In this episode, Edd Hall discusses the latest cybersecurity developments, including CISA’s malware analysis report on exploited SharePoint vulnerabilities, Microsoft’s urgent warning about CVE-2025-53786 in hybrid Exchange environments, and new additions to the KEV catalog. He also covers critical flaws found in Dell laptops, a clever evasion technique used by Akira ransomware, and recent data breaches affecting Air France and KLM. Plus, a deep dive into the alarming exposure of over 1.2 million healthcare systems online. Stay tuned for expert insights and actionable takeaways to keep your organization secure.

Patch Now or Pay Later: Today’s Critical Cyber Threats

Been wanting to do this mix for years. Drum and bass became a standalone genre around 1994, but there was a period before that, that lasted probably 8-10 months where the sound was no longer Belgian influenced hardcore with stabs from tracks like Spectrum (Joey Beltram) but where the music was being inspired by the Jamaican influences found in London. Artists like WAX doctor were discovering beats but DNB was not yet a genre. Tracks like Rocket by EZE-OZO, or “This is not about hate” by Clive “flash” Gordon are from 1991! It was going to be a full 3 years later that the first release of Metalheadz was going to come out. 3 YEARS! You want prototype jungle; you need to go back. You’ll find a guy called Gerald, that two years before is writing acid house with 808 states to writing breaks and sampling dancehall and mixing it all together. Sometimes this music sounds lost and without format (and try mixing it on vinyl!!), but remember that you are listening to music that was being created from a complete cauldron of sounds, in bedrooms and dropped onto vinyl. Chucked in the back of car and sold in shops in London (“yeah the records are warped because they were on the back seat of the car and took sun while I was driving around, sorry!”). 1991 was undoubtedly the greatest year ever in what is called dance music or EDM today. We did not have genres we simply had music that we young people listened to. 6 months after many of these tracks were released, another up-tempo shift happened where BPMs increased. That meant that many of the tracks in this mix were never heard again. Despite being slow on BPMS these are some of the hardest breaks that were ever written (Check Konspiracy at 35m, utter filth!). For the purists, yes, I did slip in a track by Roger Johnson near the end as it just rolls so perfectly into Jack n Phil. Mixed down on the Allen & Heath Xone32 with 1200 MK2s fitted with ortofons.

You’re going to here: Micky Finn, Eze ozo, a Guy Called Gerald, Top Buzz, 2 Bad Mice, Kev Bird & Wax Doctor, DJ Mayhem, Hedgehog Affair, Konspiracy, Roger Johnson, Jack n Phil, and some other white labels.

The photo on this mix is the Four Aces Club in Hackney. Now it's a set of apartments, but it was one of the clubs that drove the genre forward.

Proto Jungle Sound - The Birth of Jungle (1991)

ocean cry

They’ll call you crazy for chasing your dream.
They’ll call you obsessed for living in the gym.
They’ll call you weird for not following the crowd.

Good.
Let them.

Because the world doesn’t need another copy.
It needs someone real.
Someone authentic.
Someone who refuses to blend in.

Every rep you put in.
Every sacrifice you make.
Every moment you choose the hard road instead of the easy one…
That’s you being different.
That’s you becoming unstoppable.

Greatness isn’t found in fitting in.
It’s found in daring to stand out.
BE DIFFERENT.

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Be Different.

In this episode, Edd Hall discusses the recent wave of cybersecurity events, starting with the Red Hat breach that exposed internal project data, the surge in CVEs and how insurers are reacting, and the Kodex outage caused by social engineering. He also covers the emergence of the Klopatra Android trojan, new CISA advisories and additions to the KEV catalog, along with major data breaches impacting Allianz Life and WestJet customers.

From the Red Hat Breach to the WestJet Data Leak

MΞXICO covers 1,972,550 km2 (761,610 sq mi), and is the thirteenth-largest country in the world by land area. With a population exceeding 130 million, Mexico is the tenth-most populous country in the world and is home to the largest number of native Spanish speakers.

MΞXICO.leak.mp3- KΞV

In this episode, Edd Hall discusses the latest cybersecurity developments, including hackers deploying Linux rootkits on Cisco routers, the U.S. Senate’s scrutiny of Cisco’s security practices, and active exploits targeting Adobe Experience Manager and Windows BitLocker. He also covers Integris Health’s $30 million data breach settlement, new additions to CISA’s Known Exploited Vulnerabilities catalog, and the often-overlooked hidden costs of penetration testing — highlighting how these events shape today’s digital risk landscape.

Cisco Rootkit Exploits, Adobe Zero-Day Attacks, and Integris Health Settlement

Free Download

DJ Snake - Magenta Riddim (KEV LAVIGNE remix)

In this episode, Edd Hall discusses the latest developments in cybersecurity, including emerging threats, critical vulnerabilities, phishing campaigns, AI-related security risks, and high-profile data breaches. He highlights key actions organizations should take to strengthen defenses, manage risks, and protect sensitive data in an increasingly complex digital landscape.

Emerging Threats, Critical Vulnerabilities, and AI Security Risks

In this episode, Edd Hall discusses the latest cybersecurity developments shaping the global landscape — including a massive surge in DDoS attacks across the Middle East, LinkedIn’s AI data privacy deadline, and a shocking case of a U.S. defense contractor selling exploits to Russia. He also covers a major data leak from Iran’s intelligence academy, new additions to CISA’s Known Exploited Vulnerabilities catalog, malware targeting WooCommerce sites, high-severity flaws in Docker Compose, and fresh security guidance from CISA and NSA for Microsoft Exchange and industrial control systems.

DDoS Surge, AI Privacy Deadline, and New CISA Warnings

The Daily HEAL Security Dispatch Podcast is a leading source for up-to-the-minute news and deep insights in the realm of healthcare cybersecurity and threat intelligence. 

At the heart of HEAL Security's vision is the commitment to equipping organizations and individuals with rapid, contextually rich cybersecurity updates, establishing itself as a pivotal force in unifying practice and data against the ingenious tactics of criminal and malicious entities. HEAL Security is fervently devoted to constructing a robust resource and community that champions the defense of the healthcare sector against the growing cyber threats from organized crime groups and antagonistic nation-states. Our core focus encompasses the protection of vital IT infrastructures, the security of sensitive patient and clinical information, the safeguarding of critical healthcare systems, and the assurance of continuous, undisturbed patient care services.

The iron shapes you, the mindset defines you. True strength starts from within.

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𝐃𝐉 𝐏𝐑𝐎𝐃𝐔𝐂𝐄𝐑 
Afro / Tribal / Melodic house

BOOKING : kevlavignemusic@outlook.fr

ORIGINAIRE DE MARSEILLE,
KEV LAVIGNE EST UN DJ ET PRODUCTEUR PASSIONNÉ DE MUSIQUE AFROHOUSE. SA MUSIQUE A DÉJÀ SÉDUIT DES ARTISTES INTERNATIONAUX COMME NITEFREAK, AARON SEVILLA OU ENCORE KIMOTION, QUI L'ONT JOUÉ À TRAVERS LE MONDE
IL A SIGNÉ SES PRODUCTIONS SUR PLUSIEURS LABELS DE RENOM TELS QUE TOGETHER WE'RE LOUDER (DIRIGÉ PAR
-HUGO C ANTARRA), ADAMA RECORDS OU ENCORE UNIDOS RECORDS
ARTISTE LIVE À PART ENTIÈRE, KEV LAVIGNE PROPOSE UNE EXPÉRIENCE UNIQUE EN ALLIANT DJ SETET PERCUSSIONSLIVE AVEC SON DJEMBÉ

I begun DJing in 1990 back in the day when people were producing tracks in their bedroom and it seemed as though there were more bootlegs on the market than general releases. The labels didn’t have a clue what was going on and D-construction was a small dance label that was signing acts like N-Joi rather than Kylie. I did two years in the smoke playing sets to crowds of 2,000 party people that really knew their music.

If you were a DJ playing old records, you’d get booed off the stage, or the crowd would leave the room and go upstairs. I kept it close with my crowd, people would come up to me and ask if I had this tune, if it wasn’t in the box I’d play it next week. But it wasn’t a case of these people making jukebox requests but rather that they wanted to feel a part of the scene and know that they had some hand in making the night.

Out of the club into another, the nights were long and people just kept on going. 200 cars in convoy going down the A1 that was a real feeling of unity. You’d end up in a field with or without a generator, but someone would light a fire and, in the end, you might be dancing around a car stereo but it still sounded good, people believed that they were part of a new expression, a new movement.

Roll that musical clock forward and by 2011 what remained was a shrink wrapped corporately packaged scene that got its kicks from re-releasing and remixing tracks created from back catalogues of labels from the 70s and 80s snapped up for next to nothing. The majors took over distribution and the public channels of expression for independent producers has got even harder. Take a trip down the lane of the tracks that defined our genre and you won’t find too many happy faces. From Rappers Delight, through to Grandmaster Flash - Larry Heard, the man that gave you Fingers Inc - went off to become a programmer. LARRY HEARD!!! 

Back in the day a DJ would take two tracks and blend them to make a third with a mix that could last up to 4 minutes. That for me has always been a part of what a DJ should do. It's much easier now as all you have to do is push a button to beat sync it, whereas if you were mixing over the quartz lock crest of the 1210s you'd be moving it over and below the green light as you were mixing it up!

Music has today become much more disposable in the digital age, reducing people’s creative art to a click. Skip through it, break it down to a stem, no sleeve notes, no artwork visual dimension to the artists creation. All you get is track01 - 4.5MB! Do you want to download? That's today, but for me sleeve artwork for dance music has always been something special too.

DJ equipment is now cheap much more accessible – my Numark 1762 cost me nearly £400 back in 1990. My current Xone32 is still stupid money but you can’t beat the analogue circuitry inside.

The period 1988-1994 was to dance music what the 1960s was to free love. Either you were lucky to have been at just the right age to have been a part of it, or you missed out. We were the last generation to get a youth culture before the smartphone made the youth look inside instead of the world outside.

Music will take centre stage once again at some point in the future, but for all of use that were part of it we know we were part of something special, and this idea of one love guides us to this day. 

My thanks to the following people:
JJ Slide at St. Matthews Church in Brixton
Goa Nights at Tyssen Street Studios  in London
Global Dance 3,4 and weekly nights of Exposure at the Stour Centre in Kent
Buzzbys on a Friday night
SpiralTribe Sound
Chocki and the boys
Nicki Blackmarket
Ratpack
Fabio and Grooverider
Ellis Dee
Truelove productions
Heavenly Recordings
Blapps Posse
Break the Limits
Reinforced Recordings
K-Klass
Zoom Records (Camden)
Horace, (Camden Market)
Resistance D
P. Slaghaus (rip)
Leigh303 (for showing me the dance light)
K-Alexi Shelby....to understand means a way of life...

Keep listening.....to everything

New tracks tagged #Kev