This interlude commemorates the time when I showed my nephews how to fly a kite. 💙

A boy and his kite

𝕝𝕒𝕥𝕒𝕨𝕚𝕖𝕔

verse1)  SOPHiA /다미/sumin
어릴적 연을 들고 한참 동넬 서성이곤 했어 그때
마침 하늘이 파랗고 선선한 바람이
연을 띄우고 손끝에서 바람 느꼈지
순애네 너만 보이네 
내 바람을 담은 손끝과 연이 닿을  때
순간 놓쳐버렸지 너를 바람을
오 떠난 인연이여

hook1) sumin
it so sad i'm alone 
날 잊고 떠난 저 연은 날지만
줄을 당겨 힘껏 또다시 해를 가리지만
떠나지 말자고 약속했잖아 소원이니까 가지마 

verse2) 다미/ SOPHiA/sumin
요즘은 어때 아직 생각나
내가 사랑했던 순간들이 너 다시 나를 볼때까지
너를 잊을때가지 남아  있었던 하늘만 바라보고 있어 
한번쯤도 볼 수 없어 우리
그럼에도 다가가기 위해
매일 보고 있잖아 저 하늘
갈 순 없잖아

hook2) SOPHiA
it so sad i'm alone 
날 잊고 떠난 저 연은 날지만
줄을 당겨 힘껏 또다시 해를 가리지만
떠나지 말자고 약속했잖아 소원이니까 가지마 

bridge) sumin/다미
이런게 인연인지 참 야속해
희망만 있잖아
언젠간 추억이 바람에 닿길

hook3)  SOPHiA/sumin
I just stay for along
날 잊고 떠난 인연은 없지만
선을 넘어 날아 그때의 너애게 닿을 때까지
그 꿈을 안고서 약속했잖아 소원이니까 돌아와

-곡 설명-

 어릴 적 인연이 그리운 이유는 무엇일까요? 인연은 사람 사이의 관계 맺음으로 그곳엔 타인만이 아닌 그 시절 “나” 가 있습니다. 어쩌면 우리는 순수하던, 무언가에 열정적으로 몰두했던 스스로를 그리워하는 것일지 모릅니다. 

 한때 연을 가지고 집 근처 언덕에서 뛰어다니던 기억이 있습니다. 연이 하늘을 나는 모습은 저로 하여금 알 수 없는 해방감을 느끼게 했습니다. 뛰는 속도에 맞춰 활공하는 연을 보면 줄로 이어진 저도 같이 하늘을 나는 것 같았기 때문입니다. 그땐 마치 구름빵을 먹은 아이들처럼, 동화 속 주인공처럼 행복한 꿈을 꾸었습니다. 당시 꾸었던 꿈과 편견 없는 바람, 순수한 소망은 정말 “순애”라 할만합니다. 시간은 많이 지났고 어느새 연을 본지도 오래됐지만 하늘은 유난히 파랬고 바람은 너무나도 선선했던 그 시절을 항상 가슴에 품고 있습니다. 이제는 정말 동화가 되어버린 그 추억을 잊지 않기 위해 실낱같이 얇은 기억의 줄을 단지 꼭 잡고 있을 뿐입니다.

 살아오면서 많은 인연을 놓아준 것 같습니다. 보내기 싫었던 첫사랑, 유년 시절, 학창시절의 친구들, 한때 원했던 꿈이나 소망들을 하나둘씩 잊어가며 세상살이에 적응해왔습니다. 더 많은 것을 할 수 있고 이제 진짜 돈을 주면 하늘을 날 수 있는 나이가 되었지만 가끔은 외로움을 느낍니다. 떠나보낸 많은 것들의 빈자리가 갑자기 느껴질 때면 어쩐지 슬프기도 합니다. 

 그럴때면 기억의 줄을 당깁니다. 비록 잠시 현실이라는 해를 가리더라도, 보이지 않은 광활한 하늘에, 가슴 깊숙한 곳에 잊혀진 인연을 다시 떠올리면서라도 그들과 함께하고 싶기 때문입니다. 그러다가 잊지 않겠다던 어릴 적 저와의 약속, 그 시절의 소원이 생각나면 기억은 없고 희망이라는 감정으로만 남아있는 그 모든 것이 야속하기도 합니다. 인연이 남기고 간 빈자리, 연이 떠난 하늘만 그저 멍하니 바라볼 수밖에 없는 걸까요.
 
 우리는 필히 어딘가로 돌아가야 하는 운명인 것 같습니다. 바람으로 하늘로 추억으로 스스로를 돌려보내고자 하는 우리는 움직이 않는 세월에게 돌아오라고 말합니다. 하늘로 난 연이 돌아올 순 있을까요? 아니면 우리 마음 속에 남아달라는 바램일까요 노래 끝의 돌아오라는 말은 어쩌면 떠나간 세월이 부르는 소리 같기도 합니다. 
 
 이제 날아보기로 합니다. 연이 있는 곳까지 우리가 가야할, 어쩌면 돌아가야할 삶과 하늘의 끝에 닿을때까지 말입니다.

사진 출처:
https://pixabay.com/ko/photos/%ED%8C%A8%EB%9F%AC%EA%B8%80%EB%9D%BC%EC%9D%B4%EB%8D%94-%EB%82%98%EB%8A%94-%EB%B9%84%ED%96%89-4225/

비트출처:
https://www.youtube.com/watch?v=T8AAacIL3LM&list=LL&index=16

연 (feat. SOPHiA, 다미, Sumin) (Prod. Rebbel)

Francesco Cavaliere - I-A-K Interplanetary-Abyssal-Kite
LP on Xing (XONG collection XX15) out October 2024, order at https://www.soundohm.com/product/iak-interplanetary-abyss
Collector's edition available at https://www.soundohm.com/product/interplanetary-abyss-art and at https://shop.flash---art.it/products/francesco-cavaliere-i-a-k-interplanetary-abyssal-kite

*

Xing presents the new LP I-A-K Interplanetary-Abyssal-Kite by Francesco Cavaliere, fifteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies supported by the Italian Council. Collector’s edition of 35 copies, each accompanied with a foulard-kite designed by the artist.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project, based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances. At the same time sound sculptures and music instruments, they have been created by the master glassmakers of Murano. In the words of Francesco Cavaliere, these sounding bodies “function as ambivalent musical instruments (idiophones, such as bells, and aerophones, susceptible to air vibrations) for which the two transparent materials par excellence were used: glass, rigid and crystalline, and sound, an intangible element, which moves and organizes through gaseous paths.”
I-A-K Interplanetary-Abyssal-Kite is a record of abstract electronics and glass music, a crossing of abyssal paths flown over by a cosmic kite that skims, touches and approaches the thresholds, peaks of both visible and invisible places, and returns the sound that inhabits and surrounds them. “It is a sonic binocular with a thousand eyes” that fogs up and never decides to stop on one or more defined shapes: it is always in movement, bouncing between geometries. The different cells that make up its appearance - crystalline greens, greys and only in some cases orange yellows - were cut out and generated using a 2012 Macintosh OSX computer. Before being arranged, each sound ritually passed through three blown glass sculptures named SÀBANAS I, ALIQUOMANÀS and ENQUOMANÀSC, belonging to the Abyssal Dynasty I.

Francesco Cavaliere is a visual artist, writer and sound maker born in Tuscany, Italy, in 1980. He lives and works between Berlin and Turin. His works are capable of enlivening his listeners' inner states through a polymorphic activity that combines writing, sound, voice, drawing, sculpture, which together stimulate the imagination, undertaking long journeys crossed by ephemeral presences. He writes sound stories and music based on particles of sound, noise and language, often integrated with installation and scenographic elements or live performance, showing a particular taste for the most diverse forms of exoticism. Over the years he has developed a veritable dictionary to catalogue the metamorphic beings that inhabit his own abstract fantasy universe: hybrids of objects, animals, plants, planets, trails, cosmic objects and physical and perceptual phenomena generated by glass, minerals and voices, recorded and performed with analog technologies. "I am a talking scribe ... my voice is a cloud, my pen hisses."
Along 2023-2024 he developed Corpi Abissali / Abyssal Creatures, a project with several occasions of activation between sculpture, performance, sound and text, curated and produced by Xing, supported by the Italian Council.
https://cavalierecircles.wixsite.com/francesco-cavaliere   www.instagram.com/cavaliere.circles7 www.francescocavaliere.bandcamp.com
soundcloud.com/f-cavaliere

*

Composition and sounds Francesco Cavaliere, Recorded at Raum Bologna (2023) with Pasquale Savignano, Master Giuseppe Ielasi, Cover image Francesco Cavaliere, Image treatment Marco Casella, Artwork Xing, Press handle with care Berlin, Released by Xing, Cat.n° XONG collection XX15 (2024), Label Xing

I-A-K

XX15: Francesco Cavaliere - I-A-K Interplanetary-Abyssal-Kite - excerpt B2

XX15: Francesco Cavaliere - I-A-K Interplanetary-Abyssal-Kite - excerpt B1

Francesco Cavaliere - I-A-K Interplanetary-Abyssal-Kite
LP on Xing (XONG collection XX15) out October 2024, order at https://www.soundohm.com/product/iak-interplanetary-abyss
Collector's edition available at https://www.soundohm.com/product/interplanetary-abyss-art and https://shop.flash---art.it/products/francesco-cavaliere-i-a-k-interplanetary-abyssal-kite

*

Xing presents the new LP I-A-K Interplanetary-Abyssal-Kite by Francesco Cavaliere, fifteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies supported by the Italian Council. Collector’s edition of 35 copies, each accompanied with a foulard-kite designed by the artist.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project, based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances. At the same time sound sculptures and music instruments, they have been created by the master glassmakers of Murano. In the words of Francesco Cavaliere, these sounding bodies “function as ambivalent musical instruments (idiophones, such as bells, and aerophones, susceptible to air vibrations) for which the two transparent materials par excellence were used: glass, rigid and crystalline, and sound, an intangible element, which moves and organizes through gaseous paths.”
I-A-K Interplanetary-Abyssal-Kite is a record of abstract electronics and glass music, a crossing of abyssal paths flown over by a cosmic kite that skims, touches and approaches the thresholds, peaks of both visible and invisible places, and returns the sound that inhabits and surrounds them. “It is a sonic binocular with a thousand eyes” that fogs up and never decides to stop on one or more defined shapes: it is always in movement, bouncing between geometries. The different cells that make up its appearance - crystalline greens, greys and only in some cases orange yellows - were cut out and generated using a 2012 Macintosh OSX computer. Before being arranged, each sound ritually passed through three blown glass sculptures named SÀBANAS I, ALIQUOMANÀS and ENQUOMANÀSC, belonging to the Abyssal Dynasty I.

Francesco Cavaliere is a visual artist, writer and sound maker born in Tuscany, Italy, in 1980. He lives and works between Berlin and Turin. His works are capable of enlivening his listeners' inner states through a polymorphic activity that combines writing, sound, voice, drawing, sculpture, which together stimulate the imagination, undertaking long journeys crossed by ephemeral presences. He writes sound stories and music based on particles of sound, noise and language, often integrated with installation and scenographic elements or live performance, showing a particular taste for the most diverse forms of exoticism. Over the years he has developed a veritable dictionary to catalogue the metamorphic beings that inhabit his own abstract fantasy universe: hybrids of objects, animals, plants, planets, trails, cosmic objects and physical and perceptual phenomena generated by glass, minerals and voices, recorded and performed with analog technologies. "I am a talking scribe ... my voice is a cloud, my pen hisses."
Along 2023-2024 he developed Corpi Abissali / Abyssal Creatures, a project with several occasions of activation between sculpture, performance, sound and text, curated and produced by Xing, supported by the Italian Council.
https://cavalierecircles.wixsite.com/francesco-cavaliere   www.instagram.com/cavaliere.circles7 www.francescocavaliere.bandcamp.com
soundcloud.com/f-cavaliere

*

Composition and sounds Francesco Cavaliere, Recorded at Raum Bologna (2023) with Pasquale Savignano, Master Giuseppe Ielasi, Cover image Francesco Cavaliere, Image treatment Marco Casella, Artwork Xing, Press handle with care Berlin, Released by Xing, Cat.n° XONG collection XX15 (2024), Label Xing

XX15: Francesco Cavaliere - I-A-K Interplanetary-Abyssal-Kite - excerpt A

Jeden Monat am letzten Sonntag wird eine Folge herauskommen, die erste bei mir und die zweite bei Kite. 
Abonniert am besten beide Channels :D

GAMECRASH Podcast "MINECRAFT!"

Auggië & Enes Cakır - Kite, Ankara [25.09.2024]

SHIT GLISTENS ROUND MY NECK IONGAF BOUT DA BITCH

KAIXAN - MIDNIGHT DANCE FLOOR (PROD. OMEN)

prod me

Redactions...
I'm too ashamed of my actions..
I cant even start to sort
What you read in that report...
What i did, I did for fun
Taking life with no remorse
You can hide and you can run
Right hand when i up this gun..
Take a look in the mirror,
Cant you see its you your killing?
I shouldve died in that room
I remember the feeling
I couldve waited after,
For something bad to happen
Im on my way to heaven 
And everybodys laughing

Brutality, inscripted paragraphs remark the tragedies
Trying to forget forgotten faces in my memories
What has this world become, why did i wake up here
As i turn around the apparitions start to disapear
Its clear to see,
that youve met your time; its time to go
Total misery...
These are tools i use for taking souls
Theres a part of me
I swear it really hates this
Modifying bodies
Ill give you a little facelift

redacted

happy halloween to everyone

1. insomnia (me + @fum1ko)
2. revenge (me + @1darko)
3. coldness (me)
4. regret (me)

halloween 24 clips (inspired by redpriest, pitfall & blackpoint) w/ darko & fumiko!

ВЫРЕЗАЛ ЕЙ СЕРДЦЕ (prod. @revival + waystalker)

IN DA SPOT! |FXNSI X PAPRR!!| P.RYDXR|+SEPARATE II *SNIPPET*

.two

Recorded, mixed & mastered 27 Nov 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

This piece is a section of a longer generative improvisation. Using a patch I created earlier in the evening on Arturia Prophet V3 in the VS mode, I started in Bitwig with a few sequenced notes, Nitwig’s own random elements, CodeFN42 RandArp & iZotope’s Neoverb. I chose a small section to replicate across four tracks in Ableton Live and committed some variation with Live’s native devices and some other iZotope plugins. 

This original version of "Ion Exchange & Found" was submitted as part of Naviar Haiku 569, Resplendent. 

Resplendent
the kite soaring up above
the shanty town

by: Kobayashi Issa

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. 

Art/photography by Jim Lemanowicz, 07 Nov 2009, Massapequa, NY, USA
©2024 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Ion Exchange & Found  (naviarhaiku569)

ONX SURF 006 | DEEP HOUSE. MELODIC/PROGRESSIVE HOUSE

Founder of @dawgsmusik
Stil vor Talent | Engrave LTD | Monaberry | Multinotes
New baby @grandeseries

Sound artist.
Freedom from being unknown.
Support me at https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

Professional House Music & Amapiano DJ with close to a decades experience. 
I sometimes DJ 90s & 2000s Hip Hop & RnB and R&B. 
DJing is my love & hopefully the love'll be felt by you one mix at a time.

I make both vocal and instrumental music that oscillates between Electronic Rock & Bass Music.
More tunes coming up, so #staytunedlikeakeyboard!

I started producing & recording around 2002. Around that time I was also playing concerts and always felt at home on stage, which comes to no surprise as the child of a professional musician. I just grew up improvising on all kinds of instruments, so the addition of singing and rapping - especially freestyle - was just a natural progression from that.

PFP made by: instagram.com/dylan_j_shipley

Lil goat kid #sonofsatan |IG:@NOTPAPRR|

#experimental

New tracks tagged #KITE