This piece is the first of Karganoff's "Arabesques - 12 petites pièces pour le piano, op. 6" which was first published in 1880 and dedicated to Mademoiselle Alexandrine Solovieff.
The pieces are very versatile, many of them in happy, joyful tone and mood, which much ornamentation (typical for Arabesques). And this first one  is a very strong opening. Some of the pieces are a quite virtouso, especially this first one, No. 9 and No. 12. Typical of Karganoff's somewhat longer pieces are the middle sections, which often stand in stark contrast to the main section and in a completely different key. In the 1st piece there are even two inserted parts, the 2nd in G flat major. All in all, the 12 pieces are relatively demanding and varied music and quite a lot of work for a pianist.
Also typical for this set it that the pieces don't have titles except for the performance description / expression marks.

12 Arabesques op. 6

Génari Karganoff, Allegro Molto Energico, G  Major, Op. 6, No. 1

12 Arabesques, op. 6

Génari Karganoff, Andante Con Moto, B minor, Op. 6, No. 2

Génari Karganoff, Allegretto, E minor, Op. 6, No. 3

Génari Karganoff, Moderato Con Espressione, G major, Op. 6, No. 4

Génari Karganoff, Allegro Moderato Intermezzo Meno Mosso, G minor, Op. 6, No. 5

Génari Karganoff, Allegretto Cappricioso, D major, Op. 6, No. 6

This is one of my favorite pieces, so swinging. Somehow a hit. Total drive in this piece.

Génari Karganoff, Andantino Con Moto, C major, Op. 6, No. 7

Génari Karganoff, Poco Larghetto, A flat Major, Op. 6, No. 8

Génari Karganoff, Con Moto Agitato, C minor, Op. 6, No. 9

Génari Karganoff, Vivace, G major, Op. 6, No. 10

Génari Karganoff, Moderato, D major, Op. 6, No. 11

Génari Karganoff, Allegro Vivace, Meno Mosso, Presto, G major, Op. 6, No. 12

Ein kurzes Demo, wie die Herzöffnung klingt.
Den ganzen Titel findest Du auf meiner Website www.corairsen.biz
Im Bereich Shop.

Herzöffnung  Hörbeispiel

Klavier: Oliver Taupp / Mastering: Werner Goos

Claude Debussy: Prélude à l'après-midi d'un faune

Music, Lyrics: FLUSE. 
© by Anja Rohloff, Hamburg.
Label: kreativfluse

CLOSE-UP

Grounding Hörbeispiel

Ruf der Seele Hörbeispiel

Harald Muenz&#13;
&gt;&gt; schönes klavierstück &lt;&lt; (2006)&#13;
For piano&#13;
&#13;
for elfriede&#13;
Concert live recording 5 June 2015, London&#13;
Ian Pace - piano&#13;
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Score link: http://bit.ly/Ln4WrV&#13;
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Incidentally, my titles often contain a good deal of ambiguity, and, as usual, I added the heading only after the piece was finished a long time before. It certainly was not the guiding principle by which I was composing. The title is purely ironic, of course, and carries a question mark into the music. This is part of my confrontational way of thinking. In German, deliberate lower case letter spelling throughout belongs to the tradition of modernism, and reveals a further rupture. Additionally, "beautiful piano piece" is put in quotation marks, which is a reminder of Adorno's essay "Schöne Stellen" ("Beautiful Passages"). There is the German mocking term "Quintolenmusik" ("quintuplet music") for intricate rhythms in new music, and in the last third of the piece, a quintuplet passage appears, indeed: there the pianist must play the same rapid figure-of-five eight times in a row, and, if possible, eight times in exactly the same identical way as if on a cheap MIDI keyboard, without any dynamics or agogics. This banal pentatonic set piece, a commodity figuration, should sound like a "ready made", as if it had been "spliced in" from some pre-existing tape music. At the same time, the dedication "for elfriede" refers to the fact that "beautiful piano piece" could have become part of an unwritten piece of music theatre, which, at the time, I was planning and pursuing together with the Austrian poet Elfriede Czurda. (Harald Muenz / Bob Gilmore)

schoenes klavierstück

schönes klavierstück (2006; Ian Pace - piano; live recording)

Personalisiertes Klavierstück für Dich • https://corairsen.biz
Started piano with 4 years, published over 10 recordings, echo-winner, 
Soulcoach, ThetaHealing®, corairsen@web.de

Anja Rohloff is a singer/composer from Hamburg, Germany.

Weitere Infos auf:
https://oliver-taupp.jimdosite.com/

Harald Muenz (he/him)
is a German-Italian transdisciplinary artist realising instrumental & vocal, peformative and radiophonic works with an artistic focus on phonetic composition & Ars Acustica.

Harald's compositions have been commissioned by Ensembles Mosaik, auditivvokal, hand werk, Apartment House, Modern, musikfabrik; by radio stations such as Hessischer Rundfunk, Westdeutscher Rundfunk, BBC, Deutschlandfunk, DLF Kultur, among others.
Harald's works have been performed and broadcast internationally and have been documented on several CDs (portrait CD nearly-fast with Ensemble Mosaik at Coviello).
Frequent collaborations with experimental poets (Florian Neuner, Mathias Traxler, Cristian Forte, Christian Filips, Roža Domašcyna, among others)
On the VR platform Second Life, Harald (aka Cuirec d’Erc) has realised several interactive sound installations and has been a member of the Avatar Orchestra Metaverse (aom) since 2017.
Harald is also active as a multilingual speech performer (trio sprechbohrer), author and lecturer.
Harald's music has been occasionally described by others as ‘worldly,’ ‘non-conformist,’ or ‘provocative.’

https://haraldmuenz.carrd.co/
Work list on http://composers21.com/compdocs/muenzh.htm

Artist residencies
1996 Künstlerhaus Schloß Wiepersdorf (Brandenburg/Germany)
2000 Villa Aurora (Los Angeles/USA)
2021 Künstlerhof Schreyahn (Niedersachsen/Germany)
2023 Atelier Galata (Istanbul/Turkey)

Studies
Composition at Music Universities in Cologne (J. Fritsch, K. Meyer, C. Barlow) and Stuttgart  (H. Lachenmann)
PhD in Composition from Brunel University London (J. Croft)
Phonetics at Cologne University’s Institute for Linguistics (G. Heike, G. Sachse)
„Cleaning the House“ Workshop by the Marina Abramović Institute

Teaching
2001-2005 Lecturer for Aesthetic Phonetics, Institute for Linguistics, University of Cologne (part-time)
2006-11 Artistic Director of Musikhochschule Lübeck's Studio for Electronic Music (part-time)
2005-16 Lecturer in Composition Brunel University London (full-time permanent)
2016 Decision to work as a full-time freelance composer again
2017-22 current Lecturer at International Ensemble Modern Academy Frankfurt/M. (IEMA; part-time)

Legal Disclaimer: „Es gelten die Vorschriften des deutschen Urheberrechts in seiner jeweiligen Fassung. Alle Rechte der Urheber an den geschützten Werken, die auf der Website enthalten sind, bleiben vorbehalten. Ohne ausdrückliche Genehmigung durch die GEMA darf eine weitergehende Nutzung der Werke, über das Anhören der eingestellten Musikwerke hinaus, nicht erfolgen.“

Pianist. musician (guitar, piano, vocal), music teacher (classical guitar & piano), astrology, astronomy, genealogy, scifi, photography, movies, nature, 
I always learn new piano pieces directly from the score.
German imprint/Impressum: http://musik.robertvonheeren.de/impressum.html

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