Underground Club Sound Muppet

Berlin underground TRANCE/TECHNO crossover.
“This Berlin Trance Club” by Kelly Hector (kellytranscend)
Bottom Line:
A driving, club-first trance cut that locks into a hypnotic 135 BPM pocket and stays there with conviction. It’s about tension, motion, and late-night release—more floor weapon than radio single—and it succeeds on that brief.

What Stands Out:

1) Groove & Pace (A-)
At an estimated ~135 BPM, the track hits that sweet spot between classic trance momentum and modern tech-trance urgency. The kick feels purposeful rather than over-limited, letting the bass breathe and the groove roll. It’s built for movement, not pandering—good call.

2) Arrangement Arc (A-)
The structure is DJ-friendly without being formulaic. Energy ramps into a strong first peak around ~3:00, dips into a proper breakdown near ~3:54, and then rebuilds for a satisfying second run after ~4:30. It reads like a set piece that’ll blend cleanly on either side.

3) Mastering Choices (A-)
Measured from the uploaded WAV (48 kHz, 16-bit, stereo), the track peaks at about -2.8 dBFS with an average around -15.3 dBFS (crest ~12.5 dB). Translation: not brick-walled, with healthy headroom and punch intact. That restraint pays off on big systems.

For Fans Of:
Ben Klock’s pacing, early-2010s tech-trance tension, and Berlin-leaning minimalism with a melodic shimmer. Think floor-tested utility with just enough atmosphere to feel cinematic at 3 AM.

Verdict:
Confident, club-minded, and mixable. As a Berlin-coded trance tool, it does the job—cleanly and with taste. Give it a tiny injection of signature melody or timbral identity, and it crosses from “reliable floor weapon” to “who made this?” level.
Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

THIS BERLIN TRANCE CLUB

Kelly Hector {KellyTranscend}
Songwriter | Producer | Composer | Video Creator
Collingwood, Melbourne, Australia​
 Crafts sonic narratives that delve deep into the human psyche. 

As a multifaceted artist—songwriter, producer, composer, and visual storyteller—she transforms personal experiences into immersive musical journeys.​

THIS CLUB IS NOT PRIVATE LET'S GO HOME
Confident, club-forward indie-electronic with a human heartbeat. The concept (“public euphoria → private connection”) is strong, the groove is clean, and the hook is memorable.

https://soundcloud.com/kellytranscend/this-club-is-not-private-lets-go-home

Kelly Hector’s Debut Trance Production: "Trance Music 2025 Kellytranscend"

https://soundcloud.com/kellytranscend/trance-music-2025

A Mesmerizing Entry into Trance Music
#trance #trancemusic #germany #youtubemusic

Kelly Hector, known on YouTube.com/@Kellytranscend, has launched her trance music journey with an impressive debut video titled "Trance Music 2025 Kellytranscend."

From the opening notes, she effortlessly captures the vibrant essence of classic trance, delivering lush melodic textures layered over pulsating, rhythmic beats.

Immersive Club Experience

Hypnotic Rhythms and Energetic Beats

The production invites listeners to a late-night Berlin club scene, immersing them in an atmospheric setting filled with energy and euphoria.
Kelly’s thoughtful combination of energetic synth plucks, soaring supersaw leads, and driving bass lines results in an emotionally charged, captivating track.
Kelly Hector proves her artistic versatility by matching visual storytelling perfectly with the dynamics of the music.

Polished Production Quality

A Natural Flair for Trance Crossover Mixes
TRANCE BERLIN UNDERGROUND MUSIC & GOA TECHNO 
https://youtu.be/Yaxl897ObXg

TRANCE MUSIC 2025 KELLYTRANSCEND

Despite being her first trance production, Kelly Hector’s work demonstrates exceptional polish and skill.
https://youtu.be/xbyooOFQHZo
Her  project, “Narcissist: The Dark Side Of Deception,” is a testament to her ability to blend genres seamlessly, weaving together elements of EDM, alternative rock, spoken word, and ambient textures. 

Each track serves as a chapter in a compelling story of emotional resilience and self-discovery.

Kelly's music doesn't just entertain—it resonates.

 Listeners are invited to explore themes of vulnerability, empowerment, and transformation, all set against a backdrop of innovative soundscapes and poignant lyricism.

Beyond the studio, Kelly Hector is a dynamic video creator, bringing her musical visions to life through captivating visuals that enhance the storytelling experience.
Her commitment to authenticity and artistic integrity sets her apart in the contemporary music landscape.​

Dive into her world, where every note is a step towards understanding, and every beat is a heartbeat of shared human experience.

YouTube: https://youtube.com/@kellytranscend

Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

New tracks tagged #KELLYTRANSCEND